"People singing our songs back too," continues Leila, "every time that happens, it's like, HOW DO YOU KNOW THEM?!?" she laughs.

It's clear why things are dialling up, though: Lime Garden have the sort of rich musical world building around them that's impossible to resist. Moving between different lanes of alternative music with each release, you can never fully predict what a new Lime Garden track will sound like.

"I don't think we ever deliberately go, oh we want to try out a certain style or certain genre. I just think we're quite impatient people," cracks Annabel, looking back at their ever-evolving catalogue, which over the past 12 months has seen the talk of the town turn to newcomers who feel refreshingly untamed by expectations.

Lime Garden are constantly on the hunt for something new, for a twist that they've not tried out before or a flipping of the script that nobody expects. If it's not exciting and different to them, then there's no point exploring that avenue - and the results speak for themselves. 'Sick & Tired', released earlier in 2021, was a turning point where Lime Garden seized the eyes and ears of many. A bubbling track that feels both full and overflowing with ideas and grooves, it laid an understated blueprint for who Lime Garden are.

"That definitely felt like a step up," says Annabel, "it was when we signed to So Young Records and got it on vinyl too. What was weird is that we weren't too sure about it before." "Yeah, that audience reaction afterwards really made it clear that it was a turning point," adds Tippi. "Seeing the audience respond well since has been really eye-opening!" It's helped shape what has come next. "90% of our music is bouncy and dancey," says Leila, "always keeping that with everything we do, I think is the idea."

One look at what came before 'Sick & Tired' and where they've gone since shows the evolution of Lime Garden. Despite finding the first few months of lockdown particularly uninspiring, the resulting 'Pulp' and 'Clockwork' are self-assured statements of intent. Vibrating with a measured pose that sound like the sort of twisted disco grooves you'd find storming around late-night city life, their growth in the space of 12 months finds them firmly centred around the identity Lime Garden now own.

Tippi and Annabel nod in agreement. "I definitely agree," confirms the latter. "Finding our sound and this cohesive image of what we want to be as a band; how we want to come across. Before with the first tracks we put out, they were a bit more jumbled, I guess… a bit more surfy! We wanted to look and be something different, whereas now we have that clearer idea of who we want our music to appeal to."

Confirmation has come ever since those live doors opened again. Stepping straight back in with a prized slot at Latitude in July, the resulting reaction and experience served as a further confidence-booster that they were onto something pretty good. Oh, and Rick Astley. Rick Astley was there too.

As they sit gathered in a Brighton bedroom, it feels like Lime Garden are on the cusp of a takeover. Just weeks later, they'll be playing in Paris for their first European show, and after coming off a summer supporting Katy J Pearson on their first ever UK tour - these all feel like opening gems/steps for a band who already sound unique. Effortlessly cool and radiating the sort of wide-eyed ambition that comes with simply being able to do this all with your best mates every step of the way - Lime Garden are turning the mosh-pit into a dancefloor, and we're here for it.

"We want to just keep getting better and better. It's just so much fun not only writing music but these experiences that you get with it. The idea of playing certain venues or dreaming about playing in different countries, the idea of that always gets us really pumped. We're really excited to do more," lays out Leila.

"Stressful though, ain't it?" laughs Annabel. "Oh definitely. Definitely stressful!" returns Leila. If that's the only worry Lime Garden have, then it's safe to say that 2022 and beyond will be one shining brighter in the disco-ball than ever before. Taken from the December 2021 / January 2022 edition of Dork, out now.