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David Byrne live

David Byrne turns big ideas into bigger pop at London’s Eventim Apollo

New songs from ‘Who Is the Sky?’ land with theatrical flourish at the Eventim Apollo, while Talking Heads staples hit with all the joy and bite you’d hope for.

RAYE at the O2 Arena: a gorgeous, gritty ode to joy

RAYE knows how to get exactly what she wants.

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

Varials are sounding like Varials again: “All gas, no brakes”

After line-up shifts, a necessary break and a record that “didn’t sound like Varials”, the band rebuilt from the ground up. ‘Where the Light Leaves’ is their biggest, boldest statement yet.

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Meet Tooth, London’s sweatiest new hopefuls

Tooth make shout-along guitar music, play wildly sweaty gigs and still have university deadlines waiting at home.

Bleech 9:3 are a band built on second chances

Bleech 9:3 are carving out a bruising, deeply personal alt-rock identity built on truth, recovery and forward motion.

Rosie Carney isn’t afraid of doomsday

Existential dread, shoegaze noise, Ross MacDonald in the studio and four dogs at home. Rosie Carney's 'Doomsday... Don't Leave Me Here' is the end-of-the-world album that feels like coming home.

Grace Inspace: “My emotions are in my hair”

Grace Inspace’s ‘Heavy Hair’ finds the LA-born, London-raised artist unpacking where emotion lives.

DEADLETTER are for the living

DEADLETTER’s Zac Lawrence has two jobs: gardener by day, frontman by night. On ‘Existence Is Bliss’, the sextet bottle the tension between going through the motions and grabbing life by the collar.

The Archives

Lambrini Girls turned chaos into their greatest creative weapon for debut album, ‘Who Let The Dogs Out’

Brighton duo Lambrini Girls are turning political fury and provocative punk into the year’s most essential debut - pants optional.

The Archives

Amyl & The Sniffers: “The more people love you, the more who are gonna hate you”

Amyl & The Sniffers embrace chaos, humour, and fire on their third album.

The Archives

Olivia Dean: “Life is just messy, and people are messy, and that’s great”

Olivia Dean's debut album 'Messy' is a passionate, heartfelt exploration of complex emotions, forging a relatable and warm connection that proves just why she's one of the most exciting new talents around.

The Archives

girl in red: “This album definitely feels like a risk”

As she returns for her second album, girl in red’s Marie Ulven is embracing joy and self-discovery.

ISSUE 107

March 2026

Featuring… guest editor Louis Tomlinson, Mumford & Sons, Kim Gordon and more.
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FEB 25
DEC 25 / JAN 26

NOV 25

Recommended Release

Sorry – COSPLAY

‘COSPLAY’ treats role-play as structure, not costume.

RECOMMENDED RELEASE  ★  RECOMMENDED RELEASE  ★  
Recommended Release

Hatchie – Liquorice

This is Hatchie at her most relaxed, and arguably, her most Hatchie.

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Hannah Jadagu – Describe

'Describe' isn't just a step forward, it's the sound of an artist finding joy in her own evolution.

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bar italia – Some Like It Hot

They're pulling from indie and post-punk, and bending it into shapes that feel smart and totally current.

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Militarie Gun – God Save The Gun

Militarie Gun find themselves in a rarefied country.

THE ARCHIVE

With ‘Kid A,’ Radiohead tossed aside their guitar anthems and conjured a futuristic soundscape beamed in from another dimension, creating an audacious, bewildering masterpiece that redefined modern music.

By Dan Harrison
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