Highland Park's evolution became the backdrop to their artistic emergence. "Growing up in Highland Park really shaped me, especially the DIY scene. I was constantly attending backyard shows as a teen and exchanging music with friends," they share. "One of my favourite experiences was seeing Skrillex play electronic music as Sonny Moore." Even gentrification couldn't stifle the neighbourhood's wild heart: "As the area became more gentrified, I was around some of my favourite musicians. It felt like all my years living in Highland Park there was never a dull moment. All the music coming in and new venues added to the neighbourhood has been really nice."

Their creative process defies gravity and logic in equal measure. "Usually, I like finishing a record pretty quickly, in 1-3 months," they explain. "I have so many demos and riffs I make daily. I know a song will stick when I keep playing it in my headphones or in my car. I put them in a playlist, and sometimes they all make sense together. There's not a day when I don't pick up the guitar. Every day is a different feeling, so sometimes it feels nice to document it musically." Think of it as an audio diary where every entry could become an anthem.

Each record marks a new constellation in zzzahara's musical universe. "My first record, 'liminal spaces', was me figuring out who I was as an artist. I wanted to make something that fell in between lo-fi and hi-fi," they muse. "The second record, 'Tender', was mostly recorded in my room and self-produced." But 'Spiral Your Way Out'? That's different. "It's definitely a huge step up for me," they admit. "It's one where I got to work with some amazing producers and step away from my bedroom studio. I really let the 'emo Z' speak, if that makes sense. I didn't hold back at all."

Enter producers Jorge Elbrecht and Sarah Tudzin, turning private bedroom recordings into technicolour dreams. "The producers I worked with for this record made me realise that music feels the best when it is a shared process," they reflect. "My favourite part of the process is getting lost in it and not realising if you've eaten a meal or what time it is. It's a whole galaxy that I felt like I wanted to visit all my life."

The album's genesis story reads pure indie film screenplay. "Long story short? I was going through a breakup that felt like one of those ones that are pretty significant. Instead of trying to fix everything and pick up the pieces, I just let myself spiral. I just 'let it be'. Felt terrible and great at the same time." The result? A record swimming in themes "of emptiness, wishing you were enough, feeling haunted by a breakup, losing friends, and internalising everything because you don't want to be a bother to anyone." Finally, an album for everyone who's ever felt too much and said too little.

Books became the map through this wilderness of feelings. "I feel like it's an artist's due diligence to explore and expand their storytelling whether it's via movies, poetry, or books," they note. "Chuck Palahniuk always made me feel like I wasn't entirely losing my mind, while Bukowski encouraged me to never stop doing what I loved while I was going through a hard time. Joan Didion showed me there's a whole world to explore with loads of interesting people in it." Imagine that reading list as your emotional advisory board – properly brilliant.

The real challenge? Turning your heart into public property. "The biggest challenge was allowing myself to be vulnerable in the studio with others present," zzzahara reveals. "I had to find comfort in escaping social anxiety on top of being able to share what I was going through. I had only told a few friends what was aching me, and having to share this openly with people who I had barely met felt like a challenge I had to face with confidence." Picture therapy with microphones and the potential for a killer bridge.