The Dark Knight [Script]

THE DARK KNIGHT by Jonathan Nolan and Christopher Nolan story by Christopher Nolan & David S. Goyer * Batman created by Bob Kane THE DARK KNIGHT BURNING. Massive flames. A dark shape emerges- The BAT SYMBOL. Growing. Filling the screen with BLACKNESS. CUT TO: DAYLIGHT. Moving over the towers of downtown Gotham... Closing in on an office building... On a large window... Which SHATTERS to reveal- INT. OFFICE, HIGH RISE — DAY A man in a CLOWN MASK holding a SMOKING SILENCED PISTOL ejects a shell casing. This is DOPEY. He turns to a second man, HAPPY, also in clown mask, who steps forward with a CABLE LAUNCHER, aims at a lower roof across the street and FIRES a cable across. Dopey secures the line to an I-beam line- CLAMP on- sends a KIT BAG out then steps OUT the window. . . EXT. HIGH-RISE — DAY ...into space. The men SLIDE across the DIZZYING DROP... landing on the lower roof across the street. EXT. DOWNTOWN GOTHAM — DAY A MAN on the corner, back to us, holding a CLOWN MASK. An SUV pulls up. The man gets in, puts on his mask. Inside the car- two other men wearing CLOWN MASKS. GRUMPY Three of a kind . Let 1 s do this . One of the Clowns looks up from loading his automatic weapon . CHUCKLES That's it? Three guys? GRUMPY There's two on the roof. Every guy is an extra share. Five shares is plenty. CHUCKLES Six shares. Don't forget the guy who planned the job. GRUMPY Yeah? He thinks he can sit it out and still take a slice then I get why they call him the Joker. Grumpy cocks his weapon. Bozo pulls the car over in front of the GOTHAM PIRST NATIONAL BANK. EXT. ROOFTOP, BANK — CONTINUOUS Dopey PRIES open an access panel- HAPPY Why do they call him the Joker? DOPEY I heard he wears make-up. HAPPY Make-up? Dopey pulls out thick bundles of blue CAT 5 cables. DOPEY Yeah. To scare people. War paint. EXT. BANK — CONTINUOUS Grumpy, Chuckles and Bozo get out of the car and march into the bank CARRYING ASSAULT RIFLES - INT. BANK — DAY The Security Guard looks up- Grumpy FIRES into the ceiling. Customers SCREAM. Chuckles CRACKS the Security Guard. As Grumpy and Bozo round up the hostages, one of the TELLERS presses a button mounted beneath her window- a SILENT ALARM. EXT. ROOFTOP — DAY Dopey watches the alarm PING his handheld. DOPEY Here comes the silent alarm. (touches a button) And there it goes. That's funny. It didn't diai out to 911- it was trying to reach a private number. Behind him. Happy RAISES his silenced HANDGUN. HAPPY Is it a problem? DOPEY No, no. I'm done here. Happy SHOOTS . Dopey SLUMPS . Happy picks up his bag and FORCES OPEN the roof access door... INT. STAIRWELL, BANK — DAY ...and speeds down the stairs, to the basement. He SLAMS open the door. . . INT. VAULT ROOM, BANK — DAY ...and comes face to face with a huge VAULT. INT. LOBBY, BANK — DAY Bozo and Grumpy move down the line of hostages- Bozo hands each Hostage OBJECTS from a bag. A GRENADE. Grumpy follows, PULLING THE PINS. GRUMPY Obviously, we don't want you doing anything with your hands other than holding on for dear life. BLAM. Chuckles is BLOWN OFF HIS FEET- Grumpy and Bozo DIVE for cover- the Bank Manager steps out of his office, SHOTGUN in hand. Hostages SCRAMBLE, CLINGING their grenades . . . INT. VAULT ROOM, BANK — DAY Happy CLAMPS a DRILL to the vault- the bit SPINS- SLIDES into the metal door- a BOLT of ELECTRICITY RIPS THROUGH THE DRILL, THROWING HAPPY TO THE FLOOR- INT. LOBBY, BANK — DAY Grumpy and Bozo cower as the Bank Manager FIRES again. GRUMPY He's got three left? Bozo raises TWO fingers. Grumpy squeezes off a SHOT. The Bank Manager FIRES. FIRES again. Grumpy looks at Bozo, who nods. Grumpy JUMPS UP. The Bank Manager FIRES- Grumpy GRUNTS as buckshot CLIPS his shoulder. FALLS. The Bank Manager moves in for the kill, FUMBLING for new shells. Bozo STANDS- SHOOTS him. Bozo picks up the shotgun. Grumpy checks his wound- it's superficial. He struggles to his feet. GRUMPY (CONT'D) Where 'd you learn to count?! Bozo's mask stares him down. Grumpy heads for the stairs in the back. Bozo starts loading fresh shells into the shotgun. BANK MANAGER You have any idea who you ' re stealing from? You and your friends are dead . Bozo looks down at him. Says nothing. INT. VAULT ROOM, BANK — DAY Happy at the vault door, barefoot, turning the tumblers with hands stuffed into his SNEAKERS. Grumpy walks in. HAPPY They wired this thing up with 5,000 volts. What kind of bank does that? GRUMPY A mob bank. Guess the Joker's as crazy as they say. Happy shrugs. Grips the WHEEL BOLT and SPINS it. GRUMPY {CONT'D) Where ' s the alarm guy? HAPPY Boss told me when the guy was done I should take him out. One less share . GRUMPY Funny, he told me something similar. . . Happy FREEZES. The wheel SPINS to a STOP- the vault DOOR CLUNKS OPEN- Happy GRABS for his weapon- SPINS to see Grumpy SHOOT. Grumpy steps over Happy into the vault... INT. VAULT, BANK — DAY ...which is filled with an eight-foot MOUNTAIN OF CASH. INT. LOBBY, BANK — DAY Grumpy walks into the lobby, straining under several DUFFELS filled with cash. He DUMPS them. Looks at Bozo. LAUGHS . GRUMPY C'mon, there's a lot to carry... INT. LOBBY, BANK — DAY Bozo walks back into the lobby with two more DUFFELS. Sets them down on an ENORMOUS PILE. Grumpy looks at it. GRUMPY If this guy was so smart he would have had us bring a bigger car. Grumpy JABS his pistol in Bozo's back. Takes hiB weapon. GRUMPY (CONT'D) I'm betting the Joker told you to kill me soon as we loaded the cash. BOZO (shakes head) No. I kill the bus driver. GRUMPY Bus driver? What bus- Bozo steps backwards. SMASH. Hostages SCREAM as the TAIL END OF A YELLOW SCHOOL BUS ROCKETS through the front of the bank, SLAMMING Grumpy into the teller's window. Bozo picks up Grumpy's weapon. Another clown OPENS the rear door of the bus. Bozo SHOOTS him. Then loads the bags onto the bus. The wounded Bank Manager watches him. In the distance: SIRENS. BANK MANAGER Think you’re smart, huh? Well, the guy who hired you's just do the same to you . . . Bozo slowly shakes his head. BANK MANAGER (CONT'D) Sure he will. Criminals in this town used to believe in things... Bozo turns back to the Bank Manager. Crouches over him. BANK MANAGER (CONT'D) Honor. Respect. What do you believe, huh? What do you bel- Joker slides a GRENADE into the man's mouth. A PURPLE THREAD is knotted around the pin. THE JOKER I believe that what doesn’t kill you . . . Bozo PULLS off his MASK. The Bank Manager GASPS. In the reflections of the glasB DEBRIS behind the Bank Manager we see GLIMPSES of a SCARRED MOUTH and CLOWN MAKEUP. THE JOKER. THE JOKER (CONT'D) ...simply makes you stranger. The Bank Manager's eyes go wide. The Joker rises, strolls towards the bus, the purple thread attached to the grenade pin UNRAVELLING FROM THE PURPLE LINING of his jacket as he walks. The Joker climbs into the bus, SHUTS the rear door, TRAPPING THE PURPLE THREAD... EXT. SCHOOL, GOTHAM — DAY Kids pour out, heading onto a long line of school buses. INT. BANK — CONTINUOUS As the bus pulls out, the purple thread PULLS THE PIN- hostages scream and scurry away from the Bank Manager, who shakes with fear as, with a FIZZ, the grenade does not explode, but SPEWS RED SMOKE. EXT. BANK — DAY The School Bus pulls free of the Bank wall and pulls out onto the street, SLIDING INTO THE LINE OF IDENTICAL BUSES HEADING PAST THE BANK. The buses trundle past COP CARS racing up the street... and we- CUT TO EXT. MOVING OVER GOTHAM — NIGHT From the top of a brick building a SHAFT OF LIGHT comes on. EXT. VARIOUS LOCATIONS — CONTINUOUS A PATROLMAN looks up at the BAT-SIGNAL. Smiles. A DEALER standing beside a car spots the signal. Steps back. DEALER No, man. I don't like it tonight. BUYER What 're you, superstitious? You got more chance of winning the powerball than running into him . . . INT. MAJOR CRIMES UNIT, GOTHAM CENTRAL — NIGHT DETECTIVE RAMIREZ, female, rookie detective, 30’s, makes coffee, watching a news show on the television. ON SCREEN: The host , MIKE ENGEL , lays into the MAYOR. ENGEL Mr Mayor , you were elected on a campaign to clean up the city . . . when are you going to start? MAYOR Well , Mike- ENGEL Like this Bo-called Batman- a lot of people say he 's doing some good , ENGEL that criminals are running scared.., but I gay NO. What kind of hero needs to wear a mask? You don 't let vigilantes run around breaki ng the law . . . where does i t end? Yet , we hear rumors that instead of trying to arrest him the cops are using him to do their dirty work. MAYOR I'm told our men in the Major Crimes Unit are close to an arrest. RAMIREZ Hey, Wuertz- the Mayor says you're closing in on the Batman. WUERTZ lookB up, listless. Crumples up a paper. WUERTZ The investigation is ongoing. He throws the paper at the trash. It rebounds off a board headed 'BATMAN: SUSPECTS.' Lined with pictures: Abraham Lincoln. Elvis. The Abominable Snowman. EXT. ROOFTOP, MAJOR CRIMES UNIT — NIGHT Ramirez comes out onto the roof. LIEUTENANT GORDON sits by a SEARCHLIGHT. She hands Gordon a cup of coffee. RAMIREZ Ever intending to see your wife again. Lieutenant? GORDON I thought you had to go look after your mother, detective. RAMIREZ They checked her back into hospital. GORDON I ' m sorry . RAMIREZ (making light) Least there she ' s got someone round the clock. Unlike your wife. (looks at bat- signal) He hasn ’ t shown? Gordon gets up. Looks into the sky at the bat-signal. GORDON Often doesn't. But I like reminding everybody that he ' s out there . RAMIREZ Why wouldn't he come? GORDON Hopefully... Because he's busy. EXT. PARKING GARAGE — NIGHT Two black SUV’s pull onto the top floor. A large man emerges- the CHECHEN. A BODYGUARD points at the sky. The Chechen peers up at the BAT-SIGNAL. Shrugs. CHECHEN (IN RUSSIAN) That' 8 why we bring dogs. BODYGUARD 2 opens the back door- three enormous ROTWEILERS emerge, GROWLING. The Chechen crouches, KISSING the dogs. CHECHEN (IN RUSSIAN) (CONT'D) My little princes . . . (to bodyguards) The Batman's invisible to you fools . . . but my little princes . . . they can find human meat in complete darkness. The Chechen moves to the second SUV, reaches in and DRAGS out a skinny, wild-eyed JUNKIE by his hair. JUNKIE (babbling) No I No get ’em off mel Off mel The Chechen drags the Junkie towards a battered white van. The van's REAR DOORS OPEN... two armed THUGS emerge, carrying BARRELS... a third hovers in the dark interior. CHECHEN (ACCENTED ENGLISH) Lookl Look what your drugs did to my customers 1 VOICE (O.S.) Buyer beware ... The figure emerges: SCARECROW. Wearing his mask. SCARECROW I told your man my compound would take you places. I never said they'd be places you wanted to go. CHECHEN My business is repeat customers. SCARECROW If you don't like what I have to offer , buy from someone else. SCARECROW Assuming Batman left anyone else to buy from. The Chechen frowns. THE DOGS START BARKING. BODYGUARD (nervous) He's here. A BURLY thug at the periphery is suddenly SUCKED into the darkness. In his place a shadow straightens, revealing POINTED BAT-EARS against the glittering skyline. CHECHEN Come on, sonof bitch- my dogs are hungry, pity there's only one of you . . . A BODYGUARD to the side DISAPPEARS with a scream, and a SECOND BAT-SHADOW appears. The Chechen looks taken aback. Three more BAT-SHADOWS appear... even the dogs stop growling. BOOM! a hole appears in the SUV next to the Chechen. The first bat-shadow steps into the light carrying a SHOTGUN. CHAOS as men scatter and the The Chechen turns as he hears rooftop erupts in GUNFIRE, one of his men SCREAM. CHECHEN (CONT'D) Loose the dogsi A ISodyguaird releases the DOGS- they RACE, SALIVATING, into tne darkness ... The Dogs RACE towards a Bat-Shadow- the first dog LEAPS gets its JAWS around the Bat-Shadow's throat... Scarecrow ducks behind the van- holes PUNCHED in the side by shotgun blasts right behind him. He starts to climb into the driver's seat- The muzzle of a shotgun is pressed to the back of his head- a bat-shadow is behind him- he SPRAYS him with FEAR TOXIN- the bat-shadow collapses to the ground, SCREAMING. The Cechnyan, cowering from gunfire, looks down at him. SCARECROW Not the real thing. CHECHEN How you know? SCARECROW We're old friends. A HUGE BLACK SHAPE SLAMS down onto a row of parked cars The BATMOBILE. SCARECROW (CONT'D) That's more like it. The Chechen's men BLAST away at the front of the car: the bullets SPARK off its monstrous surface harmlessly. . . INT. BATMOBILE — CONTINUOUS The cockpit is EMPTY. One of the screens reads "LOITER". The shooting STOPS. The screen switches to "INTIMIDATE" EXT. PARKING GARAGE — CONTINUOUS The men STARE at the Batmobile for a quiet moment . . . The Batmobile CANNONS blast cars all around the men- BOOMi A bat-shadow lines up his shotgun on a running bodyguard- CLUNK- a BLACK GAUNTLET grasps the barrel and BENDS it upwards with a HOWL of tortured steel- the bat-shadow looks into the face of the Batman. The REAL BATMAN. The Bat-shadow STUMBLES BACKWARDS in terror, leaving the bent shotgun in Batman's hand. Batman OPENS his hand, revealing a PNEUMATIC MANGLE hidden in his palm- Batraan bears down on the dogs mauling another bat-shadow- DRAWS his GRAPPLING GUN and SHOOTS his grapple into the fake Batman's leg and RIPS him from the dogs, one dog HANGING ON as Batman pulls the unconscious man away. . . the Chechen RUNS down the ramp towards the exit... As Batman KICKS the dog off the fake Batman- the Chechen gets into his SUV- another dog LOCKS ITS JAWS around Batman's forearm, RIPPING, TEARING- Batman SWINGS THE DOG OVER HIS HEAD- SMASHES it against the ground- its jaws OPEN... Batman rises, an engine RACES behind him- he can't turn in time- BLAM- he's SLAMMED sideways by the speeding van. INT. VAN — CONTINUOUS Scarecrow, driving, NODS at him and hits the gas... Batman raises his hand, revealing his jointed mangle and pistons. The mangle STRAIGHTENS and ROTATES from his palm to the knife edge of his opened hand. . . Batman CHOPS straight through the windshield- pulls his hand out and CHOPS again- the mangle gets STUCK- Scarecrow steers towards a column... EXT. PARKING GARAGE — CONTINUOUS Batman can't free himself- he turns a dial on his forearm piston- EXPLOSIVE BOLTS blow, freeing his gauntlet from the mangle- he ROLLS free of the van as it SCRAPES the column and barrels down the circular exit ramp. Batman rises. A phony batman lying on the ground watches as Batman climbs up to the edge of the ten-story corkscrew ramp and stands there, waiting for something. After a moment he JUMPS... and falls... ten stories... He s about to hit the exit ramp- the van appears- his cape POPS OPEN- he SLAMS into the roof, CRUSHING the cab. EXT. ROOFTOP, PARKING GARAGE — MOMENTS LATER The Chechen s men are lined up against the wall, bound with zip-ties. So are the fake batmen. Batman DUMPS Scarecrow next to the three ‘•Batmen", rips his mask off. "BATMAN" We're trying to help you I BATMAN I don't need help. SCARECROW (O.S.) Not my diagnosis. Batman silences Scarecrow with his boot. Turns to "Batman" BATMAN Don’t let me find you out here again. Batman moves towards the Batmobile. "BATMAN" You need us 1 There ’ s only one of you- it '8 war out here! Batman gets into the Batmobile. "BATMAN" (CONT'D) What gives you the right? I What's the difference between you and me?! As the Canopy hisses shut- BATMAN I'm not wearing hockey pads. The Batman" looks down at his makeshift costume as the Batmobile ROARS past. EXT. BANK — NIGHT LIEUTENANT GORDON ducks the barrage of SHOUTED QUESTIONS from press and picks his way into the lobby of the bank. INT. LOBBY, BANK — NIGHT FORENSIC SPECIALISTS work the room. Ramirez hands Gordon PRINTS- indicates the surveillance cameras. RAMIREZ He can't resist showing us his face. Gordon looks at the grainy blow-up of THE JOKER’S FACE: sweating clown makeup plastered thick around the mouth. GORDON Put this out, by morning we can put a big top over central holding and sell tickets . What 1 s he hiding under that makeup? Gordon approaches a FORENSIC PHOTOGRAPHER shooting Grumpy' body. Gordon crouches to look at his clown mask. Batman steps from the shadows. Gordon nods at Ramirez. RAMIREZ Give us a minute, please, people 1 The Forensic team and Ramirez leave. Gordon hands Batman the blow-up of the Joker. BATMAN Him again. Who are the others? GORDON Another bunch of small timers . Batman pulls a DEVICE from his belt- moves to the bundles of cash scattered near the clown's body. The device PINGS Batman picks up a BUNDLE. Hands it to Gordon. BATMAN Some of the marked bills I gave you. GORDON My detectives have been making drug buys with them for weeks . This bank was another drop for the mob. That makes five banks- we've found the bulk of their dirty cash. BATMAN Time to move in. Gordon waves the photo. GORDON What about this Joker guy? BATMAN One man or the entire mob? He can wait. GORDON We'll have to hit all banks simultaneously. SWAT teams, backup . Gordon holds up the bundle of banknotes. GORDON (CONT'D) When the new DA gets wind of this, he'll want in. BATMAN Do you trust him? GORDON Be hard to keep him out. Gordon bags the cash. GORDON (CONT'D) I hear he's as stubborn as you. But Batman is already gone. INT. WAYNE PENTHOUSE — MORNING Alfred walks past soaring downtown views as he carries a breakfast tray through the vast, empty penthouse. He stops, looking at a still-made bed. Alfred sighs, turns. EXT. RAIL YARDS — MORNING Alfred gets out of the Rolls carrying a thermos. He walks towards a RAILWAY BRIDGE, stops at a FREIGHT CONTAINER sitting, lopsided, on blocks. Alfred unlocks the RUSTY PADLOCK AND CHAIN. Steps inside. INT. FREIGHT CONTAINER — CONTINUOUS Alfred FUMBLES in the dark- bangs his elbow- A HISS as the FLOOR LOWERS... Alfred sinks down into... INT. BAT-BUNKER — CONTINUOUS The container floor lowers on a giant PISTON. Alfred stepB Off into a large, LOW-CEILINGED CONCRETE CHAMBER. The Batmobile sits in the middle. Machines- 3d printers, power tools- dot the high-tech space. At one end, Wayne sits at a bank of monitors watching CCTV footage of the bank robbery . ALFRED Be nice when Wayne Manor ' s rebuilt and you can swap not sleeping in a penthouse for not sleeping in a mansion. Alfred places a cup of coffee in front of Wayne, who is STITCHING up a cut on his arm. ALFRED (CONT'D) (takes needle) When you stitch yourself up you make a bloody mess. WAYNE But I learn about my mistakes. ALFRED You ought to be pretty knowledgeable by now, then. WAYNE My armor... I'm carrying too much weight- I need to be faster. ALFRED I'm sure Mr. Fox can oblige. (looks at wound) Did you get mauled by a tiger? WAYNE A dog. (off look) A big dog. There were more copycats last night, Alfred. With guns. ALFRED Perhaps you could hire some of them and take weekends off. WAYNE . This wasn't exactly what I had in mind when I said I wanted to inspire people. ALFRED X know. But things are improving. Look at the new District Attorney . . . Wayne indicates a monitor: a handsome MAN in a suit. WAYNE I am. Closely. X need to know if he can be trusted. Campaigning^ lefpfng — out oi\ "bt RACHEL^ ALFRED Are you interested in his 4 Ui x n 1 n •“»* wi- rircle? WAYNE Who Rachel spends her time with is her business. ALFRED Well/ I trust you're not following me on my day off. WAYNE If you ever took one, I might. Alfred bites the thread, the SCARS criss-crossing Examines hiB stitches. Wayne 1 b shoulders . ALFRED Know your limits. Master Wayne. WAYNE Batman haB no limits. ALFRED Well, you do, sir. WAYNE I can’t afford to know them. Looks ALFRED And what happens the day you find out? WAYNE We all know how much you like to say 'I told you so' . ALFRED That day. Master Wayne, even I won't want to. Probably. INT. COURTROOM, SUPERIOR COURT DAY HARVEY DENT burBts into the courtroom. Assistant D.A. RACHEL DAWES, look up, ANNOYED. DENT Sorry I'm late, folks. Rachel leans in to Dent, speaking under her breath. RACHEL Where were you? DENT Worried you’d have to step up? RACHEL I know the briefs backwards. Dent pulls a large silver dollar out of his pocket. Grins DENT Well, then, fair's fair: heads. I'll take it. Tails, he's all yours . Dent FLIPS. Shows it to Rachel- heads. RACHEL You’re flipping coins to see who leads? DENT My father's lucky coin. As I recall, it got me my first date with you. RACHEL I'm serious, Harvey, you don't leave things like this to chance. DENT I don’t. (sincere) I make my own luck. Dent looks across at the defendant- SAL MARONI. MARONI I thought the DA just played golf with the Mayor, things like that. DENT Tee-off's 1:30. More than enough time to put you away for life, Sally. The BAILIFFS lead a THIN MAN into the witness box. ROSSI INT. COURTROOM, SUPERIOR COURT — DAY Rossi takes a SIP of water. Dent works the room. DENT With Carmine Falcone in Arkham, someone must ' ve stepped up to run the so-called family. (Rossi nods) Is this man in the courtroom today? (Rossi nods again) Could you identify him for us, please? Dent turns to Maroni, who is poker-faced. Dent Bmiles. ROSSI You win, counselor. It was me. Dent's smile disappears. He turns back to Rossi. DENT I've got a sworn statement from you that this man, Salvatore Maroni, is the new head of the Falcone crime family. ROSSI I'm the Maroni? He's a fall guy. brains of the organization. LAUGHS from the gallery. Dent turns to the JUDGE DENT permission to treat the witness as hostile? Hostile? ROSSI I'll show you hostile. Rossi JUMPS UP, P° in ^* s G ™ e a ^S£ R ! the e gun S ™Ls r01 ” D^ta^L™* the £5- ^S-esl with a RIGHT CROSS- unloads the GUN and sets xt front of Maroni. DENT Ceramic 28 caliber. Made in China. If you want to kill a public servant , Mr. Maroni, I recommend you buy American. Everyone STARES, The Bailiffs are open-mouthed, as Dent adjusts his tie wrestling Rossi from the box- DENT (CONT'D) But , your honor , I'm not done . . . INT. LOBBY, DENT'S OFFICE, DA’S — DAY Rachel, excited, leads Dent through the lobby. RACHEL We'll never link the gun to Maroni, so we can't charge him, but I'll tell you one thing- the fact they tried to kill you means we're getting to them. DENT Glad you're so pleased, Rachel. I'm fine by the way. Rachel turns to Dent. Smooths his lapels. RACHEL Harvey, you're Gotham's D.A.