DORK RADIO  |  NOW PLAYING:   Loading...

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

The March 2026 issue of Dork is now available to order – featuring Louis Tomlinson, Mumford & Sons, Kim Gordon and more

It’s another packed issue from Dork Towers, featuring a mix of household names and cult favourites.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.

Digital cover stories

Dork Live

Dork RADIO

NOW PLAYING

Rosie Carney isn’t afraid of doomsday

Existential dread, shoegaze noise, Ross MacDonald in the studio and four dogs at home. Rosie Carney’s ‘Doomsday… Don’t Leave Me Here’ is the end-of-the-world album that feels like coming home.

Grace Inspace: “My emotions are in my hair”

Grace Inspace’s ‘Heavy Hair’ finds the LA-born, London-raised artist unpacking where emotion lives.

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

Shelf Lives have made a debut album for the mass confused state of being

Shelf Lives’ debut album ‘hypernormaL’ captures the weirdness of trying to feel real in a world that keeps asking you to perform.

The Archives

Blossoms: “Some people think it might be a stupid idea…”

A stolen gorilla. A dancefloor-slaying fifth album. And a love for the ridiculous. Blossoms are back, and they’ve brought Gary with them.

The Archives

The 1975: Parts of the band

With their fifth album, ‘Being Funny In A Foreign Language’, The 1975 turned inwards to push out.

The Archives

Bleachers: “Realising we’d created our own mythology meant we could really plant our flag in the ground”

These days, Jack Antonoff might be better known for being the go-to producer for a galaxy of iconic superstars, but as he returns to Bleachers for their self-titled fourth album, he’s embracing the “really big band that still feels like a secret”.

The Archives

Wallows: “We’re excited by being a little bit experimental”

Wallows are riding high on confidence and creativity with their third album ‘Model’, a lean, mean indie-pop machine that showcases their growth as a band.

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
Order now Order now
FEB 25
DEC 25 / JAN 26

NOV 25

Recommended Release

Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
Recommended Release

Hatchie – Liquorice

This is Hatchie at her most relaxed, and arguably, her most Hatchie.

Recommended Release

Hannah Jadagu – Describe

'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

Recommended Release

bar italia – Some Like It Hot

They're pulling from indie and post-punk, and bending it into shapes that feel smart and totally current.

Recommended Release

Militarie Gun – God Save The Gun

Militarie Gun find themselves in a rarefied country.

THE ARCHIVE

A. G. Cook’s latest project, ‘Britpop’, blurs genre boundaries, exploring the essence and future of pop through a blend of nostalgia, innovation, and a deep dive into British cultural identity.

By Martyn Young
Read now Read now