IDER self-diagnose with new single 'Attachment Theory' ahead of their third album
IDER unveil their latest single 'Attachment Theory' and announce their third album 'Late To The World', produced by Dann Hume.
IDER have shared new single 'Attachment Theory', from their third album 'Late To The World', due 21st February.
The track follows recent singles 'Know How It Hurts', 'Unlearn', 'Girl', and 'You Don't Know How To Drive', and arrives accompanied by a 16mm film video shot in London by Basha De Bruijn.
"We wrote 'Attachment Theory' after a friend asked us to write a song about attachment styles," the duo explain. "It seems as though everyone is obsessed with the idea and with self-diagnosing, so we decided to write a confessional song about ours. On a deeper and more emotional level it's about the fear of being defined by the way you love and desperately wanting to change it."
Speaking about the video, they add: "We made the video for 'Attachment Theory' with director and friend Basha De Bruijn. The concept was simple - us crying and 'getting through life' in everyday situations filmed around London and at Meg's flat, to capture the raw and real message of the song. The video was shot on 16mm film which made the final visual and the filming experience as true to life as possible."
The track follows recent singles 'Know How It Hurts', 'Unlearn', 'Girl', and 'You Don't Know How To Drive', and arrives accompanied by a 16mm film video shot in London by Basha De Bruijn.
"We wrote 'Attachment Theory' after a friend asked us to write a song about attachment styles," the duo explain. "It seems as though everyone is obsessed with the idea and with self-diagnosing, so we decided to write a confessional song about ours. On a deeper and more emotional level it's about the fear of being defined by the way you love and desperately wanting to change it."
Speaking about the video, they add: "We made the video for 'Attachment Theory' with director and friend Basha De Bruijn. The concept was simple - us crying and 'getting through life' in everyday situations filmed around London and at Meg's flat, to capture the raw and real message of the song. The video was shot on 16mm film which made the final visual and the filming experience as true to life as possible."
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