- if you’re not getting shot at, you're not doing your job. (smiles) 'Course if you said you were rattled we could take the rest of the day. . . DENT Can’t. I dragged the head of the Major Crimes Unit down here. RACHEL Jim Gordon? He's a friend- try to be nice. INT. DENT’S OFFICE -- DAY Gordon stands as Dent enters. The two men shake. GORDON Word is you've got a hell of a right cross . Shame Sal ’ s going to walk. DENT Well, good thing about the mob is they keep giving you second chances. Dent picks up a bundle of bills from the heist. DENT (CONT'D) Lightly irradiated bills. Fancy stuff for a city cop. Have help? GORDON We liaise with various agencies- DENT Save it, Gordon. I want to meet him. GORDON Official policy is to arrest the vigilante known as Batman on sight. DENT And that flood light on top of M.C.U.? GORDON If you have any concerns about . . . malfunctioning equipment ... take them up with maintenance , counselor. Dent tosses the bills back onto his desk. Annoyed DENT I ' ve put every known money launderer in Gotham behind bars . But the mob is still getting its money out. I think you and your "friend" have found the last game in town and you're trying to hit 'em where it hurtBj their wallets. Bold. You gonna count me in? GORDON In this town, the fewer people know something/ the safer the operation. DENT Gordon/ I don't like that you've got your own special unit, and I don’t like that it’s full of cops I investigated at internal affairs. GORDON If I didn’t work with cops you'd investigated while you were making your name at I. A.- I'd be working alone. I don't get political points for being an idealist- T have to do the best I can with what I have. Dent looks at Gordon. Considering how to proceed DENT You want me to back warrants for search and seizure on five banks without telling me who we're after? GORDON I can give you the names of the banks . DENT well, that's a start. I'll get you your warrants . But I want your trust. GORDON (rises) You don't have to sell me. Dent. We all know you're Gotham's white knight. DENT (grins) I hear they've got a different nickname for me down at M.C.U.. Gordon smiles . INT. BOARDROOM, WAYNE ENTERPRISES — DAY LUCIUS FOX, CEO of Wayne Enterprises, and the board listen to LAU, 40s, CEO of L.S.I. Holdings. LAU In China L.S.I. Holdings stands for dynamic new growth. A joint Chinese venture with Wayne Enterprises will be a powerhouse. FOX Well, Mr.Lau, I speak for the rest of the board, and Mr. Wayne, in expressing our own excitement... The Chinese look to the head of the table: Wayne, ASLEEP. INT. HALLWAY, WAYNE ENTERPRISES — DAY Fox shows Lau to the elevator. He's joined by, REESE, 30s, an ambitious M and A consultant lawyer. LAU It's OK, Mr. Fox. Everyone knows who really runs Wayne Enterprises. FOX We ' 11 be in touch as soon as our people have wrapped up the diligence. The elevator doors close. Reese frowns. REESE Sir, I know Mr. Wayne's curious how his trust fund gets replenished but frankly. . . it's embarrassing. Fox heads for hiB office, Reese in tow. FOX You worry about the diligence, Mr. Reese . I'll worry about Bruce Wayne . REESE It's done- the numbers are solid. FOX (smiles) Do it again. Wouldn't want the trust fund to run out, would we? INT. BOARDROOM, WAYNE ENTERPRISES — CONTINUOUS Wayne is standing by the window. FOX (O.S.) Another long night? (Wayne smiles) This joint venture was your idea, and the consultants love it, but I’m not convinced. L.S.I.'s grown 8 percent annually, like clockwork. They must have a revenue stream that's off the books. Maybe even illegal. WAYNE OK. Cancel the deal. FOX ( looks at Wayne ) You already knew. WAYNE I needed a closer look at their books . Fox looks at Wayne. Wry. FOX Anything else you can trouble me for? WAYNE I need a new suit. FOX {looks him over) Three buttons is a little nineties. WAYNE I'm not talking about fashion, Mr. Fox, so much as function. Wayne pulls some diagrams. Fox looks them over. FOX You want to be able to turn your head? WAYNE Sure make backing out of the driveway easier. FOX I'll see what I can do. INT. RESTAURANT — NIGHT Rachel and Dent at a table. Dent looks a little intimidated by the surroundings. DENT It took three weeks to get a reservation and I had to tell them I worked for the government. RACHEL Really? DENT This city health inspector's not afraid to pull strings. Rachel smiles. Then, over Dent’s shoulder, she sees Wayne enter, accompanied by a beautiful woman. What? DENT (CONT’D) WAYNE Rachel 1 Fancy that . RACHEL Yes , Bruce. Fancy that. WAYNE Rachel/ Natascha. Natascha, Rachel . NATASCHA (Russian accent) Hello. DENT The famous Bruce Wayne . Rachel ' s told me everything about you. WAYNE I certainly hope not. RACHEL Bruce, this is Harvey Dent. WAYNE Let ' s put a couple tables together . DENT I don't know if they'll let ub- WAYNE They should l I own the place. RACHEL For how long? About three weeks? WAYNE How'd you know? RACHEL Natascha, aren't you...? WAYNE Prima ballerina for the Moscow Ballet. RACHEL Harvey's taking me next week. WAYNE You're into ballet, Harvey? RACHEL No. He knows I am. An extra table arrives. INT. SAME — LATER They finish up dinner. NATASCHA No, come on- how could you want to raise children in a city like this? WAYNE I was raised here . I turned out OK. DENT Is Wayne Manor in the city limits? Rachel gives Dent a withering look. WAYNE The Palisades? Sure. You know, as our new D.A. you might want to figure out where your jurisdiction ends. NATASCHA I'm talking about the kind of city that idolizes a masked vigilante . . . DENT Gotham’s proud of an ordinary man standing up for what ' s right . NATASCHA Gotham needs heroes like you- elected officials, not a man who thinks he's above the law. WAYNE Exactly. Who appointed the Batman? DENT We did. All of us who stood by and let scum take control of our city. Wayne watches Dent. Sees his passion. NATASCHA But this is a democracy, Harvey. DENT When their enemies were at the gate, the Romans would suspend democracy and appoint one man to protect the city. It wasn’t considered an honor. It was considered public service. RACHEL And the last man they asked to protect the republic was named Caesar. He never gave up that power . DENT Well, I guess you either die a hero or you live long enough to see yourself become the villain. Look, whoever the Batman is, he doesn’t want to spend the rest of his life doing thiB. How could he? Batman's looking for someone to take up his mantle. NATASCHA Someone like you, Mr. Dent? DENT Maybe. If I'm up to it. Natascha reaches up and covers the top half of Dent’s face. NATASCHA But what if Harvey Dent is the caped crusader? DENT If I were sneaking out every night someone would've noticed by now. Dent takes Rachel's hand. Rachel glances at Wayne. Awkward . WAYNE well, you've sold me, Dent. I m gonna throw you a fundraiser. DENT That's nice of you, Bruce, but I'm not up for reelection for three years. That stuff won't start for- WAYNE I don't think you understand. One fundraiser with my pals, you'll never need another cent. EXT. BACK ALLEY, HOTEL, DOWNTOWN — DAY A line of high-end AUTOS dispenses well dressed GANGSTERS. INT. KITCHEN, HOTEL — DAY The Chechen walks through a METAL DETECTOR manned by two CHINESE. A lean, African-American man, 50 's, is bexng wanded. This is GAMBOL. He nods at the Chechen, wary. INT. CONFERENCE ROOM, HOTEL — CONTINUOUS Gotham's most notorious GANGSTERS. BURLY CHINESE enter, carrying a TV. the end of the table. A door opens, and two They set it down on CRIME BOSS The hell is this...? The screen flickers to life: Lau. The room ERUPTS. LAU (ON T.V.) Gentlemen, please. As you're all aware , one of our deposits was stolen. A relatively small amount: 68 million. CHECHEN Who's stupid enough steal from us? LAU I'm told the man who arranged the heist calls himself Joker. CHECHEN Who the hell is that? MARONI Two-bit whack-job wears a cheap purple suit and make-up. He's not the problem- he's a nobody. (looks at Lau) The problem is our money being tracked by the cops. Murmurs of surprise. LAU Thanks to Mr.Maroni 'a well-placed sources we know that police have indeed identified our banks using marked bills and are planning to seize your funds today- Everyone starts SHOUTING at once. EXT. VARIOUS DOWNTOWN BANKS — CONTINUOUS Gordon sits in a SWAT van outBide a bank. Stephens is outside another. Ramirez a third... SWAT teams CHECK WEAPONS and prepare move . . . INT. SOCIAL CLUB, DOWNTOWN — CONTINUOUS Lau waits for the noise to subside. CHECHEN You promised safe, clean money launder - LAU With the investigation ongoing, none of you can risk hanging on to your own proceeds . And since the enthusiastic new D.A. has put all my competitors out of business, I'm your only option. MARONI So what are you proposing? LAU Moving all deposits to one secure location. Not a bank. GAMBOL Where, then? LAU Obviously, no one can know but me. If the police were to gain leverage over one of you everyone ' s money would be at Btake. CHECHEN What stops them getting to you? LAU As the money is moved I go to Hong Kong. Far from Dent's jurisdiction. And the Chinese will not extradite one of their own. From the back of the room comes LAUGHTER. It grows and grows, until it fills the room. All eyes turn: The Joker. Sweaty clown makeup obscuring the AWFUL SCARS which widen his mouth into a PERMANENT, GHOULISH SMILE. THE JOKER I thought I told bad jokes. GAMBOL Give me one reason I shouldn't have my boy here pull your head off. The Joker pulls out a freshly sharpened pencil. THE JOKER How about a magic trick? The Joker SLAMS the pencil into the table, leaving it UPRIGHT . THE JOKER (CONT’D) I'll make this pencil disappear. Gambol nods. His BODYGUARD MOVES at the Joker- who SIDESTEPS- GRIPS his head- SLAMS it, FACE DOWN, onto the table . . . The Bodyguard goes LIMP and slides off of the table. The PENCIL is gone. MAGIC. The Joker BOWS. Grins at Gambol. THE JOKER (CONT’D) And by the way, the suit wasn’t cheap. You should know. You bought it. Gambol STANDS, furious. The Chechen stops him. CHECHEN Sit. I wanna hear proposition. The Joker nods his thanks. Rises. THE JOKER A year ago these cops and lawyers wouldn’t dare cross any of you. What happened? Did your balls drop off? See, a guy like me- GAMBOL A freak. Laughs . Which the Joker tries to ignore . THE JOKER A guy like me . . . I know why you ' re holding your little group therapy session in broad daylight. I know why you’re afraid to go out at night. Batman. He's shown Gotham your true colors. And Dent’s just the beginning. (indicates Lau) And as for his so-called plan- Batman has no jurisdiction. He'll find him and make him squeal. (smiles at Lau) I can tell the squealers every time. CHECHEN What you propose? THE JOKER It’s simple. Kill the Batman. Jeers. Laughter. MARONI If it’s so easy why haven’t you done it already? THE JOKER Like my mother used to tell me- if you're good at something, never do it for free. CHECHEN How much you want? THE JOKER Half. Laughter. The Joker shrugs. Rises. THE JOKER (CONT’D) You don't deal with this now, soon Gambol won't even be able to get a nickel for his grandma- GAMBOL Enough from the clown. Gambol gets up, MOVING at the Joker, who casually opens his coat, revealing EXPLOSIVES wired to his chest. Gambol stops . THE JOKER Let's not blow this out of all proportion . Gambol stares at the Joker. Hard. GAMBOL You think you can steal from us and just walk away? I'm putting the word out- 5 hundred grand for this clown dead. A million alive, so I get to teach him some manners, first. The Joker shrugs. Turns to the assembled. THE JOKER Let me know when you change your minds . The Joker strolls out. Maroni turns to Lau. MARONI How soon can you move the money? EXT. VARIOUS BANKS DOWNTOWN CONTINUOUS Gordon hurries up the steps to a bank. SWAT teams rush the various banks. LAU (O.S.) I already have. . . EXT. UNDERPASS, GOTHAM — CONTINUOUS A CHINESE MAN finishes loading a TRACTOR TRAILER with cash boxes. The truck pulls out into a CONVOY. INT. BANK VAULT — CONTINUOUS Gordon stands in an almost empty bank vault. Furious. LAC7 (O.S.) For obvious reasons I couldn 't wait for your permission . . . INT. SOCIAL CLUB, DOWNTOWN — CONTINUOUS The shot of Lau on the TV widens . . . LAU Rest assured, your money is safe. He is already on his private jet. IN THE SKY: THE BAT SIGNAL. EXT. ROOF, POLICE STATION — NIGHT Batman emerges from the shadows . The man next to the glowing spotlight turns s DENT . DENT You're a hard man to reach. Gordon BURSTS onto the rooftop, weapon drawn. Sees Dent. DENT (CONT'D) Lau ' s halfway to Hong Kong- if you'd asked, I could have taken his passport- I told you to keep me in the loop. GORDON Yeah? All that was left in the vaults were the marked bills- they knew we were coming 1 As soon as your office got involved, there's a leak- DENT My office? 1 You're sitting down here with Bcum like Wuertz and Ramirez. . . (off look) Oh, yeah, Gordon- I almost had your rookie cold on a racketeering beef. GORDON Don't try to cloud the fact that clearly Maroni's got people in your office. Dent. Dent turns to Batman. DENT We need Lau back, but the Chinese won ' t extradite a national under any circumstances. BATMAN If I get him to you, can you get him to talk? DENT I’ll get him to sing. GORDON We're going after the mob's life savings. Things will get ugly. DENT I knew the risks when I took this job, lieutenant. Same as you. (turns to Batman) How will you get him back, anyway? Batman is gone. Dent looks around, startled, smirks . GORDON He does that. Gordon INT. FOX’S OFFICE , WAYNE INDUSTRIES — DAY Fox gets up from behind his desk. FOX Our Chinese friend left town before I could tell him the deal is off. WAYNE I'm sure you’ve always wanted to go to Hong Kong. Fox opens the door to a private elevator. INT. PRIVATE ELEVATOR — CONTINUOUS Fox turns a key. FOX What's wrong with a phone call? WAYNE I think Mr.Lau deserves a more personal touch. INT. APPLIED SCIENCES DIVISION — CONTINUOUS Fox leads Wayne off the elevator and into the vast space. FOX For high altitude jumps, you need oxygen and stabilizers. I must say- compared to your usual requests, jumping out of an airplane is pretty straightforward. Lucius stops at a cabinet, pulls open a drawer and hauls out an oxygen tank and ribbed rubber hosing. WAYNE How about getting back into the plane? FOX I can recommend a good travel agent . WAYNE Without it landing. FOX That's more like it, Mr. Wayne. He shuts the drawer. Moves off, thinking. FOX (CONT'D) I don't think I have anything here. The CIA had a program in the 1 60s for getting their people out of hot spots. Called Sky Hook. Now- Fox opens a cabinet to reveal COMPONENTS OF A NEW BAT-SUIT. ARMORED PLATING secured to mesh. Wayne lifts an arm. FOX (CONT'D) Hardened kevlar plates on a titanium-dipped fiber tri-weave for flexibility. . . Wayne examines DOUBLE BLADE SCALLOPS on the gauntlet... FOX (CONT'D) You'll be lighter, faster, more agile. . . Wayne flinches as the BLADES FIRE, SPINNING LIKE THROWING STARS, NARROWLY MISSING his ear, embedding themselves in a filing cabinet. Fox looks at him. FOX (CONT'D) Perhaps you should read the instructions, first. WAYNE Sorry. Fox picks up the chest, demonstrating its flexibility. FOX Now, there's a trade-off... the spread of the plates gives you weak spots. You'll be more vulnerable to gunfire and knives. WAYNE We wouldn’t want things getting too easy, would we? (picks up suit) How will it hold up against dogs? Fox looks at him quizzically. FOX You talking chihuahuas or rotweilers? (Wayne smiles) It should do fine against cats. I NT. BAT-BUNKER — DAY Wayne examines a parachute harness. Alfred unfolds a diagram of a NAVY CARGO PLANE with a giant "V" mounted on the front. ALFRED I found one. In Arizona. Very nice man says it will take him a week to get it running. And he takes cash. What about a flight crew? WAYNE South Korean smugglers. They run flights into Pyongyang, below radar the whole way. Did you think of an alibi? Alfred looks quite pleased with himself. ALFRED Oh , yes . EXT. BALLET — NIGHT Rachel and Dent arrive to find the box office SHUTTERED. A sign : 1 PERFORMANCE CANCELED.' A newspaper story is taped to the glass. Over a picture of BRUCE WAYNE ON A YACHT: LOVE BOAT - Billionaire absconds with entire Moscow ballet . EXT. DECK, WAYNE’S YACHT, THE CARIBBEAN — DAY Alfred, picks his way over twelve SUNBATHING BALLERINAS. Wayne looks up from a newspaper. Alfred points to a SEA- PLANE gently touching down across the bay. ALFRED I believe your plane is here. WAYNE You look tired, Alfred. Will you be all right without me? A Ballerina rolls over- waveB the suntan lotion at Alfred. ALFRED If you can tell me the Russian for 'apply your own bloody suntan lotion . 1 Wayne tosses a large, waterproof kit bag into the water and JUMPS in after it. Begins swimming over to the sea-plane. INT. POOL HALL — NIGHT Gambol racks up. A bodyguard steps into the room. BODYGUARD Somebody here for you. Gambol looks to the back- three rough customers are waiting. BODYGUARD (CONT'D) They say they've killed the Joker. They've come for the reward. GAMBOL They bring proof? BODYGUARD They say they’ve brought the body. The bodyguards FLOP a BODY wrapped in garbage bags onto the table. The BOUNTY HUNTERS wait in the corner. Gambol pulls back one of the garbage bags, revealing the Joker's bloodied face. Gambol spits. Turns to face the bounty hunters . GAMBOL So. Dead you get five hundred- Behind Gambol, the Joker SITS UP- THRUSTS knives into the bodyguards’ chests. Gambol spins to see a crazy grin on the Joker's spit-dribbled face- THE JOKER How about alive? The Joker gets a switchblade in Gambol's mouth- SHARP METAL PULLING THE CHEEK TAUT. The Bounty Hunters subdue the remaining bodyguards. THE JOKER (CONT'D) Wanna know how I got these scars? My father was a drinker and a fiend. He'd beat mommy right in front of me. One night he goes off crazier than usual, mommy gets the kitchen knife to defend herself. He doesn't like that. Not. One. Bit. The Joker TUGS Gambols cheek with the blade. THE JOKER (CONT'D) So, me watching, he takes the knife to her, laughing while he does it. Turns to me and says 'why so serious ? 