The Rockification of Cavetown
Yes, that’s a real word now. With a musical director, louder arrangements and an emo renaissance playlist on repeat, Robin Skinner talks pushing himself sonically, without turning gigs into an overwhelm zone.
Jenny On Holiday is back with pop feelings and a hot drink
She’s one half of Let’s Eat Grandma, but Jenny On Holiday is all Jenny, bottling those high-highs and low-lows into pop songs that hit fast and linger.
Madison Beer is shutting out the noise on ‘locket’
Discovered in her teens and scrutinised ever since, Madison Beer has learnt the hard way when to let the world in and when to shut it out. Now, with ‘locket’, she’s stepping back from the noise, the thinkpieces and the pressure to constantly prove herself to focus on creative freedom and making music that follows her gut.
Poppy has no interest in proving how metal she is
Poppy is already bracing for the tired authenticity tests – and has zero interest in passing them. Her swaggering new album ‘Empty Hands’ turns fury into something exhilarating, with tenderness and resolve flickering beneath the blast.
Chloe Qisha is aiming for superstardom, not a slow burn
Chloe Qisha is setting an unhelpful standard for everyone else starting out. Two EPs in, the run rate is basically perfect: big hooks, killer one-liners, zero filler. With stadium support slots on the CV and ‘Chloe Qisha 3’ loading, she’s less “one to watch” and more “get ahead of this now”.
In the belly of the whale with Searows
Alec Duckart’s Searows first landed as a quiet cult secret: one mic, GarageBand, and a debut (‘Guard Dog’) that made fragility feel seismic. ‘Death in the Business of Whaling’ widens the frame – alt-rock and Americana pressure, crashing drums, and a coastal dread that never loosens its grip.
Kid Kapichi hit breaking point, then made ‘Fearless Nature’
Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.
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Pem is writing songs in the garden, obviously
Pem is juggling touring, gardening, chatting, and writing a novel, somehow. She also has a new EP, ‘other ways of landing’, and it starts with a tiny oak seedling in a crack in the paving.
Arkayla are making Manchester sing it back
With a new EP out and bigger rooms filling fast, Manchester’s Arkayla talk loud guitars, live energy, and why they’re not overthinking anything.
Check out Alien Chicks’ Teenage Kicks playlist, feat. Arctic Monkeys, Lily Allen, Nirvana and more
Alien Chicks take us through the music that meant the most to them during their teenage years.
Any Other Questions with… DEADLETTER
These are the hard-hitting facts the music industry needs right now.
Danny Brown has entered his hyperpop era
Clean(ish), gym-going and living in Austin with a new crew of hyperpop misfits, Danny Brown’s made ‘Stardust’: a wildly inventive, joy-soaked record that ditches the self-destruction without softening the weird.
Maximalism, mayhem and 5 Seconds of Summer
What do you get when you cross a boyband revival, a spiritual awakening, and dice worth seven grand? 5SOS, obviously. The band are back with ‘Everyone’s A Star!’, a maximalist new era full of satire, brotherhood, and absolute bangers.
Hatchie on love songs, liquorice, and singing to cows
Pop didn’t break her, but Hatchie’s third album ‘Liquorice’ finds her ditching the drama, embracing the 90s, and naming songs after sweets. Call it a soft reinvention – or just the sound of someone finally chilling out.
Check out Brogeal’s Teenage Kicks playlist, feat. Wolf Alice, Black Sabbath, Palma Violets and more
Brogeal take us through the music that meant the most to them during their teenage years.
A day in the life of… Stella Donnelly
This month, we nab Stella Donnelly to spy on 24 hours in her life.
In Photos: The Beaches’ Dork shoot
More shots from our The Beaches shoot in issue September 2025.
