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Fleet Foxes are in a world of their own at Latitude 2017

The band take to the stage for their first show on UK soil in six years.

Taking to the stage for their first show on UK soil in six years, Robin Pecknold says with a wry smile: “I trust that nothing has changed.” While a fair amount of time has passed since we last heard from Fleet Foxes, and things around them certainly have changed, it all feels more familiar than ever – though closing out this year’s Latitude comes as no easy feat. It’s late on Sunday so quite a few revellers have left the site early, meaning the crowd at the Obelisk is smaller than it should be. Still, those who have braved both the weather and prospect of a rough start on Monday are here to welcome the band back with open arms.

Before a single note is played, shouts of “We love you!” cement Latitude’s booking as a solid choice. Opener ‘I Am All That I Need / Arroyo Seco / Thumbprint Scar’ eases both band and crowd into a long-awaited reunion. Fleet Foxes’ music relies on its perfectly crafted and honed layers to come together and form a euphoric sound that’s unbeaten; it’s one that perfectly traverses the arena tonight. Every word comes with a well-packaged sincerity.

With the setting sun in front, Fleet Foxes blend with the evening perfectly. A headliner in all respects, they’re masters of their craft – be it rapid and panicked guitars, flute or delicately played brass. ‘He Doesn’t Know Why?’ comes out as a clear fan favourite, with ripples of applause. Fleet Foxes constantly feel at home; every moment is a fresh turn into familiar territory. ‘Mykonos’ kicks in with its choral introduction as the drums pound in causing a remarkable rise in linked arm dancing from the ever enthusiastic crowd.

This year’s third album ‘Crack-Up’ was a welcome return from the Seattle group. Fleet Foxes are over eleven years into a career that’s seen them go from hidden gems to mainstream long stays, and tonight at Latitude, they prove why: they’re in a world of their own.

Photos: Poppy Marriott / Dork

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