1 Comes at me with the knife- 'why so serious?' StickB the blade in my mouth- 'Let’s put a smile on that face 1 and... The Joker looks up at the ASHEN FACES of the remaining Body Guards . Smiles . THE JOKER (CONT'D) Why so serious? The Joker FLICKS his wrist- the Body Guards flinch as Gambol goes down. The Joker turns to them. THE JOKER (CONT'D) Now, our organization is small, but we've got a lot of potential for aggressive expansion... so which of you fine gentlemen would like to join our team? The three bodyguards all nod. The Joker SNAPS a pool cue. THE JOKER (CONT'D) Only one slot open right now- so we're going to have try-outs. The Joker drops the broken cue in the middle of the men. THE JOKER (CONT’D) Make it fast. The men stare at each other. Then at the jagged pool cue. EXT. PENINSULA HOTEL, HONG KONG — DAY A HELICOPTER touches down on one of the hotel's twin helipads. Two L.S.I. VPs approach, heads ducked. Fox gets ou- t- they shake hands, shouting over the engine- VP Welcome to Hong Kong, Mr. Fox! Mr.Lau regrets he is unable to meet you in person. But with his current legal difficulties...! FOX I understand! INT. LOBBY, L.S.I. HOLDINGS — DAY The VPs usher Fox towards security. VP I'm afraid for security reasons I have to ask for your mobile phone. Lucius hands his phone to a SECURITY GUARD, who puts the phone in a box underneath his station. INT. L . S . I . HOLDINGS — DAY Fox and Lau eat lunch in a dining room overlooking the city. LAU I must apologize for leaving Gotham in the middle of our negotiations. This misunderstanding with the Gotham police force... I couldn't let such a thing threaten my company. A businessman of your stature will understand. But with you here... we can continue. FOX Well, it was good of you to bring me out here in such style, Mr.Lau. But I 've actually come. . . A CELL PHONE rings. Fox pulls out a second, identical, phone. Fox presses the off switch and places the phone by hiB plate. LAU We do not allow cell phones in- FOX Sorry . Forgot I had it . So , I've come to explain why we're going to have to put our deal on hold . . . Lau stares at Fox. Clearly furious. Fox smiles FOX (CONT'D) We can ' t afford to be seen to do business with... well, whatever it is you're accused of being. A businessman of your stature will understand. Lau gets up. Silent. Fox retrieves his phone. LAU (cold) I think, Mr. Fox, that a simple phone call might have sufficed. FOX Well, I do love Chinese food. And Mr. Wayne didn't want you to think we’d been deliberately wasting your time. LAU Just accidentally wasting it. FOX (laughs) That's very good- "accidentally”. Very good. I'll be sure and tell Mr. Wayne that he was wrong about you not having a sense of humor. Stands . INT. LOBBY, L . S . I . HOLDINGS — DAY Lucius walks back through security. Nods at the VP, who bows, offering Lucius his cell phone. Lucius shakes his head, holds up the IDENTICAL PHONE. The VP smiles, nods, puts the phone back into the tray with several others. INT. HOLD, C-130 CARGO HAULER DAWN Two SMUGGLERS steal glances at Wayne, crouched at the rear m balaclava and flight suit. The COPILOT signals Wayne, who pulls on his oxygen mask and stands up. The rear of the plane OPENS. Wayne Bteps to the edge, then JUMPS. EXT. SKIES ABOVE HONG KONG — DAWN Moving across the water towards Hong Kong harbor... A tiny figure DROPS into frame, PLUMMETING towards the water- SPEEDING past the highest floors of skyscrapers, seconds from impact. Wayne PULLS the chute- DROPS into the water. . . EXT. BENEATH FREEWAY, HONG KONG HARBOR — DAY Wayne pulls himself out of the water, dragging up his pack. EXT. CENTRAL ESCALATORS — DAY Wayne stops halfway up the crowded commuter escalator. He takes a camera and lines up a shot like any tourist. FOX (O.S.) There's a better view from the peak tram. Wayne turns to find Fox standing there, street map out. WAYNE How's the view from L. S. I. Holdings? FOX Restricted. Lau's holed up in there good and tight . Here . . . Fox shows Wayne the phone. The display: a 3-d map of Lau's office suite. Wayne takes the phone, impressed. WAYNE What's this? FOX I had R and D work it up- it sends out high frequencies and records the response time to map an environment . WAYNE (smiles) Sonar. Just like a b- FOX Submarine. Like a submarine. WAYNE And the other device? FOX In place. Wayne nods, moves away. FOX ( CONT 1 D) Mr .Wayne? (Wayne turns) Good luck. EXT. HONG KONG — NIGHT Moving towards the tallest building in the glittering skyline to find Wayne, crouched on the roof. The blades of his gauntletB CLICK into place. He dons the helmet-like cowl. His "cape" is in the form of a hard faceted PACK. He stands- pulls two black boxes from his belt, CLICKS them together and UNFOLDS them into a RIFLE-LIKE DEVICE. Batman SCOPES a second, lower building. Adjust a setting and FIRES- four times... Four small STICKY BOMBS SLAP onto the glass of the lower building . They have visible timers which are COUNTING DOWN. INT. LOBBY, L.S. I. HOLDINGS — NIGHT Lucius' cell phone GLOWS in the box under the Security Guard's desk. CHARACTERS race across the screen. Then the monitor FLICKERS off, the lights DIM and all of the security doors in the front of the building OPEN at once. The Guard grabs his radio- CALLS FOR HELP . . . EXT. ROOFTOP OVERLOOKING L.S. I. HOLDINGS Batman LAUNCHES into the glittering night, DROPPING from the tall tower... his pack BURSTS OPEN, becoming his BAT WlNGS-he GLIDES down to the lower building, STREAKING around it, BANKING HARD to line up with a window in the rear. . . INT. LAU'S OFFICE, L.S. I. HOLDINGS -- NIGHT Lau is talking on the phone, staring at a profit projection on a flat screen monitor. Suddenly the room goes dark. EXT. L.S. I. HOLDINGS — CONTINUOUS As Batman HURTLES towards the glass he COLLAPSES his wings, WRAPPING his cape around himself and CANNONBALLING THROUGH THE GLASS- INT. LAU'S OFFICE SUITE, L.S. I. HOLDINGS — NIGHT -ROLLING across the floor in a flurry of broken glass... INT. LAU'S OFFICE, TOP FLOOR, L.S. I .HOLDINGS — NIGHT Lau pulls out a HANDGUN. INT. HALLWAY, L . S . I . HOLDINGS — NIGHT Lau steps into the hallway. His BODYGUARDS are waiting for him, carrying FLASHLIGHTS. LAU (IN CHINESE) Where the hell are the cops? BODYGUARD (IN CHINESE) Coming . LAU (IN CHINESE) What the hell am I paying them for? They head for the stairwell. EXT. L . S . I . HOLDINGS — NIGHT A small ARMY of Hong Kong police lead by a HONG KONG DETECTIVE descends on the building. INT. MEZZANINE LEVEL, L . S . I . HOLDINGS — NIGHT Lau and his men make their way out onto the mezzanine. Across the room, something makes a CRASHING SOUND. Lau's men fan out, trying to cover the room with their flashlights . Suddenly, one of the flashlights goes DARK. Then another. Someone SCREAMS. Lau FIRES. Then FIRES again. The muzzle flash from his weapon STROBES the room. EXT. L.S. I. HOLDINGS, HONG KONG — NIGHT Cops SWARM into the building. A LOBBY SECURITY GUARD directs the Hong Kong Detective where to go... INT. OFFICE, L.S. I. HOLDINGS — NIGHT Lau LOCKS the door. RELOADS. The door is KICKED open. Lau FIRES. No one is there. Lau stares, finger restless on the trigger. From his right- a NOISE. He turns and FIRES. In the muzzle FLASH: Batman, bearing down on him like a demon. Lau FIRES, and FIRES again as Batman TACKLES him. Batman pulls out a SMALL PACK- STRAPS it onto Lau- The COUNTER on the sticky bombs hits 0- The Hong Kong Detective and the Cops BURST into the room- the WALL AND CEILING BEHIND BATMAN AND LAU EXPLODES- revealing the dawn sky above Hong Kong. The Detective looks around as he hears a LOW RUMBLE... Batman JERKS the RIPCORD on Lau's pack. Cops cower as a WEATHER BALLOON EXPLODES out of the pack, unreeling high- test nylon. The Cops cock their weapons. Lau looks up. Bemused. The weather balloon is two hundred feet up, swaying gently. The RUMBLE BUILDS... Suddenly, a MASSIVE C-130 ROARS over. The large V on the front of the plane SNAGS the line- Lau and BATMAN are YANKED THROUGH THE HOLE IN THE CEILING- Lau SCREAMS as he and Batman SOAR UP INTO THE DAWN SKY... The Detective looks up. Batman and Lau are gone. INT. GORDON’S OFFICE, MCU, GOTHAM CENTRAL DAY Gordon is looking through case files. Ramirez walks in. RAMIREZ You're gonna want to see this. EXT. MCU — DAY Gordon follows Ramirez through a CROWD of excited cops. On the ground, trussed like a chicken- Lau. A sign taped to his chest: 'Please deliver to Lieutenant Gordon.' INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL — DAY Lau sits next to his sleazy lawyer, EVANS. Rachel walks in. RACHEL Give us the money and we'll deal. LAU The money is the only reason I'm still alive. Rachel leans forward, speaking softly. Clearly. RACHEL You mean when they hear that you've helped us they're going to kill you? EVANS Are you threatening my client? RACHEL No, I'm just assuming your client's cooperation with this investigation. As will everyone. (moves to the door) Enjoy your stay in County, Mr. Lau. LAU Wait. (Rachel stops) I won't give you the money, but I ’ 11 give you my clients . All of them. RACHEL You were a glorified accountant- what could you have on all of them that we could charge? LAU I’m good with calculation- I handled all their investments. One big pot. INT. OBSERVATION ROOM, MCU, GOTHAM CENTRAL — DAY Dent hitB a buzzer. Turns to Gordon. DENT I've got it. RICO. If their money was pooled we can charge all of them as one criminal conspiracy. GORDON Charge them with what? Rachel enters. DENT In a RICO case if we can charge any ■ of the conspirators with a felony- RACHEL We can charge all of them with it. Dent nods at Rachel, excited. INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL — DAY Rachel comes back in. RACHEL Mr.Lau, do you have details of this communal fund? Ledgers , notebooks . . . ? LAU ( smiles ) Immunity, protection and a chartered plane back to Hong Kong. RACHEL Once you've testified in open court. So with your clients locked up, what happens to all that money? LAU Like I said- I'm good with calculation. INT. OBSERVATION ROOM, MCU, GOTHAM CENTRAL — CONTINUOUS Dent and Gordon watch Lau. GORDON He can't go to County. I'll keep him here in the holding cells. DENT What is this Gordon, your fortress? GORDON You trust them over at County? DENT I don't trust them here. GORDON Lau stays. DENT It's your call, Lieutenant. Be right. GORDON I am, counselor. EXT. CITY HALL — DAY Dent stands in front of a small crowd of reporters. REPORTER The Chinese government claim their international rights have been broken . DENT I don ' t know about Mr . Lau ' s travel arrangements . . . INT. RESTAURANT — CONTINUOUS Dent's press conference plays on a TV in the corner. DENT ( grins ) ...but I'm sure glad he's back. Maroni and the Chechen are watching the TV. CHECHEN I put word out. We hire the clown. (off look) He was right. We have to fix real problem. B atman . Maroni shakes his head. Spots Gordon walking over dangling a pair of handcuffs. Nods at the TV. GORDON Our boy looks good on the tube. MARONI You sure you want to embarrass me in front of my friends. Lieutenant? GORDON Don't worry, they’re coming, too. Gordon points out the window to a PRISON BUS. EXT. VARIOUS DOWNTOWN AND OUTLYING LOCATIONS — DAY Prison buses in every neighborhood. COPS load them with CRIMINALS. Stephens puts Crime Boss in a prison bus. INT. COURTROOM A, GOTHAM MUNICIPAL COURTHOUSE — DAY JUDGE SURRILLO reads the list of charges . JUDGE SURRILLO — 849 counts racketeering, 246 counts fraud, 87 counts conspiracy murder . . . Judge Surrillo turns the page. A PLAYING CARD sits there. A Joker. He glances at it, curious, puts it to one side. JUDGE SURRILLO (CONT'D) ...how do the defendants plead? An ARMY Of DEFENSE LAWYERS jostle YELLING A L L AT ONCE. STENOGRAPHER looks up, helpless. INT. MAYOR'S OFFICE — DAY The MAYOR, COMMISSIONER LOEB, and Gordon look up as Dent enters. MAYOR DENT! What was that circus?! DENT I asked Gordon to make some arrests . LOEB (looks at report) Five hundred and- GORDON Forty-nine, sir. Gordon nods at Dent, approving. Dent grins back. MAYOR 549 criminals at once?! How did you convince Surrillo to hear this farce? DENT She shares my enthusiasm for justice. After all, she is a judge. MAYOR Even if you blow enough smoke to get convictions out of Surrillo, you'll set a new record at appeals for quickest kick in the ass. DENT It won't matter. The head guys make bail, sure... but the mid- level guy 3 , they can't, and they can’t afford to be off the streets long enough for trial and appeal. They'll cut deals that include some jail time. Think of all you could do with 18 months of clean streets. The Mayor waves Gordon and Loeb out. MAYOR The public likes you. Dent. That's the only reason this might fly. But that means It's on you . They're all coming after you, now. Not just the mob... politicians, journalists, cops- anyone whose wallet's about to get lighter. Are you up to it? (Dent smiles) You better be. They get anything on you. . . those criminals will be back on the streets . . . The Mayor turns to look out of the window. Quiet. MAYOR (CONT'D) Followed swiftly by you and me- BANGl A DARK SHAPE CRACKS THE GLASS in front of the Mayor's nose. Dent rushes to the window, looks out... EXT. CITY HALL — CONTINUOUS PEDESTRIANS look up, someone SCREAMS, someone POINTS- five stories up... SWINGING from a FLAGPOLE... BATMAN. HANGING BY HIS NECK. DEAD. His mouth roughly painted in a DEMONIC CLOWN SMILE. EXT. CITY HALL — MOMENTS LATER "Batman" is lowered from the flagpole. The same fake Batman we saw earlier. Pinned to his chest by a KNIFE, a PLAYING CARD. A Joker. Gordon moves closer to the body. The card has writing on it: WILL THE REAL BATMAN PLEASE STAND UP? INT. WAYNE PENTHOUSE — DAY Wayne comes into the living room, excited. Alfred is supervising party arrangements. WAYNE How's it going? ALFRED I think your fundraiser will be a great success, sir. WAYNE And why do you think I wanted to hold a party for Harvey Dent? ALFRED I assumed it was your usual reason for socialising beyond myself and the scum of Gotham's underbelly: to try and impress Miss Dawes. WAYNE Very droll. But very wrong. Actually it’s Dent. You see- Wayne trails off as he spots something on the television: the Batman HANGING a a from a NEWS CAMERA , framed by a graphic that reads 'BATMAN DEAD?'. Image cuts to Engel in the studio . ENGEL (V.O.) . . .Police released video footage found concealed on the body. Sensitive viewers be aware: it is disturbing. The image cuts to a BLINDFOLDED MAN , wearing a makeshift Batman costume- face bruised and bloody. In some kind of bright , fluorescent-lit room. VOICE (O.S.) Tell them your name. MAN {weak) Brian Douglas. VOICE (O.S. ) Are you the real Batman? MAN No. VOICE (O.S.) Why do you dress up like him? MAN He's a symbol... that we don't have to be afraid of scorn like you. . . VOICE (O.S. ) But you do, Brian . You really do. You think the Batman ' s helped Gotham? Brian nods uncertainly. . . VOICE (CONT'D) Look at me. ( Brian looks down) LOOK AT ME l Brian looks up- the camera swings into the face of the Joker, in CHALK-WHITE makeup, RED SMEAR of lipstick on his SCARS . THE JOKER This is how crazy Batman's made Gotham. You want order in Gotham? Batman has to go. So. . . { leans in) Batman must take off his mask, and turn himself in. Every day he doesn 't . . . people will die. Starting tonight. I'm a man of my word. The tape cuts to STATIC. Wayne turns to Alfred. Silent. INT. WAYNE PENTHOUSE — EVENING Dent and Rachel get off the lift. Dent stands in awe of the penthouse and its guests. RACHEL Now I've seen it all: Harvey Dent, scourge of the underworld, scared stiff by the trust fund brigade. Rachel spots someone and darts off- DENT Rachel- ALFRED (O.S. ) A little liquid courage , Mr. Dent? Dent turns to see Alfred with drinks on a silver tray. DENT Thanks. Alfred, right? ALFRED Yes, sir. DENT Rachel talks about you all the time. You've known her her whole life? ALFRED Not yet, sir. DENT ( smiles , surveys crowd) Any psychotic ex-boyfriends I should be aware of? ALFRED Oh, you have no idea. Alfred leaves Dent standing there, puzzled. The crowd REACTS as a LOUD ROAR drowns conversation... Dent looks out- EXT. HELIPAD, WAYNE PENTHOUSE — CONTINUOUS Wayne's CHOPPER touches down. He spills out with a clutch of SUPERMODELS... INT. WAYNE PENTHOUSE — CONTINUOUS Wayne and the supermodels come out of the helipad elevator- WAYNE Sorry, I'm late- glad you started without me! Where's Rachel?! Rachel cringes slightly. Wayne spots her. WAYNE (CONT'D) Rachel Dawes- my oldest friend. When she told me she was dating Harvey Dent, I had one thing to say... the guy from those god- awful campaign commercials? Laughter. Dent shifts, embarrassed. WAYNE (CONT'D) 'I Believe in Harvey Dent.' Nice slogan, Harvey. Certainly caught Rachel's attention. But then I started paying attention to Harvey, and all he 1 s been doing as our new D.A., and you know what? X believe in Harvey Dent. On his watch, Gotham can feel a little safer. A little more optimistic. So get out your checkbooks and let’s make sure that he stays right where all of Gotham wants him... (raises his glass) All except Gotham’s criminals, of course. To the face of Gotham’s bright future- Harvey Dent. Dent smiles accepting the toast. INT. CORRIDOR, MCU — EVENING Ramirez catches up to Gordon, holding paperwork. RAMIREZ That Joker card pinned to the body? Forensics found three sets of D.N.A. . GORDON Any matches? RAMIREZ All three. Gordon STOPS. Turns to face her. RAMIREZ (CONT'D) The D.N.A. belongs to Judge Surrillo, Harvey Dent and Commissioner Loeb. GORDON The Joker ' s telling us who he ' s targeting- get a unit to Surrillo's house, tell Wuertz to find Dent- get them both into protective custody. Where's the Commissioner? RAMIREZ City hall. GORDON Seal the building. No one in or out till I get there. EXT. DECK, WAYNE'S PENTHOUSE — EVENING Wayne walks out to the edge of the balcony and looks over Gotham. Hears someone behind him- Rachel. RACHEL Harvey may not know you well enough to understand when you're making fun of him. But I do. WAYNE (shakes his head) I meant every word. Wayne moves closer to Rachel. Takes her arm. WAYNE (CONT'D) The day you once told me about, the day when Gotham no longer needs Batman. It's coming. Rachel lookB at Wayne. Conflicted. He moves closer. RACHEL You can't ask me to wait for that. Wayne takes Rachel's arms, looking at her, excited. WAYNE It's happening now- Harvey is that hero . He locked up half the city ' s criminals, and he did it without wearing a mask. Gotham needs a hero with a face. DENT ( 0 . S . ) You can throw a party, Wayne, I’ll give you that. Thanks again. Mind if I borrow Rachel? Rachel glances back at Wayne as she moves to Dent. Wayne watches them head inside. EXT. STREET, GOTHAM HEIGHTS — EVENING Two MEN in suits knock at a Brownstone. The door is opened by Judge Surrillo. The two Men hold up BADGES. EXT. CITY HALL — EVENING Gordon enters through a tight police presence at the doors. INT. POLICE COMMISSIONER’S OFFICE — EVENING Gordon enters to find Loeb, flanked by armed cops. COMMISSIONER LOEB Gordon, what are you playing at? Gordon checks the window. Turns to his men. GORDON We're secure. I want a floor-by- floor search of the entire building. (turns to Loeb) I'm sorry, sir. We believe the Joker has made a threat against your life. LOEB Gordon, you're unlikely to discover this for yourself, so take my word- the Police Commissioner earns a lot of threats — Loeb pulls a bottle of whisky and a tumbler from a drawer. LOEB (CONT'D) I found the appropriate response to these situations a long time ago... EXT. STREET, GOTHAM HEIGHTS -- EVENING The second man is waiting by the Judge's car. SURRILLO Gordon wants me to go right now? MAN 1 These are dangerous people. Judge. Even we don't know where you're going . He hands Surrillo a sealed envelope. Opens the car door. MAN 2 Get in, then open the envelope. It’ll tell you where you're headed. Surrillo climbs in. Watches them drive away. She opens the envelope- pulls out a sheet of paper. One word on it 'UP' . Surrillo ’s car EXPLODES, heaving the car upwards on a FIREBALL. A PASSERBY is thrown to the ground. After a moment, BURNING DEBRIS flutters down on him. PLAYING CARDS. JOKERS . INT. POLICE COMMISSIONER'S OFFICE — CONTINUOUS Loeb pours himself a glass of whisky. LOEB You get to explain to my wife why I'm late for dinner. Lieutenant. GORDON Sir, the Joker card had a trace of your D.N.A. on it- A bang at the door. Gordon pulls his weapon, then opens it. STEPHENS Just the normal number of bad guys in the building- and they're all city employees. Here's a list. LOEB How'd they get my D.N.A. ? Gordon looks at Stephens ' s list . GORDON Somebody with access to your house or office muBt've lifted a tissue or a glass. . . Gordon, realizing/ spins around- GORDON Wait- But Loeb is already CHOKING- desk- the spilled whiskey is GORDON Get a medic l Loeb COLLAPSES. OMITTED; : 104 ( CONT ' D ) he DROPS his tumbler onto the SMOKING, eating into the wood. (CONT'D) OMITTED INT. KITCHEN, WAYNE PENTHOUSE — EVENING Dent pulls Rachel into the kitchen, away from the crowd DENT You cannot leave me on my own with these people. RACHEL The whole mob's after you and you're worried about these guys? DENT Compared to this , the mob doesn ' t scare me. Although/ I will say; them gunning for you makes you see things clearly. RACHEL Oh, yeah? DENT Yeah. It makes you think about what you couldn't stand losing. And who you want to spend the rest of your life with... Rachel looks at Dent. Smiles. RACHEL The rest of your life, huh? That's a pretty big commitment. DENT Not if the mob has their way. RACHEL Don ' t . DENT Okay. Let's be serious. What's your answer? Rachel looks at him. RACHEL X don't have an answer. INT. LIVING ROOM, PENTHOUSE — NIGHT Half the guests are on their cell phones. An ASSISTANT DA turns to his COLLEAGUE. ASSISTANT DA Surrillo and Loeb? There is a KNOCK at the front door. Alfred °P en s ^ it find Detective Wuertz, who holds up his badge. Alfred beckons him in- there is a SHOTGUN at the back of his head held by- The Joker- purple suit, make up. With friend* . J o£er SMASHES Wuertz over the head- steps over him, RACKING shotgun. THE JOKER Good evening . We ' re the entertainment . INT. KITCHEN, WAYNE PENTHOUSE — NIGHT Rachel is looking at Dent. Torn. DENT I guess no answer isn't "no". RACHEL I’m sorry, Harvey. I just... DENT It's someone else, isn't it? Wayne is moving up behind him. Fast- DENT (CONT'D) Just tell me it‘s not Wayne. The guy ' s a complete- Rachel's eyes go wide as Wayne puts Dent in a SLEEPER HOLD- RACHEL What are you doing? I Dent SLUMPS, unconscious in Wayne’s arms. WAYNE They've come for him. From the main room- A SHOTGUN BLAST followed by SCREAMS. Wayne stuffs Dent in a closet- puts a mop through the handles. Rushes past Rachel- WAYNE (CONT’D) Stay hidden. INT. LIVING ROOM, WAYNE'S PENTHOUSE — NIGHT The Joker and his THUGS pour into the room, weapons raised. INT. HALLWAY, WAYNE PENTHOUSE — NIGHT A THUG appears in front of Wayne, toting a shotgun. THUG Hands up, pretty boy. Wayne FLIPS the shotgun around in the man's hands- uses it as a fulcrum to SNAP his forearm- SMASHES him in the jaw with the stock without breaking step, field stripping the shotgun and tossing the pieces in different directions. INT. LIVING ROOM, WAYNE'S PENTHOUSE — NIGHT The Joker moves through the terrified guests. Smiling. THE JOKER I only have one question: where is Harvey Dent? (silence) I'll settle for his loved ones... A distinguished Gentleman steps into the Joker’s path. GENTLEMAN We're not intimidated by thugs. The Joker stops. Stares at the man. SMILES AFFECTIONATELY . THE JOKER You know, you remind me of my father. (GRABS him) I hated my father. The Joker has his blade in the Gentleman's mouth. RACHEL (O.S.) Stopl The Joker drops the Gentleman. Turns to Rachel. THE JOKER Hello, beautiful. You must be Harvey's squeeze. (runB his knife across her cheek) And you are beautiful. You look nervous- it’s