Did the concept spring fully-formed or was it more a gradual evolution? Initially, a bit of both. The concept and idea was almost completely constructed before any music was even put to paper. We have been teasing the album title for nearly two years at this point, hiding codes in images, printing it on merch, hiding the title in videos etc. Throughout the making of the record, though, it gave me more time to really tunnel vision on what I wanted the final idea to be. ‘Prologue’ definitely helped the curation and finding a format for the story behind this record. Even though it was created at the same time, having that project there really helped me with the framework of this album and finding an audible aesthetic.

How do you keep such an ambitious project in-hand, do you have strategies for keeping track of everything? I know there’s an end goal to everything that we start. Half the time, the chaotic journey in between is what makes the end product so great. I pool all my ideas and store them on one local drive for me, so if that goes missing, then I’m completely fucked!

What comes first - the concept or the song? Do you end up writing songs to fit the bigger plan, or working the bigger picture around the music? At first, I always have the grand idea of writing to a concept, and finding a way into that, but I’ve found that doing this tends to hinder the writing and gets in the way of true art. So nowadays, it’s more a freestyle of what comes naturally, then that is moulded and crafted to fit the narrative in the post process.

What is a ‘Rouge Carpet Disaster’? Rouge Carpet Disaster is the idea of death in Hollywood. Underneath the glitz and glamour, there’s a true nightmare waiting to be unveiled. This record explores this theme in a deeper way.

For a band with such creative control of every aspect of their work, you have super high standards. How much of your time is spent creating the imagery and ideas around the music, compared to the songs themselves? Sometimes, if not more, just as much as time as the music goes into upholding high standards of presentation. This band wouldn’t be able to exist without this world we’ve created, and if one part of the project lacks, then the whole thing lacks.

If you had an unlimited budget, what sort of creative projects would you really love to do? Would you still want to keep that same level of creative control? Absolutely! I want to create what I’ve always dreamed of and what this band has always aspired to be. I want people to never forget us because of what it’s created, and I think with an unlimited budget, we’d be able to achieve that. Upholding this level of creative control is no easy feat, as I feel like there are times when we could let standards slip, and because I do this by myself, I’m the only person I have to blame.

You guys have packed an awful lot into your time together, and mostly during the pandemic too - what’ve been your highlights so far? Our headline tour. There was no smoke and mirrors, and we were finally able to see the chaos we’ve created. We have been seeing our real-life fans, and this tour is all about us, not us being the support for another band.

Is there anything else we should know? For now, dig deeper into ‘Rouge Carpet Disaster’ - there’s a lot to find once you go beneath the surface; that’s both about us and yourselves. ■

Taken from the June 2022 edition of Dork, out now. Static Dress’ debut album ‘Rouge Carpet Disaster’ is out 18th May.