Words: Stephen Ackroyd. Photos: Rosie Matheson.
Definitely. The lockdowns helped to break up the time in the studio, which gave us a better work/life balance. For the first time ever, we actually had too many songs for one album and had to whittle them down. I think that says a lot.
We've grown up a lot as people - we've got kids, dogs and houses. But ultimately, I feel like we're still working off the amazing chemistry we happened upon in our first band practices. That spark will always be our primary source of inspiration and keep on surprising us with what it produces.
We never know what kind of compound our musical chemistry will form next. We didn't set out to make an album with tracks encompassing house music, opera, barbershop and post-punk, but it just unfolded that way. Often making an alt-J song feels like walking a boisterous dog - you're not really in charge of where you're going; you're just trying to hold on and keep up.
We were pretty refreshed and excited to get back to music after taking 2019 off from the band. Unfortunately, starting an album in January 2020 wasn't that simple, it turned out! But as ever, we just write the songs we write and hope they will sound coherent on an album.

"We've grown up a lot as people - we've got kids, dogs and houses"
— Gus Unger-Hamilton
Probably not, no. I think the events in the background of its creation gave it a profound emotional honesty. The whole world has been through a long period of loss and mourning.
We aren't that into NFTs - though people are always asking us to do them (by which I mean companies, not fans). Crypto is neither a good thing nor a bad thing - in my opinion, it's just the latest manifestation of that ever-present entity Mammon. Can't live with him, can't live without him…
There was an ice cream van that was always going past the studio at inopportune moments, like during vocal takes, playing 'Yankee Doodle'. In the end, we embraced it and recorded it - you can hear it at the end of one of the songs.
I think 'Bane' is my favourite. It's a real journey and encompasses ideas old and new. We are forever storing away fragments of songs for future use, and this is definitely a song made up of such pieces. I love it for that reason.
It's going to be massive. Intimate moments can be great at gigs, but more often than not, quiet songs end up being 'talkers', to use a word my wife coined. So we now just tend to select setlists made up exclusively of bangers. We invite you all to come and see.











