A genuinely lovely chilled time (seriously, can more fanbases be so pure? You're all a credit, etc etc - Ed), here's some of the stuff we learned that has us even more psyched for what we're about to receive.
She has some "very fun dates on hold in the UK," apparently
The new record "feels like it's going to change everything about how we do the live show and present some of these older songs. I'm just starting to figure out all the band stuff ahead of Coachella and I'm having a blast putting it all together and dreaming up what the next iteration will be."
She knows what the first single is
"Wrote it in the same lightning bolt one go start-to-finish moment that I wrote 'Alaska'," Maggie revealed.
She's "unsure" when we can expect it, though. She's "been trying to make videos since October but have to keep rescheduling due to Covid." Apparently, it may be "sometime in late Feb / early March."
Maggie says "the record has 12 songs"
"No features, but some fun friends came in and played on the record."
There are three five minute plus songs on the album.
She also had a structure in mind when creating the record. "This one I constructed really thoughtfully thinking about the tracklist the whole time," she says. "I'd write a song and be like "okay that's track 11" and write songs thinking "okay I need a track 6."
If the album was colours...
It would be "vivid green, dark purple, mustard yellow" and "bright orange".
The release could be determined by the delays in getting vinyl produced
That means she's "not sure of [the] release date yet." She is "doing master notes right now, so hoping to turn the record in officially by the end of the week or early next," though.
There isn't a cover yet.
Maggie explains: "I always said I would officially know the title when I saw the cover, so there's a bit of just following and trusting the process happening for these final steps."
She has shot some photos with Olivia Bee, though, who took the photo for the cover of her last record.
Maggie "made this record with very few collaborators"
She "started a lot of it alone" in her parents' garage. "Sort of went back to the way I made music when I was 18," she explains.
"The music biz right now feels like such a fucking shit show honestly," she muses
"Everyone I work with is pretty respectful of me making my art and doing what I want. And they know I'm just stubborn af. I've always been really clear about how I measure success and communicated my priorities about art. As long as everyone is on the same page as to what the goal is, you just have to be realistic about the choices you need to get to that goal I think. There's certain art/commerce sacrifices you have to make if your goal is a certain thing, but I also think there's a lot of constant talk about everything being bigger and better. Right now I feel so lucky and grateful and like I have enough. If it never gets any "bigger" than this, everything I've already experienced has already surpassed every dream I've ever had about music, so I think that gives me more flexibility to take risks."
Maggie hearts New York
Apparently "the record is, in many ways, a love letter to New York."
Her favourite moment when recording the album?
Some lyrics from the record?
"Roll the windows down
Kill the radio
I'd rather hear the wind than hear that song im supposed to know
By some fucking bro"
There's also more on Twitter to seek out.
