오늘 취하면 (WINE)

SURAN's 'WINE' pairs intoxication with heartbreak. The track moves between her voice and a featured turn from CHANGMO, each perspective circling the same wound: the inability to let go of someone who has already left. She sings of being drunk on memory, on the lingering sweetness of a first taste that was always going to turn bitter. The production, credited to SUGA, sits somewhere between restraint and ache, letting the vocal melody carry the weight of small, precise admissions. "I'm drunk on you, drunk on this night," she repeats, the repetition itself a kind of spiralling, a refusal to move forward that feels less like choice than compulsion. What makes the song work is its refusal of grand gestures. SURAN doesn't demand to be understood or fought for; she simply cannot stop reaching for someone who has made clear they are gone. CHANGMO's verse introduces a counterpoint, a voice that claims distance and indifference, yet the song's architecture suggests that distance is its own kind of performance. By the bridge, SURAN's voice grows quieter, hoarser, addressing someone who is no longer listening. The wine metaphor holds: something acquired taste, something that stings, something you return to anyway.