
How Caity Baser’s ‘There I Said It’ moves from confrontation to self-acceptance
Across eight tracks, Caity Baser’s 2025 EP makes space for family pain, trauma, forgiveness and a more compassionate view of herself.
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Across eight tracks, Caity Baser’s 2025 EP makes space for family pain, trauma, forgiveness and a more compassionate view of herself.

‘Sanguivore II: Mistress of Death’ returns to Creeper’s vampire universe, but begins a new story with a different cast.

From electronic foundations to strings and a deliberate change in emotional temperature, these four tracks show how Bury Tomorrow widened their frame on 2023’s ‘The Seventh Sun’.

After the emotional candour of ‘There I Said It’, Caity Baser’s 2026 singles find room for carefree pop without pretending insecurity never happened.

Creeper’s 2021 EP returns to Calvary Falls as a purposeful epilogue, preserving songs from the painstaking sessions behind ‘Sex, Death & The Infinite Void’.

The two 2022 releases were Bury Tomorrow’s first recordings after ‘Cannibal’, introducing a reshaped lineup before ‘The Seventh Sun’.

Creeper’s new ‘Parasite’ video celebrates the costumes, dedication and singalongs of their vampire era, while Harry Steel will film their first full-length concert movie.

Caity Baser’s homemade TikTok upload found an audience overnight, opened a line to management and led to a lasting creative partnership with Future Cut.

Creeper’s vampire albums share a taste for 80s drama, but their musical priorities change sharply between them: from Jim Steinman-scale rock opera to faster, guitar-led heavy metal spectacle.

Bury Tomorrow’s 2024 single uses the language of villainy to examine suppressed anger, social masks and the difficult work of confronting one’s darker impulses.

The Australian band’s latest track arrives ahead of third album ‘smile, you’re on camera.’

‘Pretty Boys’ was Caity Baser’s first UK Top 40 single. Here’s how ‘X&Y’, her Sigala and Joel Corry collaborations, and the Number 7 mixtape Still Learning fit together.

Creeper’s disappearances are knowingly theatrical, but they have also made room for genuine rest, uncertainty and wholesale reinvention.

Ten years on, Bury Tomorrow’s fourth album remains a deliberately live-first record, shaped by relentless touring, fan feedback and a determination to make every track count.

Band of Skulls, Vylan Soundsystem and more will play the Rock ’n’ Roll Freak Show Experience at Electric Brixton this November.
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