Working with Dave Fridmann also helped Dallon embrace these different corners. “Of my ten favourite records, he’s made at least four of them. He’s worked with Tame Impala, MGMT and Flaming Lips, who are artists I’ve idolised forever. Being in the same studio as those records were made felt almost spiritual. There is a definite kid in a candy store vibe to this album.”

‘Gloom Division’ is also decadently defiant. “After that first record, there was expectation, and expectation is the thing I’ve never had to deal with before,” he says. Because of Dallon’s past with Panic!, people were quick to assume iDKHOW fit under the same banner when they heard vibrant, hook-driven choruses. “I understand the irony, but I was never really into pop-punk,” he admits. “I was always more into Britpop or alternative indie,” so he deliberately pushed that to the forefront with album two. “It’s great that people like what I did, but I’m not going to do it again. Part of my approach for this record was demand avoidance. You think I’m going to do one thing, so I’m going to do something else.”