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DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

The March 2026 issue of Dork is now available to order – featuring Louis Tomlinson, Mumford & Sons, Kim Gordon and more

It’s another packed issue from Dork Towers, featuring a mix of household names and cult favourites.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.

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Rosie Carney isn’t afraid of doomsday

Existential dread, shoegaze noise, Ross MacDonald in the studio and four dogs at home. Rosie Carney’s ‘Doomsday… Don’t Leave Me Here’ is the end-of-the-world album that feels like coming home.

Grace Inspace: “My emotions are in my hair”

Grace Inspace’s ‘Heavy Hair’ finds the LA-born, London-raised artist unpacking where emotion lives.

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

Shelf Lives have made a debut album for the mass confused state of being

Shelf Lives’ debut album ‘hypernormaL’ captures the weirdness of trying to feel real in a world that keeps asking you to perform.

The Archives

DEADLETTER: “Music only exists on the day that you write it”

From industrial rhythms to existential crises, DEADLETTER channel life’s tensions into their compelling debut ‘Hysterical Strength’.

The Archives

Making a Master Peace: “My vision was to make an album to stand the test of time”

How to make a Master Peace: inside the bold evolution of a new indie-pop maverick, as he drops a debut album that isn't coming in quietly.

The Archives

Gracie Abrams: Where do we go now?

Gracie Abrams’ debut album ‘Good Riddance’ is the story of a young artist finding her way to the top of the mountain on a journey of self-discovery, healing and brilliant potential fully realised.

The Archives

Start Making Nonsense: inside ‘Everyone’s Getting Involved: A Tribute to Talking Heads’

With a bunch of buzzy contributors from Paramore to girl in red to Blondshell, brand new compilation ‘Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense’ is a celebration of one of the best and most influential albums of all time.

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
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FEB 25
DEC 25 / JAN 26

NOV 25

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Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
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This is Hatchie at her most relaxed, and arguably, her most Hatchie.

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'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

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bar italia – Some Like It Hot

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THE ARCHIVE

Only one track deep, and everyone’s talking about Picture Parlour. Maybe it’s time they shut up and listened.

By Neive McCarthy
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