the scars isn’t it? Wanna know how I got them? I had a wife, beautiful like you. Who tells me I worry too much. Who says I need to smile more. Who gambles. And gets in deep with the sharks. One day they carve her face, and we’ve got no money for surgeries. She can’t take it. (presses knife into her cheek) I just want to see her smile again. I just want her to know I don’t care about the scars . So I put a razor in my mouth and do this to myself . . . And you know what? (startB laughing) She can’t stand the sight of me... (or crying) She leavesl See, now I see the funny side. Now I'm always smiling. INT. MASTER BEDROOM, WAYNE PENTHOUSE — NIGHT Wayne walks in. A COUPLE are hastily putting themselves back together, alerted by the noise. MALE GUEST What’s going on out there, Wayne? Wayne doesn't answer. He walks into a closet and pulls at a FALSE WALL. Wayne steps into the safe room. FEMALE GUEST Thank god- you've got a panic room. The door SLAMS shut and seals with a HISS. MALE GUEST Wait 1 You can ' t- FEMALE GUEST You've got to be kidding me. INT. LIVING ROOM, WAYNE'S PENTHOUSE — NIGHT The Joker raises his knife from Rachel's cheek. She SLUGS him. He smiles. THE JOKER A little fight in you. I like that. BATMAN (O.S.) Then you're going to love me. The Joker turns. Batman catches him with a BLOW, spins him down and DISARMS him- the Joker's men jump him- Batman takes them out two at a time- DISARMING thugs- BREAKING forearms- the Joker CLICKS a BLADE from the toe of his shoe and KICKS- JABBING BETWEEN THE PLATES OF ARMOR covering Batman's ribcage- Batman HURLS the Joker across the room. One of the Joker's men LUNGES- Batman lays him out cold. The Joker has another knife pressed to Rachel’s neck. BATMAN (CONT'D) Drop the knife. THE JOKER Sure. Just take off your mask and show us all who you are . . . Rachel shakes her head at Batman. The Joker raises his shotgun to the side and BLOWS OUT the pane of glass next to him. The Joker dangles Rachel out the window. BATMAN Let her go. THE JOKER ( laughs ) Very poor choice of words . . . He lets her DROP- Rachel falls onto a SLOPING GLASS ROOF- sliding towards the edge Batman DIVES after her- OMITTED EXT. BUILDING — NIGHT They DROP- Batman FIRES his grapple, SNAGGING Rachel's ankle- activates one wing of his cape- They SPIN and SLOW- Batman envelopes Rachel- they SLAM into the hood of a passing taxi. INT. TAXI — CONTINUOUS The DRIVER SCREAMS as Batman and Rachel hit the roof- ROLL down the windshield- onto the pavement. Alive. INT. CAR — CONTINUOUS The Joker looks back as his car SPEEDS away. He's breathing hard, EXHILARATED. He touches the blood running down his sweaty white makeup. SMACKS the back of the driver ' s seat- DRIVER What do we do about Dent? THE JOKER I ' m a man of my word . EXT. TAXI CONTINUOUS Rachel opens her eyes. BATMAN Are you alright? RACHEL Let's not do that again, okay? (looks around) Is Harvey-? BATMAN He's safe. Rachel lies back, breathing. Looks up at Batman. RACHEL Thank you. INT. MAJOR CRIMES UNIT, GOTHAM CENTRAL — DAY STEPHENS is talking to Gordon, subdued. STEPHENS Jim, it's over. GORDON As long as they don’t get to Lau, we've cut off their funds. STEPHENS But the prosecution's over. STEPHENS (CONT’D) No-one ' s standing up in front of a Judge while judges and police commissioners are getting blown away. GORDON What about Dent? STEPHENS If he's got any sense. Dent's halfway to Mexico by now. The door BURSTS OPEN. Dent. Fire in his eyes. DENT So where do you keep your trash? Gordon looks at Dent. Impressed. INT. SPECIAL HOLDING AREA, MCU, GOTHAM CENTRAL — DAY Lau looks up as Dent walks in, holding a bullet proof vest. DENT You're due in court- I need you alive long enough to get you on the record. LAU No way. You can't protect me- you can't even protect yourselves. Dent THROWS the heavy vest at Lau. DENT Refuse to cooperate on the stand- you won't be coming back here- you 1 11 go to county . How long do you calculate you'll last in there? INT. BAT-BUNKER -- DAY Wayne sits at his video screens- they all play the Joker's video with different IMAGE TREATMENTS and SOUND TUNINGS. Wayne turns to Alfred. Indicates the screens. WAYNE Targeting me won't get their money back. I knew the mob wouldn't go down without a fight, but this is different. They've crossed a line. ALFRED You crossed it first, sir. You've hammered them, squeezed them to the point of desperation. And now, in their desperation they’ve turned to a man they don't fully understand. Wayne gets up from his monitors, raises the bat-cabinet. WAYNE Criminals aren't complicated, Alfred. We just have to figure out what he ' s after . ALFRED Respectfully, Master Wayne, perhaps this is a man you don't fully understand , either . ALFRED (CONT'D) (looks at Wayne) I was in Burma. A long time ago. My friends and I were working for the local government. They were trying to buy the loyalty of tribal leaders, bribing them with precious stones. But their caravans were being raided in a forest north of Rangoon by a bandit. We were asked to take care of the problem, so we started looking for the stones. But after six months, we couldn’t find anyone who had traded with him. WAYNE What were you missing? ALFRED One day X found a child playing with a ruby as big as a tangerine, (shrugs) The bandit had been throwing the stones away. WAYNE So why was he stealing them? ALFRED Because he thought it was good sport. Because some men aren’t looking for anything logical, like money... they can't be bought, bullied, reasoned or negotiated with. ( grave ) Some men just want to watch the world burn. Wayne stares at Alfred. Reaches for the bat-suit. EXT. SKYLINE OF GOTHAM — DAWN MOVING over the city we hear myriad RADIO CALLS going out over the ether. CLOSE IN on a lonely figure on top of a skyscraper. The Batman. Listening with his million dollar earpieces. From the babble, ONE VOICE EMERGES. DISPATCH (O.S.) Four name , sir. Please state - VOICE (O.S.) 8th at orchard. You'll find Harvey Dent there. EXT. 8TH STREET AT ORCHARD — DAWN An UNMARKED and a SQUAD CAR screech to a halt. Gordon and Ramirez get out, lead two UNIFORMS into the building. INT. APARTMENT, EIGHT AVE. — CONTINUOUS The door SMASHES OPEN, Gordon- gun drawn- takes in the scene. TWO DEAD MEN sitting at the kitchen table. They each have a HAND OF CARDS, as if in the middle of a game. ALL JOKERS. Gordon and Ramirez STARE at the CRUDE LEERS carved into their faces. Their DRIVERS LICENSES are pinned to their chests. VOICE (O.S.) Check the names. GORDON (O.S.) (checks licenses) Patrick Harvey. Richard Dent . . . RAMIREZ Harvey Dent . BATMAN I need ten minutes with the scene before your men contaminate it. RAMIREZ Us contaminate it? It's because of you that these guys are dead in the first place- GORDON Ramirez . She stands down. Batman moves past the bodies to the wall. Finds an embedded stray bullet. He pulls a SAWING DEVICE from his belt- THRUSTS it into the wall and starts cutting around the bullet. GORDON (CONT'D) That's brick- you’re gonna try and take ballistics off a shattered bullet? BATMAN No. Fingerprints. Ramirez looks at Gordon. Is he serious? Gordon point s- GORDON Whatever you're gonna do, do it fast, 'cos we know hiB next target. . . Batman looks- a campaign posters RE-ELECT MAYOR GARCIA. The Mayor's image has a MANIC CLOWN'S GRIN and "HA, HA, HA". INT. FOX'S OFFICE, WAYNE ENTERPRISES — DAY Fox is at his desk. Reese enters. FOX What can I do for you, Mr. Reese? REESE You asked me to do the diligence on the L.S. I. Holdings deal again. I found irregularities. FOX Their CEO is in police custody. REESE Not with their numbers. With yours . A whole division of Wayne Industries disappeared, overnight. So I went down to the archives and started pulling old files. He pulls out a folded blueprint. Slides it across the desk. REESE (CONT'D) My kids love the Batman. I thought he was pretty cool, too. Out there, kicking some ass. Fox picks up the piece of paper. Unfolds it. It's an old BLUEPRINT. The image is unmistakable* THE TUMBLER. REESE (CONT’D) Changes things when you know it's just a rich kid playing dress up. Reese points to the approval box in the corner of the page. REESE (CONT'D) Your project. Don't tell me you didn ' t recognize your baby pancaking cop cars on the evening news. Now you're getting sloppy. Applied Sciences was a small, dead department- who'd notice? But now you've got the entire R and D department burning cash, claiming it's related to cell phones for the , army. What are you building him now? A rocket ship? REESE (CONT'D) I want ten million a year. For the rest of my life. Fox looks at him. Even. Folds up the blueprint. FOX Let me get this straight. You think that your client, one of the wealthiest and most powerful men in the world, is secretly a vigilante who spends his nights beating criminals to a pulp with his bare hands . . . (deadpan) And now your plan is to blackmail this person? Reese stares at Fox. Who smiles. And slides the blueprint across the desk. FOX (CONT'D) Good luck. Reese looks at it. Then at Fox. Swallows. Slides it back. XNT. BAT-BUNKER — DAY Wayne hands Alfred a RIFLE BULLET scribed with a GRID. He slots it into a clip, then loads it into a COMPUTER CONTROLLED GATTLING GUN. He puts on ear protectors. Hits a button. The rifle WHIRS to life- dollying sideways, BLASTING BULLETS into a series of identical BRICK WALL SAMPLES. ALFRED I ' m not sure you made it loud enough, sir. As the wall samples still smoke, Wayne steps up, carrying the sample from the crime scene. Comparing itB spread to the new samples, he selects two and carries them to an X- RAY SCANNER. The machine gives the samples a 3-axis scan- HI-RES 3-D IMAGES of the bullet fragment arrays come up on the screen. . . INT. APPLIED SCIENCES DIVISION — DAY The same image of the bullet fragment on a screen. Fox hits a key and the computer 'reassembles' the bullets according to the identifying grid on each fragment. FOX Here's your original scan — A bullet fragment array pops on screen. FOX (CONT'D) Here's it reverse-engineered — Fox hits a button and the unmarked bullet fragments are reassembled. Wayne spins the roughly-shaped bullet puzzle- WAYNE And here's a thumb print. Fox looks at the screen, impressed. Thinks. FOX I’ll make you a copy. (troubled) Mr. Wayne, did you reassign R and D? WAYNE Yes . Government telecommunications project. FOX I wasn't aware we had any new government contracts . Can you- WAYNE Lucius. I'm playing this one pretty close to the chest. FOX Fair enough . Fox looks at Wayne as he leaves. Uneasy. I NT. BAT-BUNKER — CONTINUOUS — INTERCUT Wayne examines the fingerprint- ALFRED I’ll run it through all the databases and came up with for possibles . Wayne gets up to let Alfred sit WAYNE Cross reference the addresses... WAYNE (CONT'D) Look for Parks ide and around. Wayne opens a HYDRAULIC DOOR, revealing a gleaming MV AUGUSTA BRUTALE. As he moves the bike onto the lift.. ALFRED Got one. Melvin White, aggravated assault, moved to Arkham twice- 1502 Randolph Apartments, just off State- WAYNE Overlooking the parade. Wayne and the bike rise on the lift. EXT. PARKS IDE AVENUE — DAY The avenue has been blocked off. Onlookers line the sidewalks. POLICE march past in dress uniform. Engel does a stand-up on the sidewalk. ENGEL With no word from the Batman- even as they mourn Commissioner Loeb, these cops have to be wondering if the Joker is going to make good on his threat to kill the Mayor today . . . On the buildings above, POLICE SNIPERS scan the crowd. Gordon keys his radio- GORDON How's it looking up top? POLICE SNIPER We're tight. But frankly... there’s a lot of windows up here. Gordon looks up at the myriad buildings overlooking the podium. EXT. GOTHAM STREETS — CONTINUOUS Wayne maneuvers the Ducati through the traffic. He pulls up near a parade barricade- dismounts and slips into an alley. INT. TENEMENT — CONTINUOUS Some of the building's hard-luck TENANTS eye Wayne as he counts doors down the hallway. He finds 1502... EXT. PARKSIDE AVENUE — LATER A SEA OF POLICE fillB the Avenue. In the center, three grieving families and an HONOR GUARD. The Mayor at the podium. Gordon behind. Dent is seated with Rachel. THE MAYOR ...and as we recognize the sacrifice of these officers, we must remember that vigilance is the price of safety. INT. TENEMENT — CONTINUOUS Wayne enters: EIGHT MEN IN UNDERSHIRTS, bound, gagged, blindfolded. A SNIPER SCOPE on a tripod at the window. Wayne moves to the first man, RIPS the tape from his mouth. MAN (breathing hard) Took . . . they took our guns , our uniforms . . . EXT. PARKSIDE AVENUE — CONTINUOUS Gordon scans the crowd. The Mayor wraps up- the Honor Guard steps forward, raises weapons... EXT. ROOFTOP OVERLOOKING PARKSIDE — CONTINUOUS A POLICE SNIPER scans the windows of the tenement . . . INT. TENEMENT — CONTINUOUS Wayne RACES to the window, looks through the SCOPE to see: EXT. STATE STREET — CONTINUOUS THE HONOR GUARD TURN THEIR WEAPONS ON THE MAYOR. One SMILES, flesh-colored makeup over his scars. THE JOKER. Gordon LEAPS FORWARD- they FIRE- GORDON TAKES SHOTS TO THE BACK as he SLAMS the Mayor to the ground- EXT. ROOFTOP OVERLOOKING PARKSIDE — CONTINUOUS The Police Sniper SPOTS Wayne at the window- SHOOTS- INT. TENEMENT — CONTINUOUS Wayne DUCKS as SHOTS erupt around the window- EXT. PARKSIDE — CONTINUOUS PANDEMONIUM erupts -One of the honor guard is TAGGED IN THE LEG- GOES DOWN. The others MELT into the CHAOS. On the podium, Stephens rolls Gordon over... he is not moving . EXT. SIDE STREET OFF PARKSIDE — MOMENTS LATER CHAOS. Dent approaches an ambulance sitting in the alley. Two cops jump out and run over to their commander. Dent steps up into the back. INT. AMBULANCE — CONTINUOUS The Joker's thug sits there. Handcuffed. A PARAMEDIC bandages his leg. Cops run past, barking orders. DENT Tell me what you know about the Joker . The Joker's thug looks at Dent. Smirks. Dent looks down. Exasperated. Looks back up at the Joker's Thug. Spots something- moves closer- the man's uniform... his name tag . . . OFFICER RACHEL DAWES. Dent, breathing hard, looks around: the paramedic jumps out, rushing to help a FALLEN OFFICER. Dent spies the keys in the ignition. Jumps into the driver's seat... EXT. GORDON'S HOUSE — DUSK Barbara Gordon stands in the doorway, scared. Stephens and a UNIFORMED OFFICER stand in front of her. STEPHENS I'm sorry, Barbara. JameB Gordon pushes past his mother to look at Stephens. Barbara tries to push him back inside. BARBARA Jimmy, go play with your sister... James stays just inside the door. STEPHENS I ’ m sorry . Barbara stares at Stephens. Then looks past him. BARBARA Are you out there?! Are you?! James spots something- Batman, perched in the shadows. BARBARA (CONT'D) You brought this on us 1 This craziness I You didJ You brought this. . . 1 She collapses into Stephens's arms. Batman hangs his head. EXT. ROOF, MCU — NIGHT Detectives from MCU stand around the lit bat-signal. STEPHENS Switch it off- he ain’t coming. STEPHENS He doesn't want to talk to us. God help whoever he does want to talk to- INT. NIGHTCLUB — NIGHT Strobe lights. Pounding music. Maroni is in a booth at the side with his MISTRESS. His bodyguards are around the table. MISTRESS (shouting over music) Can't we go someplace quieter! We can't hear each other talk! MARONI I don't wanna hear you talk. MISTRESS (can’t hear) What? 1 One of Maroni ' s Bodyguards DROPS- Maroni looks over- in the strobe lights- Batman SAVAGES his bodyguards- people RUN, TERRIFIED. Maroni starts to get out of his seat- Batman LANDS like a panther on the table in front of him- INT . MCU — NIGHT Rachel moves through the chaotic bullpen at MCU- EYEWITNESSES , civilian and cop are being questioned. Rachel ' s phone rings . RACHEL Harvey, where are you? I INTERCUT with Dent in an INDISTINCT interior Betting. DENT Where are you? RACHEL Where you should be- at Major Crimes trying to sort through all the- DENT Rachel, listen to me. You're not safe there. RACHEL This is Gordon’s unit, Harvey- DENT Gordon ’ s gone , Rachel . RACHEL He vouched for these men- DENT And he 1 s gone . The Joker 1 s named you next. Rachel looks around the bullpen. Eyeing the detectives. DENT (CONT’D) Rachel, I can't let anything happen to you. I love you too much. DENT Is there someone, anyone in this city we can trust? RACHEL Bruce. We can trust Bruce Wayne. DENT Rachel, I know he's your friend but- RACHEL Trust me, Harvey, Bruce’s penthouse is now the safest place in the city. DENT Okay. Go straight there. Don't tell anyone where you're going. I ' 11 find you there . Wider shows us we are- INT. BASEMENT, CONDEMNED BUILDING — CONTINUOUS DENT I love you. Dent hangs up the phone. TAPED to a chair in front of Dent- the Joker’s Thug, blindfolded. Dent RIPS off the blindfold. . . EXT. FIRE ESCAPE — NIGHT Maroni opens his eyes . Batman is holding him by the collar. BATMAN I want the Joker. MARONI (looks down) From one professional to another-if you're trying to scare someone, pick a better spot. From this height the fall wouldn’t kill me. BATMAN I ' m counting on it . Batman lets go. Maroni FALLS. And SCREAMS. EXT. SIDEWALK — NIGHT Maroni NAILS the pavement. CLUTCHES at his leg, which is badly broken. Batman FLIES down, landing over him- hauls him up. Maroni HOLLERS in pain. BATMAN Where is he? MARONI I don't know, he found us- BATMAN He must have friends. MARONI Friends? You met this guy? BATMAN Someone knows where he is. Maroni looks up at Batman. Sneering. MARONI No one's gonna tell you anything- they’re wise to your act- you got rules... the Joker, he's got no rules. No one 1 b gonna cross him for you. You want this guy, you got one way. And you already know what that is. Just take off that mask and let him come find you. Batman DROPS Maroni. MARONI (CONT'D) Or you want to let a couple more people get killed while you make up your mind? INT. BASEMENT, CONDEMNED BUILDING — NIGHT Dent shows the Joker's Thug a GUN. Bullets. Loads the gun. SHOVES it in his face- DENT You wanna play games? Dent PUSHES the gun against the thug ' s head with REAL MALICE. Pulls it away and FIRES. The Thug FLINCHES. Dent puts the gun barrel against the thug ' s temple- JOKER'S THUG (rattled) You wouldn ' t . . . And pulls his lucky coin out of his pocket. DENT No. I wouldn't. That's why I'm not going to leave it up to me. (shows him coin) Heads- you get to keep your head. Tails... not so lucky. So, you want to tell me about the Joker? The Thug, scared, says nothing. Dent FLICKS the coin into the air . SLAPS it onto the back of his gun hand ( aiming with wrist horizontal). Dent shows him the coin. Heads. The Thug exhales, SHAKING. DENT (CONT'D) Go again? JOKER'S THUG ( sobbing) I don't know anything! DENT You're not playing the odds, friend. Dent tosses the coin again. This time IT DOESN'T LAND. Dent looks up. Batman is there. BATMAN You'd leave a man's life to chance? DENT Not exactly. BATMAN His name's Schiff, Thomas. He's a paranoid schizophrenic, a former patient at Arkham. The kind of mind the Joker attracts. Batman moves away from Schiff. BATMAN (CONT’D) What do expect to learn from him? Dent is shivering with frustration. DENT The Joker killed Gordon- and, and Loeb. He’s going to kill Rachel ... BATMAN You're the symbol of hope that I could never be. Your stand against organized crime is the first legitimate ray of light in Gotham for decades. If anyone saw this, everything would be undone- all the criminals you got off the streets would be released. And Jim Gordon will have died for nothing. Batman hands Dent his lucky coin. BATMAN (CONT'D) You're going to call a press conference. Tomorrow morning. DENT Why? BATMAN No one else will die because of me. Gotham is in your hands, now. DENT You can’tl You can't give ini But Batman is gone. INT. BEDROOM, WAYNE PENTHOUSE — NIGHT Rachel watches Gotham through the window. Wayne enters. RACHEL Harvey called. He says Batman is going to turn himself in. WAYNE I have no choice. RACHEL You honestly think it’s going to stop the Joker from killing? WAYNE Perhaps not. But I've got enough blood on my hands. I've seen, now, what I would have to become to stop men like him. Rachel looks at Wayne. She cannot help him. WAYNE (CONT'D) You once told me that if the day came when I was finished . . . Wayne moves towards her. WAYNE (CONT'D) We'd be together. RACHEL Bruce, don't make me your one hope for a normal life- Wayne takes her in his arms. WAYNE But did you mean it? RACHEL Yes. They kiss. Then separate. She looks sadly into his eyes. RACHEL (CONT'D) But they won't let us be together after you turn yourself in. Wayne nods. Leaves. She watches him go. INT. BAT-BUNKER — DAWN Alfred shovels DOCUMENTS into an incinerator- blueprints, designs, files. He pauses, looking down at a book. ALFRED Even the logs? WAYNE Anything that could lead back to Lucius or Rachel. Alfred tosses the book onto the fire. STARES at Wayne. WAYNE (CONT'D) People are dying, Alfred. What would you have me do? Alfred looks into Wayne's eyes with a fearsome gaze. ALFRED Endure, Master Wayne. Take it. They'll hate you for it, but that's the point of Batman... he can be the outcast. He can make the choice no one else can face. The right choice. Wayne shakes his head. WAYNE Today I ' ve found out what Batman can't do. He can't endure this. WAYNE (rueful smile) Today you get to say 'I told you so' . ALFRED Today, I don't want to. (beat) Although I did bloody tell you. Wayne sinks the Bat-suit, Alfred closes the incinerator. They head for