
How The Weeknd turns bodies and heartbreak into horror in ‘São Paulo’ and ‘Cry For Me’
Across two ‘Hurry Up Tomorrow’ videos, Abel Tesfaye makes the body a site of unease and turns a plea for reciprocal pain into something more unsettling.
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The glossy pivot point of The Weeknd's career, 'Starboy' paired him with Daft Punk in 2016 and recast his after-dark menace as sleek, chart-ready electro-pop. As the title track and lead single of his third album, it traded some of the murk of his earlier work for a harder, brighter sheen, a knowing portrait of fame's excess delivered with a wink.
There was a neat piece of history in it too. The song gave The Weeknd his third US number one, but more strikingly it handed Daft Punk their first and, as it turned out, only Hot 100 chart-topper, the French duo having stalled at number two with 'Get Lucky' a few years earlier. For one of electronic music's most influential acts, it proved an unlikely commercial peak.
"Starboy" is a track by The Weeknd, released 21st September 2016. Full lyrics are available below. Dork has published 20 articles about The Weeknd.
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Across two ‘Hurry Up Tomorrow’ videos, Abel Tesfaye makes the body a site of unease and turns a plea for reciprocal pain into something more unsettling.

The new track samples Yoko Takahashi’s ‘A Cruel Angel’s Thesis’, the opening theme to ‘Neon Genesis Evangelion’.

Abel Tesfaye says retirement “isn’t for me” as he looks beyond the story told across ‘After Hours’, ‘Dawn FM’ and ‘Hurry Up Tomorrow’.

The broadcast will stream before his two ‘After Hours Til Dawn Tour’ shows at Belluna Dome.
'Phase 2' kicks off this September.

He joins a bill that already includes Solange, Arcade Fire and Blink-182.