It opened the door for Crawlers to really explore their vulnerabilities and gave Holly the self-belief to take tracks like ‘Fuck Me’ and ‘Hang Me Like Jesus’ (both of which were written before ‘Come Over’) to the band.

One year later and Crawlers have just released ‘Loud Without Noise’. “It’s so emotional,” beams Holly. There are a few niggling nerves about “getting a message from my ex, but we move,” she continues. “I just don’t seem to be able to hold back.”

She goes on to say that the mixtape tackles the “things I’m anxious about. It’s about the things that are constantly on my mind, that I’m trying to distract myself from. It’s where the title comes from because my thoughts are loud without distractions.”

The record explores “bad relationships and the recovery of the mental health crisis I had in 2020,” says Holly. “It also touches on sexual assault and other traumas that I’ve gone through, as well as talking about politics and how I’m a lot more privileged now I’m signed to a major label. I feel quite naked releasing this into the world,” she admits.

She goes on to say that playing the songs in practice “does sometimes get a bit much” even though they’ve fostered a safe space between the four of them, but playing big, sold-out rock shows is a completely different vibe. “You’re playing music that evokes such emotion in you, but there are all these people screaming the words back at you. Every person has their own story behind the lyrics resonating with them,” says Holly, who’s had countless fans come up and explain how Crawlers’ music has positively impacted their lives. “There’s such joy in being surrounded by people who understand you, at least a little. It’s really magic.”

If you’ve seen Crawlers this year, you know the euphoria they deal in. They’re just getting started as well. A flurry of festival dates has allowed the band to be exposed to a variety of bands at the very top of their game, with Holly listing Charli XCX, The 1975, Rina Sawayama, Self Esteem, Bring Me The Horizon and Olivia Rodrigo as artists that have taught her that “performing can be so much more than playing music and getting people to sing along.”

Sure, there’s still imposter syndrome that comes with being thrust onto those big stages, and the band are still getting their heads around meeting their idols backstage, but Crawlers are quickly realising they’re fine to do things their way. “I grew up seeing artists I admired talking about dramatic films or obscure literature as sources for inspiration,” says Holly. “I felt like I needed to be the same, but I’ve realised none of that really inspires me. I like Bojack Horseman, Fleabag and scrolling on Reddit. And that’s fine.”

Early this year, The Darkness’ Justin Hawkins posed the question “Are Crawlers the new stadium rock band we’ve been looking for?” on his Rides Again YouTube channel. At first, Holly wasn’t sure. “I’m five foot two; it’d be like a mosquito jumping around on a stage that big,” but recently, she’s coming around to the idea.

“You always want to be part of something bigger than yourself,” Holly continues, a lifelong fan of bands like Fall Out Boy and My Chemical Romance who conjured that communal spirit. “It wasn’t just about the music; it was about the community. All I ever dreamed about for Crawlers was making a safe space for people who were like me in school. I didn’t fit in,” she explains. “Yes, I know every artist says that they didn’t fit in because they were so weird or quirky, but I didn’t even know I didn’t fit in. I was so blissfully unaware because I was so busy with music.”

The day before Holly speaks to Dork, Amy visited her house to write some new songs and reflect on their barmy journey so far. Amy brought with her a video from four years ago, back when Holly would take to the stage with a “moody, fake badass” persona and a weird Elvis Presley singing voice (“so cringe”). In the clip, Holly can be heard asking, “why have no labels come to us? Why does no one know who we are.”

Crawlers’ ascent comes at a time when emo has stopped being an insult, and that melodramatic music is now resonating with a new generation. “I think it’s because we’ve all just become a lot more cripplingly self-aware. We’re more in touch with our emotions, and musicians can write about things that are horrible, but true.”

With so many great emo bands now thriving, Holly often finds herself asking why so many people are making a community around hers. She reckons it’s ‘cos the four people that make up Crawlers are so wildly different from one another, but are also so connected. “We also make music that’s so real and so honest. It’s the sort of thing I needed to hear when I was 14,” she explains. “We give people space to be themselves.”

As well as a busy 2023 that’ll see the band turn their eye from becoming Britain’s most exciting new rock band to something more global, Crawlers have also started thinking about new music.

The band also have a vision for what Crawlers’ debut album will be, but it’s still new. “Before the mixtape, I was a bit worried because we were getting pulled in every direction,” says Holly, with the band taking in rock and pop alongside singer-songwriter confessionals. “Now, though, we’ve settled into this new wave of sound. The mixtape shows off everything that we can do, and now we’ve got space to create a well-rounded, sonically cohesive Crawlers album. I don’t want to spoil too much, but there are already songs that are pretty much done for it.”

The biggest culture shock for Crawlers has been realising “we really do come from nothing. I used to be so unaware of how little we had, and I honestly wasn’t aware of this until we were plunged into the music industry,” says Holly. “We’re working class, and no one in our families had any contacts that could help us chase this dream. We all just loved music.”

“I wasn’t trusted in primary school to play an instrument because they thought I’d break it, when really I just had undiagnosed ADHD,” says Holly before going on to explain how she got “really lucky” at secondary school. “My teachers gave me free trumpet lessons because I couldn’t afford them. Those trumpet lessons were the first drops of music for a working-class person who probably would have never been able to do it otherwise,” she says, with both Liv and Amy having similar stories.

“We could never afford new instruments either. My dad worked in a charity shop, so if ever a guitar came in, we’d buy that, and I’d work on setting it up. It’s a different world to most people in the music industry,” Holly continues. “Now I’m signed to a major label, I’ve suddenly got all this privilege that I never had before.” Rather than wallowing in how hard they’ve had it, Crawlers want to “stand up for the fact that anyone should be able to do this. Music is a right. It’s not, as the government may think, a thing just for people with privilege and money. If you’ve got a creative interest, you should be able to pursue it.”

It comes as the band refuse to put a limit on themselves. As well as racking up successes within the industry, Crawlers have also worked with the team behind the new queer play A Billion Times I Love You to soundtrack the production. “We watched the actors’ movements and used our music to create a story,” says Holly. “It’s gone on to inspire our live show.”