the lift. ALFRED (CONT'D) I suppose they’ll lock me up as well. Your accomplice. WAYNE Accomplice? I'm going to tell them the whole thing was your idea. They power down, leaving the Bat-bunker in darkness. OMITTED INT. PRESS ROOM, SUPERIOR COURT — DAY A capacity crowd of REPORTERS, COPS, and PUBLIC. Dent is at the podium. Wayne sits in the crowd. DENT Ladies and Gentlemen, thank you for coming. I've called this press conference for two reasons. Firstly, to assure the citizens of Gotham that everything that can be done over the Joker killing is being done. Secondly, because the Batman has offered to turn himself in- The crowd REACTS- HECKLER So where is he? J DENT But first. Let's consider the situation: should we give in to this terrorist's demands? Do we really think that- REPORTER You'd rather protect an outlaw vigilante than the lives of citizens?! The crowd noisily assents. Dent calmly motions quiet. DENT The Batman is an outlaw. . . INT. WAYNE PENTHOUSE — CONTINUOUS Rachel is watching the press conference on TV. DENT (O.S.) But that'B not why we're demanding he turn himself in. We're doing it because we're scared . We've been happy to let Batman clean up our streets for us until now - INT. PRESS ROOM, SUPERIOR COURT — CONTINUOUS HECKLER Things are worse than ever l Wayne looks at the Heckler. At the angry crowd. Dent leans over the podium. Impassioned. DENT Yes . They are. But the night is darkest just before the dawn. And I promise you, the dawn is coming. (the crowd quiets) One day, the Batman will have to airswY^fm- - the^rsws— h-g^“g-brokerr- • but to us, not to this madman. The crowd seems moved by his words, then, a CHANT- COP HECKLER NO MORE DEAD COPS 1 ! Appreciative noise. REPORTER WHERE IS THE BATMAN? People take up the chant. Dent has lost them. He knows it. DENT So be it. (turns to officers) Take the Batman into custody. At this, a HUSH DESCENDS. Wayne is sitting towards the back. Hungry eyes scan the room. Wayne Btarts to rise... DENT OFFERS HIS OWN WRISTS TO THE OFFICERS- DENT (CONT'D) I am the Batman. A beat. Wayne stares. I NT. WAYNE PENTHOUSE — CONTINUOUS Rachel STARES as Dent is arrested on TV. Appalled. INT. WAYNE PENTHOUSE — DAY Rachel comes up to Alfred. Upset. RACHEL Why is he letting Harvey do this, Alfred? ALFRED I don't know. He went down to the press conference- RACHEL And just stood by?l ALFRED Perhaps both Bruce and Mr. Dent believe that Batman stands for something more important than a terrorist’s whims, Miss Dawes, even if everyone hates him for it. That's the sacrifice he's making- to not be a hero. To be something more . RACHEL Well, you're right about one thing- letting Harvey take the fall ia not heroic. Rachel holds out an ENVELOPE . RACHEL (CONT'D) You know Bruce best, Alfred... give it to him when the time is right . ALFRED How will I know? RACHEL It's not sealed. Alfred takes the envelope. Rachel gives him a kiss RACHEL (CONT'D) Goodbye, Alfred. ALFRED Goodbye , Rachel . INT. CELL, MCU — EVENING A Detective unlocks the cell and lets Rachel inside DENT I'm sorry, I didn’t have time to talk this through with you. RACHEL Don't offer yourself as bait, Harvey . DENT They're transferring me to central holding. This is the Joker's chance, and when he attacks. Batman will take him down. RACHEL No. This is too dangerous - The Detective knocks. Dent rises. EXT COURTYARD MCU EVENING Detectives stare at Dent as he is led, shackled, to the waiting CONVOY. Stephens begins CLAPPING- a handful join in, but most remain silent. Rachel follows him to the back of an armored vehicle. RACHEL He's using you as bait- but he doesn’t know if he can get the Joker- he's failed so far. DENT How do you know what he's thinking? RACHEL (beat) I just do, okay? Harvey, this isn't just about you, what about all the people counting on you to turn this city around? Tell everyone the truth - Dent kisses her. Pulls out his LUCKY COIN- DENT Heads I go through with it. RACHEL This is your life... you don't leave something like this to chance. . . Dent tosses it at her- Rachel catches it. Looks. HeadB. DENT (sincere) I ' m not . She turns it over: IT IS DOUBLE -HEADED. She looks up- the DOORS CLOSE on his smile. She shakes her head. Torn. RACHEL You make your own luck. As SWATS file into the back of the support vehicles- ACTING COMISSIONER We get this guy to County and he's their problem. The streets along your route will be cleared. The convoy stops FOR NO REASON . . . INT. ARMORED CAR — CONTINUOUS A Swat with a shotgun climbs into the cab. Pulls on his mask. Looks over at the DRIVER, who's already wearing his. SHOTGUN SWAT Hope you ' ve got some moves . EXT. TENTH AVENUE, DOWNTOWN — CONTINUOUS The convoy ROCKETS past a roadblock. INT. ARMORED CAR — CONTINUOUS The Swats are staring at Dent, fascinated. He smiles. EXT. INTERSECTION — CONTINUOUS An Officer holding up traffic. A TRUCK pulls up. OFFICER You wait like everybody else, pal. A SHOTGUN BLAST sends the Officer flying. A second blast illuminates the shooter's faces the Joker. INT. LEAD PATROL CAR, CONVOY — CONTINUOUS The SWAT behind the wheel of the lead black-and-white slows as he sees something burning in the intersection ahead. EXT. AVENUE — CONTINUOUS Overhead, a police HELICOPTER checks the route, hovering above a burning FIRE TRUCK, BLOCKING the road. INT. ARMORED CAR — CONTINUOUS The Driver is all business. The radio CRACKLES. RADIO All units, be advised. All units will exit down Cheviot west and proceed north on lower 5th avenue. SHOTGUN SWAT Lower 5th? We’ll be like ducks in a barrel down there . EXT. SURFACE STREETS — CONTINUOUS The convoy disappears down the exit ramp. EXT. LOWER FIFTH AVENUE — NIGHT The convoy rolls through the subterranean streets . A GARBAGE TRUCK pulls up behind and casually SWIPES the rear vehicles of the convoy off the road. . . INT. ARMORED CAR — CONTINUOUS SHOTGUN SWAT Get us out of here I The Driver NAILS the gas- EXT. LOWER FIFTH — CONTINUOUS The Garbage Truck pushes hard on the armored car, ramming its rear bumper, FORCING it forward. OMITTED INT. ARMORED CAR -- NIGHT The Driver watches the Truck fill his rear view. Shotgun Swat pickB up the radio. SHOTGUN SWAT We've got company back here- EXT. LOWER FIFTH AVENUE — NIGHT A SECOND TRUCK SMASHES into the SWAT van at the head of the convoy, SMASHING it through the concrete barriers and INTO THE RIVER. The truck is branded "LAUGHTER" but and "S" has been spayed at the front to make "SLAUGHTER" with "HA, HA, HA" all over the side... The Joker ' s Truck DODGES between the support columns and into the oncoming lane- pulls alongside the armored car. The Driver looks over. The cargo door on the truck slides open. Inside, the Joker, holding a machine gun. The armored car LOCKS up its brakes, but the garbage truck pushes it forward as the Joker fires- BULLETS slamming into the side of the vehicle- INT . REAR CABIN, ARMORED CAR — CONTINUOUS Dent is calm as the SWATS FLINCH from the bullet indentations- INT. UP FRONT , ARMORED CAR — CONTINUOUS Shotgun SWAT STARES at the Joker. INT. REAR TRAILER OF TRUCK — NIGHT The Joker drops his machine gun and picks up and RPG. He stops- SEES something up ahead, racing towards the second truck- the BATMOBILE. The Joker stares, fascinated, as- EXT. LOWER FIFTH — CONTINUOUS -THE BATMOBILE PLOWS STRAIGHT INTO THE SECOND TRUCK- the low-profile car sending the truck UP INTO THE CONCRETE CEILING- the Batmobile carries on through, as the TRUCK DISINTEGRATES . INT. TRUCK — NIGHT The Joker looks back to the batmobile, amused. JOKER’S THUG Is that him-? THE JOKER Anyone could be driving that thing- stay on Dent. The Joker lines up his RPG and prepares to fire- INT. ARMORED CAR — CONTINUOUS Shotgun SWAT 1 s eyes go wide at the Joker ’ s weapon- the Driver JAMS the brakes- OMITTED EXT. LOWER FIFTH — CONTINUOUS The Armored Car CRASHES BACK against the Garbage Truck, BRAKING, SCRAPING, SLOWING just enough- the RPG SLAMS into the SQUAD CAR in front of them and EXPLODES- the armored car BURSTS through the fireball and continues . OMITTED EXT. LOWER FIFTH CONTINUOUS The Batmobile SPINS around to rejoin the pursuit. INT. JOKER’S TRUCK — NIGHT The Joker turns his men to RELOAD his RPG- THE JOKER Do me up- Turns back- levels his RPG out the window. Aims. INT. BATMOBILE — NIGHT Batman watches as the Joker prepares to fire. Several rows of cars separate them. He toggles the afterburner. INT. PASSENGER CAR — NIGHT Two small children in the back of the car watch as the Batmobile ROCKETS overhead. EXT. LOWER LEVEL STREET — NIGHT The Joker steadies the RPG and FIRES- the Batmobile CRASHES down into the open space between the two vehicles- taking the hit from the RPG which EXPLODES- The rear of the Batmobile EXPLODES- SPINNING the FLAMING car- INT . ARMORED CAR — NIGHT SWATS react to the EXPLOSION. Dent is calm. INT. CAB OF JOKER'S TRUCK — CONTINUOUS The Driver takes a DEBRIS HIT to the head- INT . TRUCK — CONTINUOUS The Joker CACKLES with delight as he is THROWN AROUND the rear of the trailer- INT. BATMOBILE — CONTINUOUS Batman WRESTLES the pod controls, SPINNING on the GYRO- EXT. LOWER LEVEL STREET — CONTINUOUS The Batmobile flips over to come to rest in a smoking heap- the front end intact, rear wheels scattered across the roadway. A small crowd gathers. OMITTED EXT. LOWER LEVEL STREET — CONTINUOUS The Joker JUMPS down from the truck, still giggling like a kid- looks back at the Batmobile ' s destruction- THE JOKER Whoever he was... he ain't now. The Joker YANKS his dead driver out of the cab, JUMPS over him to take the wheel and pull back onto the roadway. EXT. LOWER LEVEL STREET — CONTINUOUS The armored car pulls ahead, the Joker's truck in hot pursuit . INT. ARMORED CAR — CONTINUOUS Shotgun SWAT glances in the rear view mirror, slaps the dash- SHOTGUN SWAT Let ' s get topside- we need that air support 1 EXT. LOWER LEVEL STREET — CONTINUOUS The armored car PULLS onto a RAMP, heading up. The Joker's Truck follows. EXT. LOWER LEVEL STREET — CONTINUOUS People stare at the smoking wreck, inching closer... INT. BATMOBILE — CONTINUOUS Batman adjusts his position. Hits a button- BATMOBILE VOICE Damage catastrophic. Initiate eject and self-destruct. Arm guards GRAB Batman ' s forearms as EXPLOSIVE BOLTS FIRE all around the pod... BATMOBILE VOICE ( 0 . S . ) ( CONT ' D ) Goodbye. EXT. LOWER LEVEL STREET — CONTINUOUS The crowd JUMPS- PANELS of the front of the car BLOW OUT- The crowd stares, OPEN-MOUTHED, as Batman EMERGES, HOISTED UP AND OUT of the flaming car by the FRONT POD- LEVERING OVER the FRONT WHEEL... the pod PUSHES the OTHER WHEEL IN FRONT to form a type of MOTORCYCLE- The BAT-POD SHOOTS FORWARD, bursting free as the Batmobile DETONATES, DYING in a MASSIVE FIREBALL... Batman's cape SUCKS TOGETHER, forming a TIGHT PACK on his shoulders, clear of the CHURNING REAR TIRE of the bat-pod... EXT. PARKSIDE — CONTINUOUS The armored car races down the street- the CHOPPER dips low. PILOT (O.S.) We're back on point- and ready to give some of their own medic ine- INT. POLICE CHOPPER — CONTINUOUS A Cop pulls out an ASSAULT RIFLE. COCKS it- INT. CAB OF JOKER'S TRUCK — CONTINUOUS The Joker FIGHTS with the truck's gearbox, turns to his Thug- THE JOKER Tee 'em up . The Thug GRABS his radio. EXT. FIRE ESCAPE — CONTINUOUS A Joker Thug in clown mask loads up the cable gun seen in the bank heist. EXT. SECOND FIRE ESCAPE — CONTINUOUS Another thug loads his own cable gun... INT. PASSENGER CAR, LOWER LEVEL STREET — NIGHT A motorist stares through his rear-view mirror, transfixed, as the bat-pod TEARS past. He YELPS as the bat-pod SMASHES the wing mirror from his car. EXT. LOWER LEVEL STREET — NIGHT Batman accelerates, oblivious to the STACCATO of CLEAVED wing mirrors as the bat-pod RAZORS through traffic- CROSSES a BUSY INTERSECTION- The bat-pod CUTS off the crowded lower level street, ROARING over into the PARKING LANES- Batman squeezes his triggers- BLASTING at PARKED CARS, BLOWING them out of the way, literally CANNONING A PATH for the pod. . . OMITTED EXT. TRAIN STATION — CONTINUOUS The Bat-Pod CANNONS through the glass doors and RACES through the station/mall- COMMUTERS screaming and diving out of the way- The Bat-Pod races up the stairs and onto the upper street- EXT. PARKS IDE — CONTINUOUS The Joker’s Thugs FIRE THE CABLES ACROSS THE STREET AT SEVENTH FLOOR LEVEL. . . they pull TAUT as the Chopper approaches, unawares... the Chopper CATCHES on the cables, GOING DOWN in a FIERY BALL that BARRELS along the street towards the armored car . . . INT. ARMORED CAR — CONTINUOUS The Driver steers around the flaming wreckage as the Shotgun SWAT SHUTS HIS EYES- EXT. NARROW ALLEY — CONTINUOUS The Bat-pod TEARS down a narrow alley blocked with DUMPSTERS- CANNONS the dumpsters to make a path- INT. OMITTED INT. CAB OF JOKER’S TRUCK — NIGHT The Joker hands the wheel to his man- takes, a submachine gun- Boss? THUG The Joker looks ahead to see the Bat-pod emerge from the alley in a cloud of fire, SKIDDING SIDEWAYS IMPOSSIBLY- it RACES TOWARDS THEM- THE JOKER Guess it was him. EXT. PARKSIDE — NIGHT The Bat-pod RACES straight at the Joker's truck- FIRES A HARPOON at the Joker's truck- it IMPACTS low, below the bumper- INT. TRUCK — CONTINUOUS The Joker’s Thug DUCKS, then comes back up, beaming. JOKER'S THUG He missed 1 EXT. PARKSIDE — CONTINUOUS Batman SWERVES past the Joker's truck, SLALOMS, wrapping the CABLES around a LAMP POST, SPINNING to a halt to watch . . . EXT. PARKSIDE — CONTINUOUS The cable goes TAUT, RIPPING one post from its foundation- the TRUCK'S FRONT WHEELS CATCH, FLIPPING IT END OVER END... The Joker crawls from the wreckage. He jumps over the median and starts waving his pistol at oncoming traffic. Batman GUNS the bat-pod and rides it up and over the median. INT. ARMORED CAR — NIGHT The Driver slows the car, pulls to the side. SHOTGUN SWAT What the hell are you doing? EXT. PARKSIDE — NIGHT The Joker walks towards the Bat-pod, which SPEEDS towards him. He is FIRING his gun RANDOMLY at the oncoming traffic. THE JOKER Hit me. Come on. Hit me. Batman watches as the Joker holds out his arms. Waiting for impact. There is no room to go around him. Batman LOCKS UP THE BRAKES. The Joker watches as Batman DUMPS the bike, rather than smashing into him. Batman SLAMS into the wall. The Joker's thug reach Batman first. He is unconscious. The first Thug pulls at the mask. An ELECTRIC SHOCK from the bat-suit THROWS him back. The Joker LAUGHS. Flicks his switchblade. Crouches- VOICE (O.S.) Drop it. THE JOKER Just give me a second. The gun is COCKED. The Joker drops the knife. Sits. Looks back. Behind them is the armored car. The man standing over him is the Driver. He pulls off his helmet. It's JIM GORDON. Back from the dead. GORDON We got you, you son of a bitch. INT. ARMORED CAR — MOMENTS LATER Dent looks up as the door swings open to reveal Gordon. Dent GRINS. DENT Lieutenant, you do like to play it pretty close to the chest... GORDON We got him, Harvey. Dent nods . Respect in his eyes . They shake hands . EXT. PARKS IDE — NIGHT A small army of cops have sealed off the roadway. Gordon pulls away in the squad car containing the Joker. REPORTERS clamor for an interview with Dent, who is being helped out of the van by the SWATS. Ramirez pushes through the pack, shoving reporters aside. RAMIREZ Let him be I He's been through enough- Dent follows Ramirez to a squad car- Wuertz is in the driver's seat. Dent smiles at Ramirez as she opens the rear door. DENT Thanks, detective- I've got a date with a pretty upset fiancee. RAMIREZ I figured, counselor. Ramirez shuts the door on Dent. Signals Wuertz to pull out. I NT. HOLDING, MCU, GOTHAM CENTRAL — NIGHT The Joker sits in a holding cage. His makeup has run, his clothes a mess- but his calm lends him an odd dignity. COPS SMASH their night sticks against the bars near the Joker's head. The Joker does not flinch. GORDON Stand away l All of you. I don't want anything for his mob lawyer to use, understand? Handle this guy like he's made of glass. The Mayor walks in. Shakes Gordon's hand. MAYOR Back from the dead. GORDON I couldn't chance my family's safety. The Mayor looks over at the Joker in his cage. MAYOR What do we got? GORDON Nothing . No matches on prints, DNA, dental. Clothing iB custom, no labels. Nothing in his pockets but knives and lint. No name, no other alias... nothing. MAYOR Go home, Gordon. The clown'll keep till morning. Get some rest- you're going to need it. Tomorrow, you take the big job. (off look) You don't have any say in the matter. (louder, for all) Commissioner Gordon. The cops in M.C.U. start CHEERING. EXT. GORDON HOME — NIGHT Gordon rings the bell. Barbara answers it, dressed in black . GORDON I couldn't tell you. I couldn't risk- She SLAPS Gordon. He grabs her, holds her tight as Bhe sobs . INT. HOLDING, MCU, GOTHAM CENTRAL — NIGHT The Joker's men are processed. In the harBh light, the men look a little ridiculous in their clown make-up. DETECTIVE MURPHY turns to Stephens. DETECTIVE Look at these ugly bastards. One of the men, walks over, clutching at his belly. PAT THUG I don't feel good. DETECTIVE MURPHY You're a cop killer. You're lucky to be feeling anything below the neck. Alone in hie cage, the Joker smiles at this. INT. KIDS' BEDROOM, GORDON HOME — NIGHT Gordon crouches by his son's beside. He reaches out to touch James Jr's cheek. James's eyes open. Staring at his dad as if still dreaming. JAMES (whispers) Did Batman save you, dad? Gordon looks at his son. A little pride seeps in. GORDON Actually, this time I saved him. Gordon ' s phone rings- INT. MAJOR CRIMES UNIT, GOTHAM CENTRAL — NIGHT Gordon PUSHES through the swarm of detectives crowded into the observation room. The Joker can be seen through the glass, as well as on a large MONITOR. Sitting there. Calm. GORDON Has he said anything, yet? Ramirez shakes her head. Gordon PUSHES through a door... INT. INTERROGATION, MCU, GOTHAM CENTRAL — NIGHT The Joker, in near darkness. Gordon walks in. Sits. THE JOKER Evening, Commissioner. GORDON Harvey Dent never made it home. THE JOKER Of course not. GORDON What have you done with him? THE JOKER ( laughs ) Me? I was right here. Who did you leave him with? Your people? Assuming, of course, that they are your people not Mar on i 1 s . . . (off look) Does it depress you, Lieutenant, to know how alone you are? Gordon can't help glancing at the mounted CAMERA. THE JOKER (CONT'D) Does it make you feel responsible for Harvey Dent’s current predicament? GORDON Where is he? THE JOKER What time is it? GORDON What difference does that make? THE JOKER Depending on the time, he might be in one spot. (smiles) Or several. Gordon stands. Movsb to the Joker, undoes his handcuffs. GORDON If we're going to play games, I’m going to need a cup of coffee. THE JOKER The good cop, bad cop routine? Gordon pauses, hand on the doorknob. GORDON Not exactly. Gordon steps out. The overhead lights COME ON. BATMAN IS BEHIND HIM. The Joker BLINKS in the HARSH WHITE LIGHT. WHAM! The Joker's face HITS the table- comes up for air— CRACK! CRACK 1 To the head. Batman is in front of him. The Joker stares, fascinated. Bleeding. THE JOKER Never start with the head... victim gets fuzzy. Can’t feel the next- CRACK! Batman's fist SMACKS down on the Joker’s fingers. THE JOKER (CONT'D) (calm) See? BATMAN You wanted me. Here I am. THE JOKER I wanted to see what you'd do. And you didn't disappoint... ( laughs ) You let five people die. Then you let Dent take your place. Even to a guy like me... that's cold- BATMAN Where’s Dent? THE JOKER Those mob fools want you gone so they can get back to the way things were. But I know the truth- there’s no going back. You've changed things . Forever . BATMAN Then why do you want to kill me? The Joker starts LAUGHING. After a moment he's laughing so hard it sounds like SOBBING. THE JOKER Kill you? I don't want to kill you. What would I do without you? Go back to ripping off Mob dealers? No you . . . (points) You . Complete . Me . BATMAN You're garbage who kills for money. THE JOKER Don't talk like one of them- you're not, even if you'd like to be. To them you're a freak like me... they just need you right now. He regards Batman with something approaching pity. THE JOKER (CONT’D) But as soon as they don’t, they'll cast you out like a leper. The Joker looks into Batman’s eyes. Searching. THE JOKER (CONT'D) Their morals, their code... it’s a bad joke. Dropped at the first sign of trouble. They’re only as good as the world allows them to be. You'll see- I'll show you... when the chips are down, these civilized people... they’ll eat each other. (grins) See, I'm not a monster... I’m just ahead of the curve. Batman GRABS the Joker and pulls him upright. INT. OBSERVATION ROOM, MCU, GOTHAM CENTRAL — NIGHT One of the Detectives moves for the door. Gordon stops him. GORDON He's in control. INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL — NIGHT Batman HOISTS the Joker up by the neck. BATMAN Where's Dent? THE JOKER You have these rules. And you think they'll save you. BATMAN I have one rule. THE JOKER Then that's the one you’ll have to break. To know the truth. BATMAN Which is? THE JOKER (smiles) The only sensible way to live in thiB world is without rules. Tonight you're going to break your one rule . . . Batman leans in to the Joker. BATMAN I'm considering it. THE JOKER There are just minutes left- so, you'll have to play my little game if you want to save... (with relish) ...one of them. BATMAN Them? THE JOKER For a while I thought you really were Dent, the