7 Sam Smith collaborations to try beyond the ballads
From early electronic breakthroughs to queer club-pop, these seven tracks put Sam Smith’s voice in very different company.
Tickets. Dates. What’s the story?Explore the tour Lyrics
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss.....
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
About this track
"BOSS" is a song by Disclosure from the album Moog For Love EP, released in 2016. The song was written by Guy Lawrence, Howard Lawrence. It was produced by Guy Lawrence, Howard Lawrence.
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Disclosure →Album
Yeah she's the boss
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
And I'm an old romantic doing favours
Don't look good on paper
But when she looks behind these eyes girl
I can see the psyche
And baby I like it
Yeah she's the boss
Yeah she's the boss
Yeah she's the boss
Yeah she's the boss
Yeah she.....
Yeah she's the boss
Yeah she's the boss
Old romantic doing..
Yeah she's the....
Yeah she's the....
Lyrics provided by LRCLIB
From Dork
From early electronic breakthroughs to queer club-pop, these seven tracks put Sam Smith’s voice in very different company.
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