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Lights: "I'm able to open up this whole new side of me"

"A young woman is in a post-apocalyptic world where the last bastion of humanity lives. It's an oasis in the middle of a wasteland, and there's an insan...

Lights: "I'm able to open up this whole new side of me"
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Dork
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Lights
Published
26 Sept 2017 • 12:57 pm

"A young woman is in a post-apocalyptic world where the last bastion of humanity lives. It's an oasis in the middle of a wasteland, and there's an insane classism, corporations rule, and they're destroying what's left of earth. There's very little hope left; she's always on the hunt for hope, looking for a reason to keep going in a world where people just numb themselves. She gets a marking on her body, and that opens up doorways to this whole bigger part of the story that might lead her on the greatest adventure of her life!" Lights is buzzing with excitement as she talks about the world of Enaia Jin. Dystopian futures might seem an odd starting point when it comes to discussing new music, but in this case, it's one small piece of an epic puzzle. ‘Skin & Earth', her fifth album, is an experience – a poppy burst of fight and discovery. It's a story that is tied directly into an accompanying comic book series that she herself has written and illustrated, with one issue being released every month through to December. "There's no pamphlet that tells you how to do this!" she laughs. "I was learning as I went. I was on YouTube, doing webinars, tutorials, reading books on writing comics, reading books on panelling and pasting and drawing, learning how to do it all while I was working on the record. It was quite a journey."

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Lights: "Creativity is not formulated by genre; it's formulated by fucking mood swings"
Features

Lights: "Creativity is not formulated by genre; it's formulated by fucking mood swings"

"I got to write about things I had never done because I had this character to blame it on."

The workload was immense compared to previous records - there's world building, learning new crafts, plotting stories in a way she had never done – but to her, it was the most carefree time for her creative output. "The most freeing thing about it was my ability to speak through the character, and suddenly I tapped into a whole new side of myself as an artist. Going into a session to write songs with a stranger is always challenging, going in and writing about your life, you end up writing something that's always a little bit less personal because you don't know how much you can lay on the table with somebody you don't know. "Here, I was able to go in and say this is the part of the story where this happens, this is what the character's experiencing, this is a mood. And then we'll write about that. Suddenly it's like I got to pull up this veil to write about things I had never done because I had this character to blame it on. I can write about fighting, I can write about being angry, I can write about sex – these are things that I'd never really written about in the past. Suddenly I'm able to open up this whole new side of me, this hidden corner of who I am. She came out, and suddenly I was set free."

It's been a surreal experience. At one point, Lights sat with a pencil sketching out characters, and with ‘Skin & Earth', she's able to step into the world she created. "It's so crazy!" she beams. "The first video we made was for ‘Giants', and it was literally bringing the location of the comic to life. We tried to replicate some of the drawings to a T, we brought that to life, character design, all the ads and logos and everything in the background is all pulled from my art. To see it all come to life was the craziest thing. To see the characters in the video who will be introduced in later issues, seeing them in front of me was crazy because, I drew her! I made her up! Then she's in front of me. "There's a little dramatic re-enactment of creating a comic because that's an interesting thing. The ratio of female to male creators is very low, so I'm already seeing tons of young women showing their art off. People in general feeling free to show their art, and you can do so much with it. I hope that people can see if you put the work in, you can achieve your dreams!"

"I drew her! I made her up! Then she's in front of me."

In creating her own world, Lights has been able to develop something deeper than music can often allow. With such a broad multimedia project, Easter Eggs can be planted throughout, little hidden gems for fans to catch and interpret. It calls to mind Ready Player One, Ernie Cline's book which is built solely on the importance of Easter Eggs and games – crack the code, complete the game, and you inherit James Halliday's fortune. "That book was so good! The dude Halliday in that book was genius. He's hiding all these secrets, there are all these hints everywhere, and you discover more about them all as you experience it. The funny thing is I hadn't actually heard about that book or the movie that's coming out until a few weeks ago. The comic was already finished, and I was having a conversation about it with somebody, and they're like, ‘This reminds me of Ready Player One, you have to read it.' "I went home, and I read it. It was crazy! There's not a lot of Easter Eggs, especially in music. You can hide Easter Eggs to a certain degree, but you're very limited with the medium because there's nothing physical attached to it. With the cerebral physicality of a comic, you can hide so many visual clues. I had so much fun with that. Every page there's something to find, whether it's song titles hidden in the artwork, the street signs. If you look hard enough, you can really find lyrics hidden on the walls, little fun references and I've even drawn people's faces in crowd scenes that are supposed to be people I know. There's so much you can do." Mixing mediums was simply something she wanted to do, and something she doesn't half-ass. The world building is one part, but the real world impact is equally exciting. "So many comic fans are music fans. Duh, right? A lot of music fans are comic fans. The crossover so far has been very minimal. It was due to happen. We got an email from a comic shop in Minneapolis - it was really encouraging to hear from a female in a shop who said ‘Just wanted to say ‘Skin & Earth' has brought in a lot of new comic fans into the shop'. You have to start somewhere. For comics, it's getting them into the shop, and then they discover so many more comics. She said a lot more girls are coming into the shop to pick it up and that's just awesome. It just made me really happy." Lights is refreshing, and the world she's created is so vivid and all-consuming. Enaia Jin's story will be unfolding month by month in various forms. Enjoy them together, enjoy the comics and music in isolation, Lights doesn't mind how you mix and match the formats, her main hope is that you take a step into her world. It's quite an adventure she has waiting for you. Taken from the October issue of Upset, out now. Lights' album 'Skin & Earth' is out now.

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