way you threw yourself after her- Batman DROPS the Joker- RIPS up a bolted— down chair- INT. OBSERVATION ROOM, MCU, GOTHAM CENTRAL — NIGHT Gordon MOVES for the door- INT. OBSERVATION ROOM, MCU — CONTINUOUS Batman JAMS the chair under the doorknob- PICKS up the Joker and HURLS him into the two-way glass. The glass SPIDERS . INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL — NIGHT The Joker, bleeding from nose and mouth, LAUGHS at Batman. THE JOKER Look at you go... does Harvey know about you and his-? The Joker SMASHES into the wall- SLIDES to the floor. Batman stands over him, a man possessed- BATMAN WHERE ARE THEY? 1 He GRABS the Joker, holding him close- THE JOKER Killing is making a choice... Batman PUNCHES the Joker across the face. HARD. BATMAN WHERE ARE THEY? I The Joker FEEDS off Batman's anger. Loving it. THE JOKER ...you choose one life over the other. Your friend, the district attorney. Or his blushing bride- to-be . Batman PUNCHES the Joker again. The Joker LAUGHS. THE JOKER (CONT'D) You have nothing. Nothing to threaten me with. Nothing to do with all your strength... (spits a tooth) But don't worry, I'm going to tell you where they are. Both of them, and that's the point- you'll have to choose. The Batman stares at the Joker... THE JOKER (CONT’D) He's at 250 52nd Boulevard. And she's on avenue X at Cicero. Batman DROPS him. INT. OBSERVATION ROOM, MCU, GOTHAM CENTRAL — NIGHT Batman RACES past Gordon. GORDON Which one are you- BATMAN Dent knew the risks . Gordon looks back- the Joker is bloody, but grinning. EXT. MCU, GOTHAM CENTRAL — NIGHT Several cops see Batman climb onto the bat-pod and TEAR off. EXT. STREETS, GOTHAM — NIGHT Batman SWERVES into oncoming traffic, CHAOS in his wake. EXT. GOTHAM CENTRAL — NIGHT Gordon and his men SCRAMBLE into their cars... INT. BASEMENT APARTMENT — NIGHT Black. RACHEL (O.S.) Can anyone hear me? Harvey Dent opens his eyes. He’s bound to a chair in a dingy, unfurnished basement apartment. DENT Rachel? Rachel is that you? RACHEL (O.S.) (sobbing) Harvey. You're OK. I thought... Her voice is coming from a speakerphone on the floor. DENT It's OK, Rachel. Everything's going to be just fine. He looks around. Behind him, metal BARRELS, hooked up to car battery, with a TIMER counting down: five minutes. INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL — NIGHT The Joker sits, smiling, content. Stephens guards the door. THE JOKER I want my phone call. STEPHENS That's nice. THE JOKER How many of your friends have I killed? STEPHENS I'm a twenty year man. I can tell the difference between punks who need a little lesson in manners, and the freaks like you who would just enjoy it. (quiet) And you killed six of my friends. INT. HOLDING AREA, MCU, GOTHAM CENTRAL — NIGHT The Fat Thug shuffles to the bars, where a COP stands guard . FAT THUG (agony) Please. My insides hurt. COP Step away from the bars. FAT THUG The boss said he would make the voices go away. He said he would go inside and replace them with bright lights. Like Christmas. COP That's great. Please step- The Fat Thug COLLAPSES. The Cop grabs his radio. INT. WAREHOUSE — NIGHT Rachel is bound to a chair. Behind her are barrels identical to the ones behind Dent. DENT (O.S.) Can you move your chair? RACHEL No. Harvey, we don't have much time- The timer connected to the bomb reads 2 . 47 ... 2 . 46 ... INT. BASEMENT APARTMENT — NIGHT Dent DRAGS his chair, inching closer to the barrels. DENT Look for something to free yourself. The chair JAMS against a ridge in the floor. Dent STRAINS to reach the timer. Inches shy. RACHEL (O.S.) They said only one of us was going to make it. That they'd let our... (pause) Our friends choose . . . Dent strains... THE CHAIR, AND DENT, TOPPLE OVER- KNOCKING OVER A BARREL. RACHEL (O.S.) (CONT'D) Harvey? What 1 s happening? Dent, one side of his face pressed against the bare floor, watches the open barrel SPEW DIESEL FUEL around him- DENT Nothing. I’m trying to... Dent contorts his head to keep from swallowing any. EXT. STREETS, GOTHAM — NIGHT The bat -pod SKIDS SIDEWAYS, WHEELS FLIPPING as the gyro keeps Batman upright on the tumbling bike- it comes to rest- guns lined up with a fire exit- BLOWS the door off its hinges- JUMPS off the bike- EXT. 5 2ND STREET, GOTHAM — NIGHT Gridlock. Gordon SWERVES onto the sidewalk. SCATTER. INT. INTERROGATION ROOM, MCU, GOTHAM CENTRAL The Joker sits like a kid kept after class. THE JOKER You know why I use a knife, Detective? Guns are too quick. You don ' t get to savor all the little emotions. See, in their last moments, people show you who they really are... Stephens trieB hard to ignore him. It isn't THE JOKER (CONT’D) So, in a way, I knew your friends better than you ever did. (smiles) Would you like to know which of them were really cowards? STEPHENS (rolls up sleeves) I know you're going to enjoy this. But I'm going to enjoy it more. Stephens PUNCHES the Joker in the gut. INT. BASEMENT APARTMENT — NIGHT Dent is half submerged in diesel fuel. RACHEL Harvey, in case... I want you to know something. . . Dent CHOKES, his emotions overwhelming him. DENT Don't think like that, Rachel. They ' re coming for you . RACHEL I know, but I don't want them to.. People — NIGHT He smiles . working . INT. WAREHOUSE NIGHT Rachel looks at the timer. Ten seconds left. RACHEL I don't want to live without you. Because I do have an answer, and my answer is yes... INT. HOLDING AREA, MCU, GOTHAM CENTRAL — NIGHT A MEDIC CUTS away the Fat Thug's shirt- his belly has large INCISION, which has been closed with crude looking STITCHES- MEDIC He ' s got some kind of . . . contusion. . . A RECTANGULAR SHAPE is visible under the skin above his navel. INT. DETECTIVE'S ROOM, MCU, GOTHAM CENTRAL — NIGHT Stephens shuffles out into the room, a piece of BROKEN GLASS held to his THROAT by the Joker. Cops draw their weapons . STEPHENS This is my own damn fault. Just shoot him. DETECTIVE MURPHY What do you want? THE JOKER I want my phone call. The Detectives look at each other. One of them pulls out his cell phone. TOSSES it to the Joker, who begins to dial. INT. HOLDING AREA, MCU, GOTHAM CENTRAL — NIGHT The Medic gingerly PRESSES the rectangle. It illuminates, a soft blue light visible through the skin. COP Is that a. . . phone ? INT. DETECTIVE'S ROOM, MCU, GOTHAM CENTRAL — NIGHT The Joker presses SEND. At the end of the room, the door to the holding area EXPLODES- INT. HALLWAY, TENEMENT — NIGHT Batman SPRINTS down the hall- stops at a door- KICKS it- EXT. 5 2ND STREET, GOTHAM — NIGHT Cars PULL UP- Gordon gets out, carrying a fire ax- INT . HALLWAY, TENEMENT — NIGHT Batman KICKS- the door gives- Batman SMASHES it open- INT. BASEMENT APARTMENT — NIGHT . . . Batman BURSTS through the door- Dent looks up in horror- DENT NO l Not me... Why did you come for me? 1 Batman STARES at Dent. The Joker lied. The counter hits 5 seconds. Batman DRAGS Dent out- Dent FIGHTS to stay- DENT (CONT'D) RACHEL 1 RACHEL (O.S.) Harvey? Harvey , it's okay... DENT RACHEL l 1 l EXT. 5 2ND STREET, GOTHAM — NIGHT Gordon, axe in hand, RUNS towards the entrance- INT. WAREHOUSE — NIGHT Rachel can hear Dent. The counter runs out. RACHEL (calm) Somewhere - AN EXPLOSION. ALL-CONSUMING. EXT. 52ND STREET , GOTHAM — NIGHT The BLAST HURLS Gordon backward onto the hood of his car- THE ENTIRE WAREHOUSE IS AN ENORMOUS EXPLOSION- INT. BASEMENT APARTMENT — NIGHT Batman wraps his cape around Dent and hurls them both through the door. Dent is SCREAMING- EXT. 5 2ND STREET, GOTHAM — NIGHT Gordon picks himself up. The warehouse is an inferno. He heads for it anyway. Five of his men have to RESTRAIN HIM. EXT. ALLEYWAY, GOTHAM — NIGHT A SECOND EXPLOSION- Batman COVERS Dent as the FIREBALL HITS them- IGNITING the diesel soaking Dent's left side- he starts BURNING. And stops screaming. Batman ROLLS Dent on the wet pavement... Dent SIZZLES. Silent.' INT. SPECIAL HOLDING AREA, MCU, GOTHAM CENTRAL — NIGHT The Joker walks to the bars of another cell. Grins. THE JOKER Hello there. In his cell. Terrified. Lau. EXT. AMBULANCE — CONTINUOUS Dent is wheeled into an ambulance, bandages held to his face. His one visible eye STARES . BLANKLY oblivious to the panic- EXT. 5 2ND STREET — CONTINUOUS Gordon watches the fire. DEBRIS blows across the asphalt. Gordon picks up two pieces: SINGED JOKER CARDS. In place of the Joker's face is a PHOTO OF LAU. A POLICE SERGEANT approaches . SERGEANT Dent's alive, Jim. Just. But back at M.C.U.... the Joker's gone... With Lau? GORDON (the Cop nods) The Joker planned to be caught. He wanted me to lock him up in M.C.U.. EXT. STREET , DOWNTOWN GOTHAM — DAWN A squad car BLAZES down the street. The Joker sticks his head out the window like a dog, feeling the wind. . . INT. KITCHEN, WAYNE PENTHOUSE — DAWN Alfred sits at a table reading the letter from Rachel. RACHEL (V.O.) Dear Bruce, I need to explain . . . EXT. 52ND STREET — DAWN Water. Smoldering blackness. The FIRE CREWS extinguish the last flames of the devastated building. A FIREMAN nudges his COLLEAGUE, pointing out something in the devastation. . . RACHEL ...I need to be honeat and clear. I ‘m going to marry Harvey Dent. . . INT. INTENSIVE CARE UNIT — DAWN Glimpses of Dent’s damaged face as SURGEONS surround him. RACHEL (V.O.) I love him, I want to spend the rest of my life with him . . . EXT. 5 2ND STREET — DAWN The Firemen watch a statue-like figure amidst the charred ruins. The Batman. RACHEL (V.O.) When I told you that if Gotham no longer needed Batman we could be together, I meant it... INT. MCU , GOTHAM CENTRAL — DAY Gordon surveys the wreckage of MCU. The bodies. RACHEL (V.O. ) But I 'm not sure the day will come. . . EXT. 5 2ND STREET — DAWN Batman bends to the ground on one knee, his black glove spread against the smoldering debris. RACHEL (V.O.) ...when you no longer need Batman. I hope it does , and if it does I will be there. . . He spots something. DENT'S TWO-HEADED COIN. Blackened, SCARRED. Batman turns it over. The other side is PRISTINE. INT. KITCHEN, WAYNE PENTHOUSE — DAWN Alfred reads. RACHEL (V.O.) . . .but as your friend . I 'm sorry to let you down . . . INT. HOSPITAL ROOM — DAWN Dent, heavily bandaged, hooked up to various machines. Batman stands at the foot of his bed. Watching. RACHEL If you lose your faith in me, please keep your faith in people . . . BATMAN I'm sorry, Harvey. Batman puts DENT'S DAMAGED COIN on the bedside table. INT. KITCHEN, WAYNE PENTHOUSE — CONTINUOUS RACHEL (V.O.) Love, now and always, Rachel. Alfred finishes the letter. Tears in his eyes, he folds it back into its envelope. Places it on the breakfast tray. INT. WAYNE PENTHOUSE DAWN Alfred moves through the silent space, stepping past the cowl and gauntlets lying on the cold marble. He approaches Wayne, half-undressed, slumped in a chair watching Gotham. ALFRED I prepared a little breakfast. Nothing. Alfred sets down the tray. The envelope is propped against the silver teapot. ALFRED (CONT'D) Very well. WAYNE Alfred? ALFRED Yes, Master Wayne? Wayne turns, a desperate look in his eye. WAYNE Did I bring this on us? On her? I thought I would inspire good, not madness- ALFRED You have inspired good. But you spat in the face of Gotham's criminals- didn't you think there might be casualties? Things were always going to have to get worse before they got better. WAYNE But Rachel, Alfred... ALFRED Rachel believed in what you stood for. what we Btand for. Wayne looks up at Alfred. Alfred picks up the cowl. ALFRED (CONT’D) Gotham needs you. WAYNE Gotham needs its hero. And I let the Joker blow him half to hell- ALFRED Which is why for now, they'll have to make do with you. Alfred hands him the cowl. Wayne looks at him. WAYNE She was going to wait for me. Dent doesn't know. He can never know... Alfred glances at the envelope. Takes it off the tray. WAYNE (CONT'D) What's that? ALFRED It can wait. Alfred puts the envelope in his pocket. WAYNE That bandit, in the forest in Burma... Did you catch him? (Alfred nods) How? ALFRED (uneasy) We burned the forest down. EXT. DOWNTOWN GOTHAM — DAY A national guard helicopter ROARS over Gotham General. INT. HOSPITAL ROOM — DAY Dent. Bandaged. Sedated. Corning up for air. Sees something on the table: his coin. He fumbles for it, marvelling at its shiny face. Remembering. INSERT CUT: RACHEL CATCHES THE COIN . Dent turns the coin over. The other side is devastated. He STARES at the scarred face. Starts ripping his bandages . INT. WAYNE PENTHOUSE — DAY Alfred comes up to Wayne. Points him to the TV. ALFRED You need to see this. On screens Engel , in his studio, addresses the camera. ENGEL ...he's a credible source - an A and M lawyer for a prestigious consultancy . He says he's waited as long as he can for the Batman to do the right thing. . . The shot cuts to REESE, nodding. ENGEL (CONT'D) Now he's taking matters into his own hands. We’ll be live at five with the true identity of the Batman, stay with us... INT. HOSPITAL ROOM — CONTINUOUS Gordon ENTERS. Dent STARES to one side. He looks normal. GORDON I'm sorry about Rachel. (nothing) The Doctor says you're in agonizing pain but you won't accept medication. That you're refusing skin grafts- DENT Remember the name you all had for me when I was at Internal Affairs? What waB it, Gordon? GORDON Harvey, I can't- DENT SAY IT! Dent s anger makes Gordon flinch. He looks away. Ashamed. GORDON (small) Two-face. Harvey two-face. Dent turns to face Gordon- the left side of Dent ' s face is DESTROYED- skin blackened and shriveled. Molars visible. The eye a ball and socket. Dent manages a small smile with the good side of his face. DENT Why should I hide who I am? GORDON I . . . I know you tried to warn me . I'm sorry. Wuertz picked you up- was he working for them? < nothing ) Do you know who picked up Rachel? (nothing) Harvey, I need to know which of my men I can trust. Dent looks at Gordon. Cold. DENT Why would you listen to me now? GORDON I’m sorry, Harvey. DENT No. No you're not. Not yet. Gordon takes a last look at Dent. Then leaves. INT. CORRIDOR, HOSPITAL — CONTINUOUS Gordon steps out. Someone is there. Maroni. On crutches. Gordon stares at him. Cold. Maroni shifts, awkward. MARONI This craziness. This is too much. GORDON You should have thought of that before you let the clown out of the box. MARONI You want him, I can tell you where he'll be this afternoon. EXT. ABANDONED DOCKS DAY The Chechen gets out of his SUV. Looks at a RUSTED HULK. The Chechen, bodyguards, and dogs, head up the gangplank. INT. RUSTED HULK — CONTINUOUS They pass into a huge hold. In the middle: A BILLION DOLLARS. The pile is thirty feet high. Standing on top- the Joker. At his feet, bound, is Lau. The Chechen laughs . CHECHEN Like I say- not so crazy as you look. The Joker jumps from the top, slides down the pile. THE JOKER I told you- I ' m a man of my word . (looks around) Where 1 s the Italian? The Chechen shrugs. Pulls out a cigar. Lights it. CHECHEN More for us. What you do with all your money, Mr. Joker? The Joker GRABS a can of GASOLINE from his thug. THE JOKER I'm a man of simple tastes. I like gunpowder . Dynamite . . . He is SPLASHING gasoline onto the money. THE JOKER (CONT'D) . . .gasoline. . . The Chechen, FURIOUS, steps forwards. The Joker turns. JABS his gun in the Chechen's face. The Chechen’s bodyguards REACT. The Joker's men DRAW on them. THE JOKER (CONT'D) And you know what they have in common? They're cheap. CHECHEN You said you were a man of your word. The Joker PLUCKS the cigar from the Chechen ' s lips . THE JOKER I am. The Joker tosses the cigar at the pile. THE JOKER (CONT'D) I'm only burning my half. The Chechen watches the money catch fire. THE JOKER (CONT'D) All you care about is money. This city deserves a better class of criminal, and I’m going to give it to them. This is my town now. Tell your men they work for me. •The Joker crouches down to the Chechen's dogs. They GROWL. CHECHEN They won't work for a freak. The Joker takes out a knife. Tosses it to his man. THE JOKER Cut him up and offer him to his little Princes . Let ' s show him just how loyal a hungry dog is. The Joker's men GRAB the Chechen. THE JOKER (CONT'D) It's not about money. It's about sending a message... The Joker watches the towering FLAMES . Lau screams . THE JOKER (CONT’D) Everything . Burns . The Joker pulls out a phone... INT. TELEVISION STUDIO — DAY Reese has a confident air. Engel is taking calls. CALLER 1 ( O.S .) J wanna how much they're gonna pay you to say who Batman really is. REESE That’s simply not why I’m doing this . ENGEL Caller, you're on the air. CALLER 2 ( 0 . S . ) Harvey dent didn't want us to give in to this maniac- you think you know better than him? ENGEL Guy ' s got a point- Dent didn ' t want Batman to give himself up, is this the right thing to do? REESE If we could talk to Dent now he might feel different ly- ENGEL And we wish him a speedy recovery. God knows we need him, now. Let’s take another call- OLD LADY ( O.S .) Mr. Reese, what’s more valuable: one life, or a hundred? REESE I guess it would depend on the life. OLD LADY (O.S.) OK. Let's say it's your life. Is it worth more than the lives of several hundred others? REESE Of course not. OLD LADY (O.S.) I 'm glad you feel that way. Because I've put a bomb in one of the city's hospitals. It's going off in sixty minutes unless someone kills you. ENGEL Who is this? OLD LADY (O.S. ) Just a concerned citizen- ( drops pitch to the JOKER'S VOICE) -and regular guy . . . INT. MAJOR CRIMES UNIT, GOTHAM CENTRAL — CONTINUOUS Gordon and his men are gearing up to take down the Joker. A Detective turns up the TV in the bullpen- THE JOKER (O.S.) I had a vision. Of a world without Batman. The mob ground out a little profit and the police tried to shut them down , one block at a time... and it was so... boring. I've had a change of heart. I don't want Mr. Reese spoiling everything , but why should I have all the fun? Let's grive someone else a chance... Reese looks around , twitching. Sweating. THE JOKER (O.S.) (CONT’D) If Coleman Reese isn't dead in sixty minutes, then I blow up a hospital. Of course, you could always kill yourself, Mr. Reese. But that would be the noble thing to do. And you 're a lawyer. The line rings off. Engel is speechless. Gordon turns to the uniform COPS. GORDON Call in every officer- tell them to head to their nearest hospital and start evac and search. Call the transit authority, school board, prisons- get every available bus down to a hospital- the priority is Gotham General- wheel everybody out of that place right now- my hunch is that's where the bomb is. DETECTIVE MURPHY Why? GORDON That ' s where Harvey Dent is . The Uniforms SPRINT off. Gordon turns to his Detectives. UNIFORMED COP Where are we going, sir? On screen: Reese is a deer in the headlights . GORDON To get Reese. INT. WAYNE PENTHOUSE — DAY Wayne and Alfred move to the elevator. WAYNE I need you plugged in, checking Gordon's men and their families. ALFRED Looking for? WAYNE Hospital admissions. ALFRED Will you be taking the batpod, sir? WAYNE In the middle of the day? Not very subtle, Alfred. ALFRED The Lamborghini then. (watches Wayne go) Much more subtle. EXT. GOTHAM STREETS — DAY Wayne's Lamborghini TEARS through downtown. INT. HOSPITAL — CONTINUOUS CHAOS. PATIENTS and STAFF running around. COPS and TRAFFIC WARDENS try to manage the evacuation. The COPS stationed outside Dent's room, look around, unsure- NURSE Sir, are you going to help? I Two Cops move to help wheel gurneys around the corner. OMITTED INT. LOBBY, TELEVISION STUDIO — DAY Gordon and his men escort Reese out of the elevator- Engel follows with a camera crew. As they approach the glass doors Gordon looks out at an angry crowd. ENGEL Commissioner? I You really think someone would try to- Gordon SPOTS an OLD MAN raising a PISTOL- Gordon THROWS Reese to the ground as SHOTS SHATTER the laminated glass of the lobby. The Crowd SURGES in all directions- GORDON Get the cars around back! Gordon hauls Reese to the stairwell. INT. LAMBORGHINI — CONTINUOUS Wayne SLOWS past the chaos outside the television station. WAYNE I saw O'Brien and Richards... INT. BAT-BUNKER — CONTINUOUS Alfred types at the computer station. ALFRED (O.S.) Nothing on them. No immediate family members admitted to a Gotham hospital . INT. STAIRWELL, TELEVISION STUDIO — CONTINUOUS Gordon pulls the shaken Reese down the stairs... REESE (shaken) They're trying to kill me. and into a police VAN — INT. POLICE VAN — CONTINUOUS Gordon throws Reese in the back. Smiles. GORDON Well, maybe Batman will save you. The van PEELS out. Heads onto the streets. EXT. HOSPITAL — CONTINUOUS Cops load patients onto BUSES. A TV van pulls up, Engel and his Cameraman jump out. One of Dent's guards, POLK, looks into a SCHOOL BUS. Turns to the Cop loading it. POLK Okay, don't put anyone else on. (gets on radio) Davis, I got space, bring him out. (no answer) Davis? Polk heads back towards the hospital, against the flow. INT. LAMBORGHINI — CONTINUOUS Wayne trails the police van from a distance. WAYNE I saw Burns and Zachary... and a patrolman I don't know. ALFRED (O.S. ) Burns is clean — Zachary. . . WAYNE There ' s at least one I don ' t know- send the information to Gordon- INT. POLICE VAN CONTINUOUS Gordon's phone BEEPS. He looks at a text: WATCH OUT. COPS WITH RELATIVES IN GOTHAM HOSPITALS- BURKE, RAMIREZ , TILL... INT. DENT'S HOSPITAL ROOM -- CONTINUOUS Polk enters the room. No Davis. Just a REDHEADED NURSE, back towards him, reading Dent's chart. POLK Ma'am, we're going to have to move