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DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

The March 2026 issue of Dork is now available to order – featuring Louis Tomlinson, Mumford & Sons, Kim Gordon and more

It’s another packed issue from Dork Towers, featuring a mix of household names and cult favourites.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.

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Bleech 9:3 are a band built on second chances

Bleech 9:3 are carving out a bruising, deeply personal alt-rock identity built on truth, recovery and forward motion.

Rosie Carney isn’t afraid of doomsday

Existential dread, shoegaze noise, Ross MacDonald in the studio and four dogs at home. Rosie Carney's 'Doomsday... Don't Leave Me Here' is the end-of-the-world album that feels like coming home.

Grace Inspace: “My emotions are in my hair”

Grace Inspace’s ‘Heavy Hair’ finds the LA-born, London-raised artist unpacking where emotion lives.

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

The Archives

When robots learned to cry: decoding the genius of Radiohead’s ‘Kid A’

With ‘Kid A,’ Radiohead tossed aside their guitar anthems and conjured a futuristic soundscape beamed in from another dimension, creating an audacious, bewildering masterpiece that redefined modern music.

The Archives

aespa: Better Things

With their new English-language single ‘Better Things’ imminent, aespa are set to take over the world - both real and virtual.

The Archives

86TVs: “I’ve always been obsessed with the mythology of guitar music”

Farewell tours, cricket podcasts, and bestselling books: seven years since The Maccabees left us, the White brothers are back, and they’ve brought reinforcements. Meet 86TVs, your favourite band’s new favourite band.

The Archives

RAYE: 21st Century Blues

By now, RAYE’s story of major label frustration is well known. Those tales don’t often end up with a happy ending - but with a debut album and a chart busting single on deck, this isn’t just your average pop star either.

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
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FEB 25
DEC 25 / JAN 26

NOV 25

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Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
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Hatchie – Liquorice

This is Hatchie at her most relaxed, and arguably, her most Hatchie.

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Hannah Jadagu – Describe

'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

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bar italia – Some Like It Hot

They're pulling from indie and post-punk, and bending it into shapes that feel smart and totally current.

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Militarie Gun – God Save The Gun

Militarie Gun find themselves in a rarefied country.

THE ARCHIVE

From witch therapy to musical mantras, Maya Hawke’s ‘Chaos Angel’ is a journey of self-discovery, breaking patterns, and learning in front of everyone.

By Abigail Firth
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