Babymetal: Death to False Metal
There are two stories about the origins of Babymetal. One is that producer Key Kobayashi formed the band around Suzuka Nakamoto in 2010 alongside Yui Mi...
There are two stories about the origins of Babymetal. One is that producer Key Kobayashi formed the band around Suzuka Nakamoto in 2010 alongside Yui Mizuno and Moa Kikuchi to blend sugar-coated pop with the weight of metal after realising that metal, as a genre, was only getting older. The trio was a subgroup of Japanese idol band Sakura Gakuin for a while until Suzuka ‘graduated’ at the age of fifteen and Babymetal branched out alone.
The other story is that many years ago The Fox God blessed three girls with the potential to become heavy metal guardians. Each of the girls, Su-Metal, Yuimetal and Moametal, has their own power to help them achieve this while Kobayashi acts as The Fox God’s messenger. A Power Rangers ‘teenagers with attitude’ sorta deal.
"We challenge so many types of music."
Whichever one you choose to believe, it’s clear that babymetal are here for a reason. Heck, both stories could be true. What started off as a song you’d share because you couldn’t quite believe what you were hearing quickly developed into something more. There were festival appearances, headline shows and a hyperactive debut album. Curiosity and questions slowly grew into excitement about where they’d go next. Two years on from ‘Babymetal’, the band released ‘Metal Resistance’ and it justified all that talk. Charting on both sides of the Atlantic as well as at home, the band also pulled off a confident headline slot at London’s Wembley Arena to kickstart a world tour that would eventually wind up at the 55,000 capacity Tokyo Dome. More than that though, ‘Metal Resistance’ is a great album. Debates about authenticity don’t mean much when a band is fully committed to entertainment and inspiring a good time. Call them what you like but Babymetal are here to stay, and it’s not their origins that are the big talking point anymore.





