FKA twigs will curate Meltdown 2027 at Southbank Centre•
Hot Chip have announced their new album, ‘A Long Way From Kansas’•
The Cribs have announced a Wakefield show for ‘Men’s Needs, Women’s Needs, Whatever’ anniversary•
Tate McRae has released ‘Housewife’ with a South of France-shot video•
Olivia Rodrigo and Chappell Roan have released their ‘expectations’ remix•
Tom A Smith is heading up Paint By Numbers this December•
Bleachers have shared new song ‘Blood Brothers’•
Marika Hackman has announced new album ‘False Dogs’ and shared ‘33’•
Nieve Ella, Jamie T, Rachel Chinouriri and Remi Wolf cover Dork's new issue - order now!•
Tate McRae has announced new single ‘Housewife’•
Slayyyter has announced companion album ‘Wor$t Man in America’ for December•
Welly are going to headline a very special Dork’s Night Out at The 100 Club•
Down With Boring returns tonight with The North, plus bags of new music•
Keo have announced their 2027 UK, European and North American headline tour•
Primavera Sound Barcelona has announced its 2027 anniversary line-up•
Audrey Hobert has unveiled a new video for 'Sex and the City' as she begins her headline tour•
The Dork 2025 Readers' Poll nominations are in, featuring CMAT, Turnstile, Wolf Alice, Djo, Hayley Williams and loads more•
flowerovlove has released her first-ever first Christmas track, 'wishlist'•
Mighty Hoopla and Olly Alexander have announced Trans Mission, a concert for trans solidarity•
JADE has announced a deluxe edition of her debut album, 'THAT'S SHOWBIZ BABY! THE ENCORE'•
FKA twigs will curate Meltdown 2027 at Southbank Centre•
Hot Chip have announced their new album, ‘A Long Way From Kansas’•
The Cribs have announced a Wakefield show for ‘Men’s Needs, Women’s Needs, Whatever’ anniversary•
Tate McRae has released ‘Housewife’ with a South of France-shot video•
Olivia Rodrigo and Chappell Roan have released their ‘expectations’ remix•
Tom A Smith is heading up Paint By Numbers this December•
Bleachers have shared new song ‘Blood Brothers’•
Marika Hackman has announced new album ‘False Dogs’ and shared ‘33’•
Nieve Ella, Jamie T, Rachel Chinouriri and Remi Wolf cover Dork's new issue - order now!•
Tate McRae has announced new single ‘Housewife’•
Slayyyter has announced companion album ‘Wor$t Man in America’ for December•
Welly are going to headline a very special Dork’s Night Out at The 100 Club•
Down With Boring returns tonight with The North, plus bags of new music•
Keo have announced their 2027 UK, European and North American headline tour•
Primavera Sound Barcelona has announced its 2027 anniversary line-up•
Audrey Hobert has unveiled a new video for 'Sex and the City' as she begins her headline tour•
The Dork 2025 Readers' Poll nominations are in, featuring CMAT, Turnstile, Wolf Alice, Djo, Hayley Williams and loads more•
flowerovlove has released her first-ever first Christmas track, 'wishlist'•
Mighty Hoopla and Olly Alexander have announced Trans Mission, a concert for trans solidarity•
JADE has announced a deluxe edition of her debut album, 'THAT'S SHOWBIZ BABY! THE ENCORE'•
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A lightning storm in a bottle as Dilly Dally take The Lexington
Live Review

A lightning storm in a bottle as Dilly Dally take The Lexington

Dilly Dally’s debut album ‘Sore’ sees the band on the very edge of disaster. Sugar coated hooks dangle next to broken glass melodies giving the whole af...

Words:Dork

Dilly Dally’s debut album ‘Sore’ sees the band on the very edge of disaster. Sugar coated hooks dangle next to broken glass melodies giving the whole affair a sense of wonderful danger. Months on the road haven’t dulled any of the edges though and tonight at The Lexington, the home stretch of the band’s European tour, Dilly Dally storm the place with whole-hearted reckless abandon.

Tigercub are far more caring. Nestling moments of sunshine pop beneath big, grimy movements, the three-piece are fluid in their wants. From the hammer of ‘Rich Boy’, “our own personal fuck you to David Cameron”, through the pendulum swing of ‘Bittersweet Motherfucker’ to the crushing flourish of ‘Destroy’, the band are frustrated but motivated. It’s an attitude that spearheads their live show and gifts them a single-minded determination, making them impossible to pull away from.

By comparison, Dilly Dally is sheer chaos. Skirting about the stage and tumbling from song to song, the band carry a nervous energy. The songs are more urgent, more on-edge, more fraught with the emotional weight that inspired them and it’s a marvel to watch. Think the charm of ‘I Bet You Look On The Dancefloor’, maintained and twisted over the course of an evening. Tonight, Dilly Dally are a flickering flame toying with the idea of being burning out or torching everything that surround them. A decision is never made but somehow, the band have captured a lightning storm in a bottle. It’s impossible to look away.

In-between the wicked games of ‘Purple Rage', the rag-tag beauty of ‘Witch Man’ and the snarling want of ‘Desire’, the band glances out at the sold out crowd and breaks out in smirks of pride, disbelief and wonder. Anything can happen in the next half hour but Dilly Dally are in no danger of ever being anything less than a spectacle to behold.

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