him, now. (nothing) Ma ' am? The Redhead TURNS- it iB the Joker, silenced pistol in hand. He FIRES. EXT. GOTHAM STREETS — CONTINUOUS The Lamborghini zips around a car to get closer to the van. INT. POLICE VAN — CONTINUOUS Gordon is reading his phone: ERIKSON, BERG. Gordon looks up sharply. Considers the uniformed cop nervously fingering his shotgun. GORDON Berg, isn't it? The young cop, BERG, looks up. Sweating. BERG Commissioner? GORDON You okay, son? Berg nods. Looks at his watch. INT. HOSPITAL ROOM — DAY The Joker draws closer to Dent's bed. Dent STRAINS at the leather cuffs binding him to the bed. THE JOKER I don't want there to be any hard feelings between us, Harvey. The Joker loosens Dent’s restraints. THE JOKER (CONT’D) When you and Rachel were being abducted I was sitting in Gordon ' s cage. I didn't rig those charges - DENT Your men. Your. plan. THE JOKER Do I really look like a guy with a plan, Harvey? I don't have a plan. . . THE JOKER (CONT’D) The mob has plans, the cops have plans. You know what I am, Harvey? Dent's hand is TREMBLING. THE JOKER (CONT'D) I'm a dog chasing cars... I wouldn't know what to do with one if I caught it. I just do things. I'm just the wrench in the gears. I hate plans. Yours, theirs, everyone ' s . Maroni has plans . Gordon has plans. Schemers trying to control their worlds. I'm not a schemer, I show the schemers how pathetic their attempts to control things really are. So when I say that you and your girlfriend was nothing personal , you know I 'm telling the truth. . . Hands him the pistol. Dent holds it to the Joker's head. EXT. INTERSECTION, GOTHAM STREETS — CONTINUOUS Wayne ROARS past a line of traffic to settle in a few cars back from the police van, sitting at a red light. INT. LAMBORGHINI — CONTINUOUS Wayne studies the intersection- spots a PICKUP jostling for position on the cross street. INT. POLICE VAN — CONTINUOUS Gordon watches Berg, mentally tracing the trajectory of his shotgun barrel as Berg fiddles with his gun. Gordon starts trying to subtly unholster his own weapon. GORDON I'm gonna need your weapoji, son. Berg looks at Gordon. BERG What? INT. LAMBORGHINI — CONTINUOUS Wayne watches the driver of the pickup staring intently at the police van. Lining it up. INT. POLICE VAN — CONTINUOUS Reese looks from Berg to Gordon. B&rg looks at Gordon, trembling, the barrel of his gun inching lower in the car. BERG Why? Because my wife ' s iiji hospital? GORDON Yeah. That would be why, INT. DENT'S HOSPITAL ROOM — CONTINUOUS The Joker leans in, pressing his he4d to the gun's barrel, THE JOKER It ' s the schemers who put you are. You were a schemer. You got you. I took of gas iNobody had plans. Look where it I just did what I do best- your plan, and I turned it on itself. Look what I've dene to this city with a few drums and a couple of bullets, panics when the expected people get killed. Nobody panics when things go according to plan, even if the plan is horrifying. If I tell the press that tomorrow a gangbanger will get shot, or a truckload of soldiers will be blown up, nobody panics. Because it's all part of you where the plan. But when I say that one little old mayor will die, everybody loses their minds 1 Introduce a little anarchy, you upset the established order and everything becomes chaos. I'm an agent of chaos. And you know the thing about chaos, Harvey? Dent looks into the Joker's eyes. Finding meaning. THE JOKER (CONT'D) It ' s fair. Dent looks down at the coin in his hands . Turns it over feels it's comforting weight. Shows the Joker the good side. DENT You live. He turns the coin over. The flip side is deeply SCARRED DENT (CONT’D) You die. The Joker looks at the coin. Looks at Dent, admiringly. THE JOKER Now you're talking. Dent FLICKS the coin into the air . Catches it . Looks . EXT. INTERSECTION, GOTHAM STREETS — CONTINUOUS The light turns GREEN. The police van pulls into the intersection- the pickup GUNS IT, RACING AT IT... INT. LAMBORGHINI — CONTINUOUS Wayne FLOORS it, YANKS the wheel to pull up onto the sidewalk- INT . POLICE VAN — CONTINUOUS Berg licks his lips, nervous. Mr .Reese? BERG EXT. INTERSECTION, GOTHAM STREETS — CONTINUOUS The pickup BARRELS at the van, FULL TILT- at the last second Wayne's Lamborghini SLIPS alongside the van- the pickup SMASHES INTO THE LAMB ORGH I N I - INT. POLICE VAN — CONTINUOUS As the van JOLTS with the impact Gordon LEAPS forward, PUSHING UP Berg's shotgun barrel, which FIRES into the roof- Gordon SMASHES Berg on the head with his sidearm. EXT. INTERSECTION, GOTHAM STREETS — CONTINUOUS Gordon ' s men pull the pickup driver from his cab- Gordon crouches down to the Lamborghini wreck to help pull Wayne from the car. Gordon recognizes him as he pulls him free. GORDON You okay, Mr. Wayne? Wayne looks at him, woozy. Sits on the curb. WAYNE Call me Bruce. I think so. GORDON That was a brave thing, you did. WAYNE Trying to catch the light? GORDON You weren't protecting the van? Wayne turnB- sees the police van as if for the first time. Reese steps down, dazed. WAYNE Why? Who's in it? Reese locks eyes with Wayne. Nods. Gordon sizes up Bruce Wayne and his crushed sports car. GORDON You don't watch a whole lot of news, do you, Mr. Wayne? WAYNE (shrugs) It can get a little intense. Think I should go to hospital? GORDON Not today, I wouldn't. INT. CORRIDOR, HOSPITAL — CONTINUOUS The Joker walks calmly through the mostly deserted building. As he walks he pulls a DETONATOR from his pocket. Strolling along he PUSHES THE BUTTON... STAGGERED EXPLOSIONS BURST INTO THE CORRIDOR BEHIND HIM LIKE DEMOLITION BLASTS... the Joker just walks out the door... EXT. HOSPITAL — CONTINUOUS The Joker STROLLS down the steps- WINDOWS BLOW OUT IN SERIES- People DIVE for cover- Engel PILES into a school bus- The Joker walks across the parking lot- THE BUILDING COLLAPSING BEHIND HIM... EXT. INTERSECTION, GOTHAM STREETS — CONTINUOUS Gordon hears the EXPLOSION. GORDON Gotham general . . . (grabs his phone) Did you get Dent out? COP (O.S.) I think so- EXT. HOSPITAL — CONTINUOUS The Cop cowers as DEBRIS and SMOKE BLAST across the street- INT. SCHOOL BUS — CONTINUOUS The Joker gets onto the bus. Nods at his man at the wheel. EXT. HOSPITAL — CONTINUOUS All eyes are on the collapsed building. One school bus pulls out from the line of other buses . Heads down the street. INT. BAR, GOTHAM HEIGHTS DAY An empty neighborhood dive, the local DRUNK passed out at the bar, BARTENDER, watching BREAKING NEWS on the TV. BARTENDER Sweet Jesus. D'you see this, Mike? They blew up a hospital... Detective Wuertz, at a booth looks up at the TV, bored. BARTENDER (CONT'D) Shouldn ' t you be out there , you know, doing something? WUERTZ It's my day off. The Bartender shuts the register. BARTENDER I gotta take a leak, keep an eye on things, will ya? The Bartender steps out. The back door OPENS again. WUERTZ What? You need me to shake it for- He TRAILS off as Bomeone sticks a gun in his face: Harvey Dent. Standing in shadow. He sits. DENT Hello. WUERTZ Dent, I thought you was... dead... Dent leans into the light. The left side of his face is HIDEOUSLY BURNED, cheek gone, blackened teeth and gums. DENT Half. Dent picks up Wuertz' s drink. Takes a SIP. Wuertz watches the bare muscles RETRACT as Dent SWALLOWS. DENT (CONT'D) Who picked up Rachel, Wuertz? WUERTZ It must ’ ve been Maroni ’ s men- Dent SLAMS the glass back on the table- Wuertz FLINCHES. DENT You, of all people, are gonna protect the other traitor in Gordon's unit? WUERTZ I don't know- he'd never tell me, WUERTZ (stares at Dent) I swear to God, I didn't know what they were gonna do to you- DENT Funny, I don't know what's going to happen to you, either. Dent pulls his coin from his pocket. FLIPS it. Wuertz watches it SPIN. It lands on the table. Scarred side up. The drunk at the bar STIRS at the GUNSHOT. EXT. GOTHAM GENERAL — DAY Gordon, manic, surveys the scene with a Cop- GORDON You must know how many were inside- you've got patient lists, roll calls- COP Sir I Sir. Take a look at what we're dealing with. Cops, National Guard- ( gestures at buses) We’re showing 50 missing- but that building was clear. These buses are heading off to other hospitals- my guess is we missed one. GORDON Yeah? What's your guess about where Harvey Dent is? The cop says nothing. GORDON (CONT'D) Keep looking. Keep it to yourself. INT. FOX'S OFFICE WAYNE INDUSTRIES — DAY Fox is watching the news. His intercom buzzes. VOICE (O.S.) Mr. Fox? Security is showing a break-in at the R and D department. INT. CORRIDOR OUTSIDE RESEARCH AND DEVELOPMENT — DAY Fox watches two security men force the door. He enters alone. INT. LAB, RESEARCH AND DEVELOPMENT — DAY Fox enters the dimly-lit room. At one end is an extraordinary array of thousands of tiny monitors. Fox approaches, fascinated, as they quietly display architectural patterns individually and in concert. The images become a MAP. BATMAN (O.S.) Beautiful. Isn't it? Fox nods, staring at the monitors as Batman approaches. FOX Beautiful. Unethical. Dangerous. You've turned every phone in the city into a microphone . . . Lucius presses a key. The BABBLE of a MILLION CONVERSATIONS at once fills the room. Every cell phone in the city. BATMAN And high frequency generator/receiver . FOX Like the phone I gave you in Hong Kong. You took my sonar concept and applied it to everybody's phone in the City, With half the city feeding you sonar you can image all of Gotham. (turns to Batman) This is wrong. BATMAN I've got to find this man, Lucius. FOX But at what cost? BATMAN The database is null-key encrypted. It can only be accessed by one person. FOX No one should have that kind of power . WAYNE That ' s why I gave it to you . Only you can use it. Lucius looks at Batman. Hard. FOX Spying on thirty million people wasn’t in my job description. Batman points to a TV screen. Fox turns. ON SCREEN: Joker shakes his head above a graphic "LATEST THREAT" THE JOKER What does it take to make you people want to join in..? EXT. SITUATION TENT AT GOTHAM GENERAL — CONTINUOUS Gordon watches a screen. Grave. TBS JOKER You failed to kill the lawyer . . . I've got to get you off the bench and into the game. So, here it is. . . INT. BAR, DOWNTOWN — CONTINUOUS The bar, packed with business people watches the TV. SILENT. THE JOKER Come nightfall, this city is mine, and anyone left here plays by my the rules. If you don't want to be in the game , get out now. Bar patrons start moving... The Joker reaches for the camera- THE JOKER (CONT'D) But the bridge -and- tunnel crowd are in for a surprise. CUT TO STATIC. The bar patrons look around, confused. INT. LAB, RESEARCH AND DEVELOPMENT — CONTINUOUS Fox turns from the TV to look at Batman. BATMAN Trust me. Fox stares at Batman. BATMAN (CONT’D) This is the audio sample. He plugs a USB dongle into the console. A sample of the Joker's voice from the call-in news program plays. BATMAN (CONT'D) If he talks within range of any phone in the city, you'll be able to triangulate his position. Lucius toggles a menu. The city is an open book- People working, eating, sleeping. Lucius shakes his head. BATMAN (CONT'D) When you've finished, type your name to switch it off. FOX I ' 11 help you this one time . . . Lucius sits at the console. Batman moves off- FOX (CONT'D) But consider this my resignation. Batman turns. Fox looks at him, serious. FOX (CONT'D) As long as this machine is at Wayne Industries, I won't be. EXT. VARIOUS LOCATIONS — DUSK Gothamites POUR out of the city, on foot and by car... the BRIDGES and TUNNELS are deserted, but for BOMB SQUAD search teams . INT. CITY HALL — CONTINUOUS Gordon briefs the Mayor. GORDON My officers are going over every inch of the tunnels and bridges, but with the Joker's threat they're not and option. MAYOR Land routes East? GORDON Backed up for hours. Which leaves the ferries with thirty thousand waiting to board. Plus, corrections are at capacity, so I want to use a ferry to take some prisoners off the island. MAYOR The men you and Dent put away? Those aren’t people I'm worried about . GORDON You should be- they're the people you least want to be stuck with in an emergency. Whatever the Joker's planning, it's a good bet that Harvey's prisoners might be involved. I want 'em out of here. EXT. FERRY TERMINAL — DUSK At the ferry terminal. National Guardsman watch over the THIRTY THOUSAND jostling, scared people waiting to board the two MASSIVE FERRIES to Seven Sisters. Grumbles turn to YELLS as 800 PRISONERS are loaded onto a ferry by toting CORRECTIONS OFFICERS. shotgun- CIVILIAN That ain't right! We should be on that boat. NATIONAL GUARDSMAN You want to ride across with them, be my guest. EXT. BROWNSTONE — DUSK Maroni climbs into the back of a limo. INT. LIMO — DUSK Maroni settles back into his seat. The car pulls away. MARONI Don't stop for lights, cops, nothing. DENT Going to join your wife? Maroni STARTS. Someone is in here with him. Harvey Dent- Two Face- leans forward, clutching a pistol. DENT (CONT'D) You love her? MARONI Yes. DENT Can you imagine what it would be like to listen to her die? MARONI Take it up with the Joker. He killed your woman . Made you . . . like this . . . DENT The Joker’s just a mad dog. I want whoever let him off the leash. Maroni looks at Dent. Worried. DENT (CONT'D) I took care of Wuertz, but who was your other man inside Gordon's unit? who picked up Rachel? it must've been someone she trusted. MARONI If I tell you, will you let me go? DENT It can t hurt your chances. MARONI It was Ramirez. Pulls out his coin. Dent cocks the pistol... MARONI (CONT'D) But you said- DENT I said it couldn't hurt your chances . Dent FLIPS it. Looks: good side. He shrugs. DENT (CONT'D) Lucky guy. Maroni looks confused. Dent FLIPS the coin again down at the coin. Shakes his head. Looks DENT (CONT'D) But he’s not. Who? Dent smiles. PUTS HIS SEAT BELT ON. DENT Your driver. Tt, Pr T 3eS the barrel of the revolver behind the shadow of the driver. Maroni LUNGES, SCREAMING. Dent FIRES. EXT. BRIDGE — DUSK The Limo SWERVES off of the bridge, SOARS out over the canal, and PANCAKES into the RETAINING WALL. EXT. FERRY TERMINAL — DUSK CIVILIANS CRAM their way onto one ferry. Finally, COMMANDER of the National Guard unit SIGNALS to his STOP BOARDING and CAST OFF. the men to The two FERRIES set off across the river, heading for the lights of the distant shore of the mainland. INT. BRIDGE, PRISONER FERRY — NIGHT The FIRST MATE looks out the window, at the second ferry. It is DEAD in the WATER. He turns to the PILOT [ PRISON FERRY]. FIRST MATE They've lost their engines. PILOT [PRISON FERRY] Get on the radio and tell 'em we'll come back for them once we dump these scumbags- Suddenly, the control panel FLICKERS and DIES. PILOT [PRISON FERRY] (CONT'D) Get down to the engine room. INT. PASSENGER LOUNGE, PRISONER FERRY — NIGHT The First Mate skirts around the PRISONERS and CORRECTIONS OFFICERS . . . INT. ACCESS CORRIDOR, PRISONER FERRY — NIGHT The First Mate opens the door to the engine room. STOPS. HUNDREDS OF BARRELS OF DIESEL FUEL. And a small, wrapped PRESENT, topped with a BOW. INT. BRIDGE, PRISONER FERRY — NIGHT The Pilot [Prison Ferry] is holding the small present. His radio CRACKLES. PILOT [PASSENGER FERRY] (O.S.) Same thing over here- enough diesel to blow us sky high. And a present. EXT. ELEVATED ROADWAY, DOWTOWN GOTHAM — CONTINUOUS Batman sits on the bat-pod, cape blowing. Listening. BATMAN Fox? There 1 s something going on on the ferries ... INT. PASSENGER LOUNGE, COMMUTER FERRY NIGHT As cold scared Families watch, the NATIONAL GUARD COMMANDER UNWRAPS that ferry’s present, inside, he finds a crude REMOTE DETONATOR. NATIONAL GUARD COMMANDER Why would they give us the detonator to our own bomb? Up in the wiring at the ceiling, a CELL PHONE taped in to the P . A. rings and answers. THE JOKER (O.S. ) Tonight , you 're all going to be part of a social experiment. ON BOTH FERRIES: CIVILIANS, PRISONERS, CREW, AND NATIONAL GUARDSMEN ALL LISTEN AS THE JOKER’S VOICE RINGS OUT. INT. LAB, WAYNE ENTERPRISES — NIGHT Lucius Fox looks up as the console CHIMES. FOX I'm zeroing in. THE JOKER (O.S.) Through the magic of diesel fuel and ammonium nitrate , I'm ready right now to blow you all sky high. Anyone attempts to get off their boat , you all die FOX His voice is on the ferry, but that ' s not the source . . . EXT. ROOFTOPS ABOVE GOTHAM — NIGHT Batman looks out, across the entire city skyline. BATMAN Do you have a location on the Joker? POX (O.S.) It ' 8 west. . . F J RE ? w Sf= the bat “P° d ~ his cape SHRINKS into its pack form as he PEELS OUT, ROARING into the night. P THE JOKER (O.S.) But we 're going to make things a little more Interesting than that. Tonight, we're going to learn a little bit about ourselves . . . INT. GORDON HOME — CONTINUOUS Barbara Gordon answers the phone. RAMIREZ (O.S.) Barbara, it's Anna Ramirez- BARBARA Hi, Anna- RAMIREZ (O.S.) Listen carefully, there's no time. Jim needs you to pack up and get the kids in the car right away. BARBARA But the units outside- RAMIREZ (O.S.) Barbara, those cops can 't be trusted . Jim needs you away from them as soon as possible. I'll call them off for 10 minutes, you 'll have to move fast- BARBARA But where- RAMIREZ (O.S.) I'm going to give you an address- Jim will meet you there. . . EXT. MCU — CONTINUOUS Ramirez is holding the phone. RAMIREZ 250, 52nd street. Leave as soon as the patrol car pulls out. Dent is holding a gun at Ramirez's head. She hangs up DENT She believe you? Ramirez nods. DENT (CONT'D) She trusts you. Just like Rachel did. RAMIREZ I didn't know- DENT 'What they were gonna do’? You're the second cop to say that to me. What, exactly, did you think they were going to do? RAMIREZ I'm sorry- they got me early on. My mother's medical bills and my- DENT Don't! Dent FLIPS his coin. RAMIREZ I took a little from them- once they've got you, they keep you. I'm sorry. Dent looks at his coin. Good side. DENT Live to fight another day, officer. Dent CRACKS her on the head with his gun. INT. BRIDGE, PRISONER FERRY — NIGHT The Pilot [Prison Ferry] tries the radio. It's DEAD. PILOT [PRISON FERRY] He killed the radio. THE JOKER (O.S. ) There's no need for all of you to die. That would be a waste. So I've left you both a little present. EXT. PENTHOUSE, PREWITT BUILDING — NIGHT The Joker stares out over the harbor, at the ferries. Talking into a cell phone. Holding a detonator, with TWO BUTTONS . THE JOKER Each of you has a remote to blow up the other boat. INT. PASSENGER LOUNGE, PRISONER FERRY — NIGHT The Prisoners and Corrections Officers listen. Appalled. THE JOKER (O.S.) At midnight, I blow you all up. If, however, one of you presses the button, I'll let that boat live. You choose. So who's it going to be- Harvey Dent 's most wanted scumbag collection. . . or the sweet innocent civilians? (beat) Oh, and you might want to decide quickly, because the people on the other boat may not be quite so noble . The Joker HANGS UP. The Pilot [Prisoner Ferry] looks down at the remote in his hands. Prisoners begin YELLING and PUSHING. The WARDEN takes the remote from the Pilot- COCKS his shotgun. His men level their weapons at the crowd. EXT. FERRY TERMINAL — CONTINUOUS Gordon looks out at the ferries. His phone rings. BATMAN (O.S. ) I have the Joker's location- EXT. GOTHAM STREETS — CONTINUOUS Batman ROARS along on the bat-pod. BATMAN Prewitt building. Assemble on the building opposite. INT. PASSENGER LOUNGE , COMMUTER FERRY NIGHT The National Guard Commander is holding the remote. Several passengers take a step towards him. He PULLS his weapon . NATIONAL GUARD COMMANDER Stay back. A BUSINESSMAN clutching his briefcase speaks up. BUSINESSMAN Who are you to decide? We ought to talk it over, at least. Other passengers agree. A MOTHER with two KIDS speaks up MOTHER We don't all have to die. why should my babies die? Those men had their chance- • NATIONAL GUARD COMMANDER We’re not talking about this... PASSENGER 1 They're talking over the same exact thing on the other boat. PASSENGER 2 If they're even bothering to talk. Let's put it to a vote. INT. PASSENGER LOUNGE, PRISONER FERRY — NIGHT As the Prisoners grow angrier, a CORRECTIONS OFFICER FIRES his shotgun into the air. The Prisoners back off. Slightly. INT. PASSENGER LOUNGE, COMMUTER FERRY — NIGHT A GUARDSMAN on this boat passes around a hat. People drop CHITS into it. Passengers filling out chits eye each other. People on their phones say goodbye to loved ones. P ^ ot [Passenger Perry] looks out across the water to the other Ferry. Looks up at the clock. Ten to midnight... STARES down at his blank chit. EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — NIGHT Gordon and his SWAT team leaders set up SNIPER and SCOPE positions on the balustrade. INT. GARAGE, PREWITT BUILDING — CONTINUOUS A SWAT stands beside the empty school bus. SWAT (INTO RADIO) We've found our missing bus. EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — CONTINUOUS Gordon looks at the SWAT LEADER. GORDON Then we have a hostage situation. They look across at the large windows of the Prewitt Building. The Joker’s men, in crude, homemade CLOWN MASKS are clearly visible, automatic weapons in hand. SWAT SNIPER I got hostages I They look through his scope. Crouched deeper in the room, PATIENTS, DOCTORS, and NURSES, huddled. GORDON It's a shooting gallery. Why'd he choose a spot with such big windows? BATMAN (O.S.) He likes the view. Batman gestures towards the view of the ferries. SWAT LEADER We have clear shots on five clowns. Snipers take them out, smash the windows- a team rappels in, a team moves in by the stairwells. 