
How ‘People and Their Dogs’ made room for every side of Willie J Healey
Willie J Healey’s 2017 debut established a songwriting approach that could move between styles without treating any one of them as a detour.
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The closing track of Dylan's sixth studio album 'Highway 61 Revisited', recorded on 4th August 1965 at Columbia's Studio A in New York City, 'Desolation Row' runs to eleven minutes and twenty-one seconds of surreal, densely populated narrative. The song weaves together a procession of characters, some literary (Ophelia, Cinderella, Romeo, Cain and Abel, the hunchback of Notre Dame), some historical (Einstein), some archetypal (the Good Samaritan, the blind commissioner), all relocated to the titular street, a vantage point from which Dylan surveys a distorted social and political landscape. The verses accumulate detail without resolution: sailors fill a beauty parlour, a riot squad grows restless, Ophelia peers from beneath a window on her twenty-second birthday 'already an old maid', Einstein disguised as Robin Hood bums a cigarette and recites the alphabet. Dylan's delivery is measured, almost conversational, the acoustic guitar and sparse arrangement allowing the imagery to sprawl across the song's length. Written, according to one account, in the back of a taxi, the track closes 'Highway 61 Revisited' with a sustained exercise in dislocation, its characters and scenarios resisting neat allegory whilst mapping a recognisable unease.
"Desolation Row" is a track by Bob Dylan, from the album Highway 61 Revisited, released 30th August 1965. Full lyrics are available below. Dork has published 2 articles about Bob Dylan.
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