Dylan Fraser and Alaska Reid's unlikely partnership transforms coincidence into indie-rock gold.

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Words: Felicity Newton.

Witch Post's existence feels like a cosmic joke turned prophecy - two musicians from different Livingstons (one Scottish, one Montanan) colliding in a trans-Atlantic musical partnership that defies probability. Their sound marries American indie rawness with Scottish rock swagger, creating something that transcends mere coincidence.

The seeds were planted during Dylan Fraser's rail journeys between Edinburgh and London in 2021. "I always used that time to listen to new albums I hadn't heard before. Alaska's album 'Big Bunny' came up, and it caught me on the first listen, so I decided to send her a message on Instagram." That digital hello led to an in-person studio session when Alaska Reid landed in London - the first notes in what would become a three-year prelude to Witch Post.

The partnership flourished immediately, yielding multiple collaborations, including a Montana-recorded album. But becoming a fully-fledged band wasn't a straightforward path. "It just kind of happened. We'd already been making music together for a few years but for different projects, and then, I guess over time, it just started to shift into the band thing," Dylan reflects. Alaska adds, "We both had alternating resistance to actually going for the band thing. Dylan was the one who basically said to me, 'Wake up, the world is wanting this at this moment'." With characteristic directness, she continues, "We're both stubborn and don't ever do things to please other people per se, but it feels like something magical is pulling us along the path. Who knows. I've strapped into this band rollercoaster, so let's rock."

Their collaborative output stands distinct from their solo work. "I don't think it is comparable. It's a new thing for us, and we enjoy the fact that it's a new thing. We've both been around and are proud of our journeys that brought us to this point, but we want this band to feel like something you've discovered for the first time," Dylan explains. Alaska distils it perfectly: "We're leaning into our 'fuck it' attitude."

Debut single 'Chill Out' emerged from what Dylan describes as "honestly chaotic" sessions, maintaining its essential spirit through countless iterations. Alaska elaborates on choosing it as their introduction: "It didn't feel too serious or too precious. It felt like a cool expression of how we feel together in the face of the music industry, a bit devilish and riled up." The track represents liberation from previous constraints - "Partially, it's us shaking off some of the heaviness of our solo projects, having more fun. I think we felt that new energy when we'd play the song to people. I've released a couple of albums and lots of singles, and I've never done a simple song like this. It feels fresh for me."

Their second single, 'Rust', showcases another side of their musical personality. "'Chill Out' is our punkier, attitude-driven, Laughing Hyenas-y track," Alaska explains. "'Rust' is more introspective, more of a fleshed-out story, a bit dreamier and expansive. We have both of these characteristics in us and our songwriting."

A witch post, a stolen kiss, and a mysteriously attentive black cat - the tale behind Witch Post's moniker is a fantastical one. "I went to this strange folk museum and saw a witch post in real life," Alaska recalls, painting the scene of their band's christening. "It stuck with me, and when it came time to name whatever Dylan and I were doing, it popped into my head."

The fateful museum visit took an enchanting turn: "I do think something changed when I saw that witch post. I was so drawn to it, and no one was near me, so I kissed it. After the kiss, a black cat actually started following me as I walked around the museum. I'm a dog girl, so I was very surprised by this cat's interest."

But beneath these supernatural whispers lies a refreshingly grounded musical partnership. "I don't think it's too big of an aesthetic choice," Dylan notes of their name's occult undertones. "We are definitely both drawn to things that feel mysterious. Our favourite bands and artists generally have that appeal to them. We like not knowing too much and wanting more. It keeps it exciting and really makes you listen to the music. We don't want it to be too on the nose aesthetically, and that doesn't feel like us."

This dedication to authenticity carries through to their stage presence. "Our live sound is really close to the recordings because...