2 or 3 or three casualties, max. GORDON (barely hesitates) Let's do it. BATMAN It's not that simple, with the Joker, it never is. GORDON What 1 s simple, is that every second we don't take him, those people on GORDON the ferries get closer to blowing each other up I BATMAN That won't happen. GORDON Then he'll blow them both up ! There's no time- we have to go in now - BATMAN There’s always a catch with hira- GORDON That's why we can't wait- we can't play his games- Batman turns. BATMAN I need five minutes. Alone- GORDON No. There’s no time. We have clear shots . Gordon pulls his gun. Batman turns back. The SWATS watch. GORDON (CONT'D) Dent's in there with them. We have to save Dent l I have to save Denti (to SWAT Leader) Get ready- Batman LEAPS from the building, OPENS his cape- SOARS across the gulf between the two buildings- Gordon puts his weapon away. Curses softly. Turns to the SWAT leader. GORDON (CONT'D) Two minutes. Then you breach. EXT. PREWITT BUILDING — CONTINUOUS Batman LANDS against the glass two floors below- BATMAN Fox. I need picture. INT. LAB, RESEARCH AND DEVELOPMENT — CONTINUOUS Fox hits some keys- FOX You've got p.o.v. on alpha channel, omni on beta- EXT. PREWITT BUILDING — CONTINUOUS SMOKED GLASS EYEPIECES slip down over Batman's eye holes. Batman's SONAR P.O.V. ; the layers of the building dissolve, levels of TRANSPARENCY PULSING rhythmically. . . Patman can see the people inside the building . . . INT. PENTHOUSE, PREWITT BUILDING — NIGHT The Joker is standing by the window, looking out at his handiwork. The Chechen's DOGS start BARKING. He SMILES. EXT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS Batman reaches into his utility belt, SPRAYS PLASTIC onto the glass- lets it harden- PUNCHES the window-which BREAKS QUIETLY as the pieces stick to the laminate- he slips inside- INT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS Batman ' s eyes glow white as he uses his sonar to look THROUGH the corner: AN ARMED CLOWN IS LEANING AGAINST THE CORNER . . . EXT. ROOFTOP, PREWITT BUILDING — CONTINUOUS A Bix man SWAT team prepares to rappel from the roof. INT. STAIRWELL, PREWITT BUILDING — CONTINUOUS A SWAT team moves up the stairs. EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — CONTINUOUS Gordon ' s phone rings . GORDON Hello? Barbara, calm down- DENT (O.S.) Hello r Jim. GORDON Harvey? What the hell’s going on? DENT (O.S.) You 're about to know what my suffering is really like . . . Gordon looks across at the Prewitt penthouse... GORDON Where are you? Where's my f amily? 1 DENT (O.S.) Where my family died. Click. Gordon looks at the SWAT leader, pale. SWAT LEADER (INTO RADIO) Red Team. Go! Gordon moves to the door off the roof. INT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS Batman GRABS the Armed Clown, drops him, silently. He goes to disarm him- THE WEAPON IS DUCT-TAPED TO THE CLOWN'S HANDS. Batman RIPS off the clown mask: STARING, FRIGHTENED EYES- MOUTH DUCT-TAPED SHUT... it's ENGEL . Batman looks up: Four more clowns line the windows, weapons duct-taped to their hands. On SONAR: he looks into where the hostages are crouched... the "PATIENTS" and "DOCTORS" are carrying weapons- these are the Joker's men... Above them SWATS RAPPEL FROM THE ROOFTOP, more teams propping. In the stairwells , two BATMAN Don't. Move. Engel nods, terrified. EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — CONTINUOUS The SWATS line up the clowns in their sights... INT. STAIRWELL, PREWITT BUILDING — CONTINUOUS The SWAT team arrives at the penthouse fire spread CHARGES across the inner wall- OMITTED exit. They EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — CONTINUOUS The SWAT Leader checks his watch. OWAI LEADER {INTO RADIO) Go I Go 1 Go I A SWAT Sniper zeroes in on a clown- the clown DISAPPEARS- the Sniper looks up, confused- INT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS Batman yanks the clown along the floor using his grapple f Un_ 4 .^ he clown takes down the two next to him- Batman leaps for the nearest two as SHOTS SHATTER the glass- EXT. PREWITT BUILDING — CONTINUOUS The SWATS rappel down the building- SWING in through the broken windows - INT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS The. "hostages" reel from the BLAST- The SWATS SWOOP in- aiming weapons at the clowns, throwing PERCUSSION GRENADES- Batman takes out the SWATS with fists and BATARANGS- The last SWAT aims at BATMAN- behind him a "DOCTOR" raises a shotgun... behind the "Doctor" Batman can see through the qwai at SMATS preparing to breach... Batman VAULTS over the SWAT into a two-foot kick into the "Doctor’s" chest- INT. STAIRWELL, PREWITT BUILDING — CONTINUOUS The Swats BLAST OUT THE WALL- the team leader steps up to the hole... the BAT-GRAPPLE FIRES out-lodging in his kevlar vest... he is YANKED, SCREAMING, through the door. The rest of his team look at each other. Steel themselves. Move in through the hole... INT. PENTHOUSE, PREWITT BUILDING — CONTINUOUS As the SWATS race in they find Engel, terrified, next to a pile of unconscious "hostages", and their team leader, one end of an absailing rope tied around his waist. Batman is on them, weaving KICKING, PUNCHING, and, with one hand, clipping carabinners looped to the absailing rope onto their webbing of vests. Batman steps back- picks up the team leader- SWAT weapons aim at him- he hurls the Team Leader out the window. . . the SWATS watch him go... the rope pays out... one by one they are YANKED out of the window. . . EXT. ROOFTOP OVERLOOKING PREWITT BUILDING — CONTINUOUS A SNIPER watches through his scope as the six man SWAT team soars out of the window and drops. The line snaps taut and they hang, like a mountaineering team in crisis. Batman, crouched in the broken window, secures the line. SNIPER What the hell's he doing? Batman looks right at the sniper- Raises his grapple gun- BAM. The bat grapple smashes into the Sniper's scope- the rifle is YANKED out of his hands. INT. PREWITT BUILDING — CONTINUOUS Batman races past a dazed Engel... ENGEL ( pathetic ) Thanks . ...into the main office. The Joker is there. THE JOKER You came. I'm touched. BATMAN Where ’ s the detonator? The Dogs LEAP at Batman- SMASH him to the ground INT. PASSENGER LOUNGE , COMMUTER FERRY — NIGHT The Pilot [Passenger Ferry] finishes Reads the verdict. counting the votes. PILOT [PASSENGER FERRY] The tally is 196 votes against. (looks down) And 340 votes for. The passengers avoid eye contact with each other. INT. PASSENGER LOUNGE, PRISONER FERRY NIGHT The Corrections Officers are in a phalanx in the corner facing off against hundreds of menacing Prisoners. ' PRISONER 1 Do you wanna die! The Warden and his men look at each other. At the clock. INT. PENTHOUSE, PREWITT BUILDING — NIGHT Batmfln With the Rotweil ers- a blinding mass of Batman, black fur and bared teeth- KICKS°OFF M ° VeS “ t0 the " ,a88 - Batman intoBatLns MBS d ° 9S - the J ° ker JABS his k "“ 8 THE JOKER All the old familiar places. ENERGY fv ^ Pai ^' J ° ker BUTTS him ~ KNEES him - hia lean frame - he KICKS the injured Batman back towards the glass... INT. PASSENGER LOUNGE, COMMUTER FERRY NIGHT h^Lf il0t ^ Passenger Ferry] looks at the remote in his PILOT [PASSENGER FERRY] I voted for it. Same as most of you. Doesn't seem right that we should all die... Someone calls out from the back. PASSENGER 3 So do it I PILOT [PASSENGER FERRY] I didn't say I'd do it. Don't forget. We're still here. Which means they haven't killed us, yet, either. He sets the remote down on a bench in the front of the lounge. The other passengers and guardsmen stare at it... INT. PASSENGER LOUNGE, PRISONER FERRY — NIGHT A HUGE, TATTOOED PRISONER pushes his way to the front. He walks towards the Warden, who is sweating, looking at the remote . TATTOOED PRISONER You don ' t wanna die . But you don ' t know how to take a life. Give it to me. The Warden looks at the remote. At the clock. TATTOOED PRISONER (CONT'D) These men will kill you and take it, anyway. Give it to me, you can tell people I took it by force... give it to me and I’ll do what you should have done ten minutes ago. INT. PASSENGER LOUNGE, COMMUTER FERRY — NIGHT Everyone stares at the remote. One minute left. The Businessman stands. Walks over and picks it up. BUSINESSMAN No one wants to get their hands dirty. Fine. I'll do it. Those men on that boat made their choices. They chose to murder and steal. It makes no sense for us to die , too . contact 8 ^ th@ ° ther passen 9 ers * No one makes eye INT. PASSENGER LOUNGE, PRISONER FERRY NIGHT The Warden slowly hands him the REMOTE. The Prisoner looks at it . He looks the Warden in the eye . . . Then TOSSES the remote out the window. Warden, prisoners and officers are stunned. EXT. PENTHOUSE, PREWITT BUILDING — NIGHT Batman FLIES backwards THROUGH THE WINDOW- glass f lyinq- KIC ? S out a wooden brace holding up the STEEL ? atman ® arms fly up as it comes crashing down onto his neck- saved by his protective gauntlets. Batman GRUNTS as the Joker STEPS onto the steel beam. . . THE JOKER If we don't stop fighting, we're going to miss the fireworks. BATMAN There won't be any fireworks. Batman STRUGGLES to keep the beam from CRUSHING his neck... INT. PASSENGER LOUNGE, COMMUTER FERRY — NIGHT The Businessman stares at the remote in his hands. Finally, he puts it down, sits down. Waits to die. The clock strikes MIDNIGHT. EXT. PENTHOUSE, PREWITT BUILDING — NIGHT Batman indicates the clock... twelve o'clock. BATMAN What were you hoping to prove? That deep down, we're all as ugly as you? The Joker looks at the clock... INT. BOTH FERRIES — CONTINUOUS The Passengers brace. Look at the clock. Confused... INT. PREWITT BUILDING — CONTINUOUS The smile disappears from the Joker's face. BATMAN You're alone. ,™ a . 0 lLr h u ^he°™;o t h r rin9 above “ a THE JOKER Can’t rely on anyone these days. The Joker ARMS the remote... THE JOKER (CONT'D) Have to do everything yourself, i always have- and it's not always easy. . . * THE JOKER (smiles, remembering) You know how I got these scars? Batman looks up at him. No. BATMAN But I know how you get these - the Joker u FIRE 0UT 0F HIS GAUNTLET, nailing freed ^L 1 Ch j St and ari "~ he STAGGERS back- Batman? remote- 1 forward ~ KICKS HIM OVER THE EDGE- GRABS the The Joker GIGGLES ae he FALLS, enjoying the ride ™ i s 9 G ^L E lnt T° h hla l eg ' md hl ^KS to a etop- “SfhL ™ 6 J ° ker H ° LI ' ERS in pain aa Bat “ aa THE JOKER Just couldn’t let me go, could you? I guess this is what happens when an unstoppable force meets an immovable object. You truly are incorruptible, aren't you? Batman secures the Joker UPSIDE DOWN LAUGHING. The Joker is THE JOKER (CONT'D) You won’t kill me out of some misplaced sense of self- righteousness. . . and I won't kill you because you ' re too much fun . We’re going to do this forever. BATMAN you’ll be in a padded cell, forever. THE JOKER Maybe we can share it . They ’ 11 need to double up, the rate this city ' s inhabitants are losing their minds — BATMAN This city just showed you it's full of people ready to believe in good. The Joker looks up at him. A twinkle in his eye. THE JOKER Till their spirit breaks completely. Until they find out what I did with the best of them. Until they get a good look at the real Harvey Dent, and all the heroic things he 1 s done . (indicates ferry) Then those criminals will be straight back onto the streets and Gotham will understand the true nature of heroism. THE JOKER (off look) You didn't think I'd risk losing the battle for the soul of Gotham in a fist fight with you? You've got to have an ace in the hole. Mine's Harvey. Batman hauls the Joker up, nose to nose. BATMAN What did you do? THE JOKER I took Gotham's white knight. And I brought him down to my level, it wasn't hard- madness is like gravity. All it takes is a little push . Joker laughs. Batman leaves him to the SWATS. amflAH Lucius. Find Harvey Dent. EXT. BURNT WAREHOUSE, 52ND STREET — NIGHT g t tB S Ut ° f his car ' gun dra wn. Makes his way into the blackened wreck of a building. . . y lnt0 INT. BURNT WAREHOUSE, 52ND STREET — NIGHT Gordon peers into the darkness. GORDON Dent? No reply. Gordon makes his way deeper. Up the stairs. INT. SECOND FLOOR, BURNT WAREHOUSE — NIGHT Gordon spots Barbara and their two children huddled head-* 16 *’ HG mOVSS t0ward8 them ~ Barbara is shaking her WHAM 1 Dent cracks Gordon over the head with his gun. Dent G jrdon, rolls him over. He turns to look at the ENORMOUS hole in the floor. From this side, in the moonlight, Dent looks completely normal. DENT This is where they brought her, Gordon. After your people handed her over. This is where they bound her. This is where she suffered. This is where she died. GORDON I know. I was here. Trying to save her. Dent TURNS, revealing his dark side. DENT But you didn’t, did you? GORDON X couldn’t. DENT Yes, you could. DENT If you'd listened to me- if you'd stood up against corruption instead of doing your deal with the devil. GORDON I was trying to fight the mob- Dent MOVES towards Gordon. DENT You wouldn't dare try to justify yourself if you knew what I’d lost. Have you ever had to talk to the person you love most, wondering if you’re about to listen to them die? You ever had to lie to that person? Tell them it's going to be all right, when you know it’s not? Well, you're about to find out what that feels like. Then you'll be able to look me in the eye and tell me you're sorry. Dent turns- steps over to Barbara- puts the gun to her temple- GORDON Harvey. Put the gun down. You're not going to hurt my family. DENT No, just the person you need most. (cocks gun) So is it your wife? GORDON Put the gun down. Dent moves the gun to point at Gordon's little girl. GORDON (CONT'D) Please, Harvey... Dent moves to James Gordon. Brushes the hair out of the boy's eyes with the muzzle. Gordon SNAPS. GORDON (CONT'D) Goddamit. Stop pointing that gun at my family. Dent. DENT We have a winner. Dent pulls the boy away from his mother. BARBARA No 1 Jim stop himl Don't let him I Dent walks James past Gordon to the edge of the burnt floor. He touches the raw wood at the edge of the floor. GORDON I'm sorry, Harvey. For everything. But, please. Please don't hurt him. SIRENS. EXT. BURNT WAREHOUSE, 5 2ND STREET — CONTINUOUS Cop cars descend on the warehouse. INT. SECOND FLOOR, BURNT WAREHOUSE — CONTINUOUS Dent looks at Gordon, FURIOUS. DENT You brought your cops? GORDON All they know is there's a situation. They don't know who, or what. They're just creating a perimeter . DENT You think I want to escape? I There's no escape from this- Dent indicates his face. His suffering. GORDON No one needs to escape, because no one's done anything wrong. And nobody has to. Dent chuckles. A macabre sight. DENT I've done plenty wrong, Gordon. Just not quite enough. Yet. Dent squeezes the gun a little tighter against the little boy’s neck. The boy WHIMPERS. BATMAN (O.S.) You don't want to hurt the boy. Dent. Dent turns . Batman steps from the shadows . DENT It ' s not about what I want . It's about what's fair. (to Gordon and Batman) You thought we could be decent men in an indecent world. You thought we could lead by example. You thought the rules could be bent but not break... you were wrong. The world is cruel. (shows his coin) And the only morality in a cruel world is chance. Unbiased. Unprejudiced. Fair. BATMAN Nothing fair ever came out of the barrel of a gun, Dent. DENT (shows the coin) His boy's got the same chance she had. Fifty-fifty. Batman steps closer, desperate, trying to reach Dent. BATMAN What happened to Rachel wasn’t chance. We decided to act. We three. We knew the risks and we acted as one. We are all responsible for the consequences. Dent looks at Batman. Pleading. DENT Then why was it only me who lost everything? Batman looks into Dent’s eyes. Emotional. BATMAN It wasn't. DENT ( furious) The Joker chose me! BATMAN Because you were the best of us. He wanted to prove that even someone as good as you could fall. DENT (bitter) And he was right. BATMAN But your fooling yourself if you think you're letting chance decide. You're the one pointing the gun, Harvey. So point it at the people who were responsible. We all acted as one. Gordon. Me. And you. Dent is listening, the wheels in his deranged mind turning. DENT Fair enough. Dent eases his grip on the boy. DENT (CONT'D) You first. He points the gun at Batman. FLIPS the coin. TAILS. He SHOOTS. Batman COLLAPSES to the ground, clutching his gut. DENT (CONT’D) My turn. He points the gun at his own head. FLIPS the coin. HEADS. He looks a little disappointed. Finally, he points the gun back at Gordon's son. DENT (CONT'D) Your turn, Gordon. GORDON You’re right, Harvey. Rachel's death was my fault. But punish me- DENT 1 1 m about to . Tell your son it ’ s going to be all right, Gordon. Lie. Like I lied. Gordon looks up. Pained. Locks eyes with his son. GORDON It's going to be all right, son. Dent FLIPS the coin. High. Dent's eyes FOLLOW the coin up- Batman HURLS himself at Dent and the boy. All three of them VANISH over the edge. A TERRIBLE CRASH- then silence, but for the sound of DENT'S COIN, SPINNING on the floor at the edge of the hole. Gordon, horrified, RUNS to the edge— peers down— Dent lies at the bottom of the hole, his neck broken. DEAD. The coin stops spinning, GOOD SIDE UP. Gordon's son swings into view, HANGING from Batman, who is holding onto a JOIST with all his strength... Gordon reaches down to GRAB his son- HAULS him up Batman FALLS dropping and dropping, SMASHING THROUGH protruding WOOD and PIPES... He lands HARD near Dent. EXT. BURNT WAREHOUSE, 5 2ND STREET — CONTINUOUS The cops prepare to STORM the front door. INT. BURNT WAREHOUSE, 5 2ND STREET — CONTINUOUS Gordon races down the stairs. Rushes over to Batman. JAMES (O.S.) Dad, is he okay? Gordon crouches at Batman's side. The Batman GRASPS Gordon's arm. STAGGERS to his feet. GORDON Thank-you. BATMAN You don ' t have to- GORDON Yes, I do. Gordon and Batman stare down at Dent’s body. Grave. GORDON (CONT'D) The Joker won. Gordon stares down at SCARRED SIDE of Harvey Dent. GORDON (CONT'D) Harvey's prosecution, everything he fought for, everything Rachel died for. Undone. Whatever chance Gotham had of fixing itself... whatever chance you gave us of fixing our city... dies with Harvey's reputation. We bet it all on him. The Joker took the best of us and tore him down. People will lose all hope. BATMAN No . They won * t . (looks at Gordon) They can never know what he did. GORDON ( incredulous ) Five dead? Two of them cops? We can ' t sweep that under- BATMAN No. But the Joker cannot win. Batman crouches to Dent's body. BATMAN (CONT'D) Gotham needs its true hero. Gently, he turns Dent’s head so the good side of his face is up. Gordon looks from Dent's face to Batman. Understanding . GORDON You? You can ' t- BATMAN Yes, I can. Batman stands. Paces Gordon. BATMAN (CONT'D) You either die a hero or live long enough to see yourself become the villain. I can do those things because I'm not a hero, like Dent. X killed those people. That's what I can be. GORDON (angry) No, you can’t l You’re not! Batman hands Gordon his police radio. BATMAN I’m whatever Gotham needs me to be. INSERT CUT: GORDON STANDS AT A PODIUM AT DENT'S FUNERAL . BEHIND HIM IS A LARGE PHOTOGRAPH OF DENT SMILING. GORDON ...a hero. Not the hero we deserved- the hero we needed. Nothing less than a knight. Shining. . . GORDON (V.O.) (CONT’D) They'll hunt you. BATMAN (V.O.) You'll hunt me. INSERT CUT: GORDON, ON THE ROOF OF GOTHAM CENTRAL, AXE IN HAND, WATCHED BY AN ASSORTMENT OF COPS AND REPORTERS. . . BATMAN (CONT'D) You 'll condemn me, set the dogs on me. . . GORDON TAKES THE AXE TO THE BAT SYMBOL- SPARKING, SMASHING. . . BATMAN (V.O.) (CONT'D) ...because It's what needs to happen . INSERT CUT: ALFRED HOLDS THE LETTER FROM RACHEL. THINKING. BATMAN (V.O.) (CONT'D) Because sometimes the truth isn't good enough . . . INSERT CUT: ALFRED BURNS THE ENVELOPE FROM RACHEL. BATMAN (CONT'D) .. .sometimes, people deserve more . INSERT CUT: LUCIUS FOX TYPES HIS NAME INTO THE SONAR MACHINE. INSERT CUT: FOX HITS THE "X". THE MACHINE FLASHES RED "SELF-DESTRUCT WARNINGS " . THEN DIES. FOX SMILES TO HIMSELF. Batman hurries off. LIMPING into the shadows. JAMES (O.S.) Batman? I James RUNS down the stairs to join father- JAMES (CONT'D) Why's he running, Dad? I Gordon stares after Batman. GORDON Because we have to chase him. . . EXT. WAREHOUSE CONTINUOUS As Cops race into the buildings the DOGS get the scent and pull away from the doorway, following the SHADOW into the stacks of shipping containers ... INT. WAREHOUSE — CONTINUOUS James looks at his father, confused. JAMES He didn't do anything wrong I Gordon stares after the Batman. The sound of the dogs becoming louder and more ferocious. JAMES (CONT'D) Why, dad? Why?l GORDON Because. . . EXT. DOCKSIDE ROOFTOPS — CONTINUOUS The Batman LURCHES between shipping containers. STUMBLING. BLEEDING. He makes it to the bat-pod... GORDON (V.O.) . . .he's the hero Gotham deserves . . . but not the one it needs right now . So we'll hunt him, because he can take it. Because he’s not our hero . . . The bat-pod streaks through Gotham 1 s underground streets , the Batman's cape fluttering behind. A wraith... GORDON (V.O.) (CONT'D) ...he's a silent guardian , a watchful protector. . . a dark knight. The Batman races up a ramp into a blinding light- CUT TO BLACK. CREDITS. END.