
Lady Gaga did confirm a ‘Telephone’ sequel, but the details remain scarce
What Gaga said in her February 2025 Vanity Fair lie-detector interview, and what it did not confirm about Beyoncé or a release date.
Tickets. Dates. What’s the story?Explore the tour About This Track
Beyoncé and Kendrick Lamar navigate the Nile as metaphor for risk, surrender and self-discovery on this slow R&B number. The river becomes a space of liberation and danger at once; swimming its length without turning back, plunging into currents that might cost a life, diving without precaution. The track luxuriates in contradiction: relaxation and threat, motion without direction, the exotic and the rooted. A central pun anchors the second half. "I'm in denial, deep in denial / I'm in the Nile, deep in denial" collapses the river into a state of mind, one where Beyoncé claims her heritage and sensuality with defiant ease. She speaks of Nubian beauty, of being "darker the berry, sweeter the fruit", of tending and drowning in youth. The song moves between vulnerability and swagger, between the question of where she's going and the certainty that she'll get there in stride.
"NILE" is a track by Beyoncé, from the album The Lion King: The Gift, released 18th July 2019. The track is 1:47 long. It's filed under Soundtrack. Full lyrics are available below. Dork has published 17 articles about Beyoncé.
About the Artist
Lyrics
Lyrics provided by LRCLIB
View full lyrics page →Track details
More from Beyoncé
Explore
Credits

What Gaga said in her February 2025 Vanity Fair lie-detector interview, and what it did not confirm about Beyoncé or a release date.

At Madison Square Garden, Beyoncé condensed Lemonade into a collective statement while Rihanna used four medleys to map the range of a Video Vanguard career.

Released in November 2020, Marika Hackman’s ‘Covers’ found a route around the blank page: ten songs she already knew well, rebuilt at home with a drum machine, sparse production and room for experimentation.

A song at a rally can be licensed without carrying an artist’s approval. Here’s why campaign events, adverts and social posts can raise different questions.

From Cher’s television costumes to Sabrina Carpenter’s archival revival, Bob Mackie understood that a stage outfit had to read as character, silhouette and spectacle all at once.

The 20th-anniversary deluxe edition has returned Beyoncé’s 2006 album to the top, while ‘Morning Dew (Donk)’ claims an airplay record.