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The March 2026 issue of Dork is now available to order – featuring Louis Tomlinson, Mumford & Sons, Kim Gordon and more

It’s another packed issue from Dork Towers, featuring a mix of household names and cult favourites.

Kid Kapichi hit breaking point, then made ‘Fearless Nature’

Nothing about ‘Fearless Nature’ came easily. Marked by lineup changes, a creative reset and a year that pushed Jack Wilson to breaking point, Kid Kapichi’s fourth album documents the uneasy freedom that comes with starting again.

In the belly of the whale with Searows

Alec Duckart’s Searows first landed as a quiet cult secret: one mic, GarageBand, and a debut (‘Guard Dog’) that made fragility feel seismic. ‘Death in the Business of Whaling’ widens the frame – alt-rock and Americana pressure, crashing drums, and a coastal dread that never loosens its grip.

Joyce Manor: “A break did us a lot of good”

Joyce Manor worried a break might make people forget them. Instead, it reset the band and set up a run of bigger tours, bigger co-signs and their tightest songs yet.

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Shelf Lives have made a debut album for the mass confused state of being

Shelf Lives’ debut album ‘hypernormaL’ captures the weirdness of trying to feel real in a world that keeps asking you to perform.

Absolutely’s new album ‘Paracosm’ is rooted in childhood imagination and creative freedom

Halfway through tour - and sharing the road with her sisters, RAYE and Amma - ABSOLUTELY is leaning back into childlike wonder on her new album ‘Paracosm’.

Mandy, Indiana: “What if neither of us compromises?”

Mandy, Indiana’s creative rulebook is simple: keep the edges sharp. On ‘URGH’, that mindset defines every turn.

Master Peace and Declan McKenna ‘Fuck It Up’ on purpose

A one-take freestyle turned full-throttle collaboration with Declan McKenna, ‘Fuck It Up’ sets the tone for MASTER PEACE’s upcoming EP ‘Stupid Kids’.

Any Other Questions with… DEADLETTER

These are the hard-hitting facts the music industry needs right now.

The Archives

Hype List 2025: Chloe Slater has hit the ground running, and it’s full sprint ahead

From crooked landlords to class warfare, Chloe Slater's infectious indie anthems are giving voice to universal frustrations.

The Archives

Katie Gavin: Sweet relief

Though by her own admission 'What A Relief' is a side-project before she returns to Greatest Band In The World™ MUNA, when Katie Gavin has something to say, you'd better listen.

The Archives

Biig Piig: The Biig time

From lo-fi beats to expansive alt-pop: Biig Piig reflects on her journey to icon status and her new mixtape ‘Bubblegum’, filled with personal growth and genre-blending experimentation.

The Archives

The Get Up Kids’ classic ‘Something to Write Home About’ at 25: “People often ask me if I’m sick of these songs. And I’m not. I’m just sick of rehearsing them”

Calling albums legendary, era-defining or 'seminal' might be increasingly common faire, but when it comes to The Get Up Kids' 'Something to Write Home About', the reverence is deserved

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
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FEB 25
DEC 25 / JAN 26

NOV 25

Recommended Release

Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
Recommended Release

Hatchie – Liquorice

This is Hatchie at her most relaxed, and arguably, her most Hatchie.

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Hannah Jadagu – Describe

'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

Recommended Release

bar italia – Some Like It Hot

They're pulling from indie and post-punk, and bending it into shapes that feel smart and totally current.

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Militarie Gun – God Save The Gun

Militarie Gun find themselves in a rarefied country.

THE ARCHIVE

How turning high school drama into hit songs has made Alessi Rose the voice of a new confessional pop generation.

By Steven Loftin
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