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The March 2026 issue of Dork is now available to order – featuring Louis Tomlinson, Mumford & Sons, Kim Gordon and more

It’s another packed issue from Dork Towers, featuring a mix of household names and cult favourites.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.

In the belly of the whale with Searows

Alec Duckart’s Searows first landed as a quiet cult secret: one mic, GarageBand, and a debut (‘Guard Dog’) that made fragility feel seismic. ‘Death in the Business of Whaling’ widens the frame – alt-rock and Americana pressure, crashing drums, and a coastal dread that never loosens its grip.

Joyce Manor: “A break did us a lot of good”

Joyce Manor worried a break might make people forget them. Instead, it reset the band and set up a run of bigger tours, bigger co-signs and their tightest songs yet.

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Hatchie on love songs, liquorice, and singing to cows

Pop didn’t break her, but Hatchie’s third album ‘Liquorice’ finds her ditching the drama, embracing the 90s, and naming songs after sweets. Call it a soft reinvention – or just the sound of someone finally chilling out.

Check out Alien Chicks’ Teenage Kicks playlist, feat. Arctic Monkeys, Lily Allen, Nirvana and more

Alien Chicks take us through the music that meant the most to them during their teenage years.

Arkayla are making Manchester sing it back

With a new EP out and bigger rooms filling fast, Manchester's Arkayla talk loud guitars, live energy, and why they're not overthinking anything.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about 'Fearless Nature' came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi's fourth album documents the uneasy freedom that comes with starting again.

In the belly of the whale with Searows

Alec Duckart's Searows first landed as a quiet cult secret: one mic, GarageBand, and a debut ('Guard Dog') that made fragility feel seismic. 'Death in the Business of Whaling' widens the frame - alt-rock and Americana pressure, crashing drums, and a coastal dread that never loosens its grip.

The Archives

Making a Master Peace: “My vision was to make an album to stand the test of time”

How to make a Master Peace: inside the bold evolution of a new indie-pop maverick, as he drops a debut album that isn't coming in quietly.

The Archives

86TVs: “I’ve always been obsessed with the mythology of guitar music”

Farewell tours, cricket podcasts, and bestselling books: seven years since The Maccabees left us, the White brothers are back, and they’ve brought reinforcements. Meet 86TVs, your favourite band’s new favourite band.

The Archives

girl in red: “This album definitely feels like a risk”

As she returns for her second album, girl in red’s Marie Ulven is embracing joy and self-discovery.

The Archives

Porter Robinson: “If you’re going to exist in the public eye, you’re going to get dragged”

Porter Robinson’s ‘SMILE :D’ is a testament to the power of creative liberation, as the artist fearlessly explores new sonic territories and confronts uncomfortable truths with unbridled enthusiasm.

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
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FEB 25
DEC 25 / JAN 26

NOV 25

Recommended Release

Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
Recommended Release

Hatchie – Liquorice

This is Hatchie at her most relaxed, and arguably, her most Hatchie.

Recommended Release

Hannah Jadagu – Describe

'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

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bar italia – Some Like It Hot

They're pulling from indie and post-punk, and bending it into shapes that feel smart and totally current.

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Militarie Gun – God Save The Gun

Militarie Gun find themselves in a rarefied country.

THE ARCHIVE

Sleater-Kinney’s return marks a renewed commitment to urgency, authenticity, and the unpredictable path of rock.

By Ali Shutler
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