Shalom is dealing with life in a way that also just happens to make a rather brilliant album.
Brooklyn-based, South African-raised newcomer Shalom is about to release her debut album ‘Sublimation’. Recorded with producer Ryan Hemsworth and coming via cult favourite record label Saddle Creek, it’s a record that effortlessly captures the intensity of your early 20s, and trying to deal with life.
Hi Shalom! How’s it going? What are you up to today?
Hey! Today I have therapy and a job interview. As for how it’s going, it’s definitely going. Life has been a bit of a hellstorm recently, but things are finally easing up.
What first sparked your interest in music?
I’ve always been a writer, and I’m a writer first - I sang in choir in primary school (until they decided to phase out all the altos - which was a weird creative decision by the choir director, to say the least), and I came to songwriting in a pretty natural way because I’ve been writing for so long.
Did you grow up in a musical household?
I didn’t grow up in a particularly musical household, but I did get a small pink radio for my birthday when I was 11, and I started listening to radio shows and tracking the charts in an almost embarrassing way, but I’m trying to not really believe in being embarrassed anymore. I love music so much - it’s definitely the reason I’m alive, and I can’t even really explain what it’s like to be able to make music while having such a reverence for it as an art form. I wanted to play bass because I always gravitated to that part of music, and in 2019 I was able to buy a bass, and it’s been kind of a ride from there.






