It's a proud, defiant, jubilant showcase of Black music at a time when racists are very quick to say what is and isn't British, and the Union Jack is being weaponised on lampposts. "Both of my grandparents came over as part of the Windrush Generation, so that does hit something in me. The amount of racism that is freely online is scary, and seeing the Reform protests is petrifying. I've always wanted to celebrate my heritage, and I love exploring different genres of Black music," she says. "I didn't think about it being a political album, but I guess it is what it is."
It comes after Leigh-Anne teamed up with Bastille's Dan Smith, Brian Eno, Mabel, Neneh Cherry and more at the end of last year for charity single 'Lullaby', with all proceeds going to Palestine relief organisations. "I've always been passionate about using my platform, and the world is so messed up right now," says Leigh-Anne. "All I'm doing is leading with compassion and just being a human. I'm not really bothered about ruffling feathers because I think we all need to be doing that right now."
Lyrically, 'My Ego Told Me To' is just as eclectic as the music. "If I'm feeling something, I'll write about it." Tender songs about family sit next to swaggering celebrations of independence. '
Best Version Of Me' is brutally honest about Leigh-Anne's mental health coming out of the group, while '
Tight Up Skirt', '
Most Wanted' and '
Talk To Me Nice' see her get hot and heavy. "In Little Mix, we had to make everything suitable for our young audience. At the beginning of going solo, there were times I felt like I couldn't talk about certain things, but I'm at the point now where I feel like I can be as sexual as I want to be. I knew this was never going to work for me if I couldn't be totally free with it."
"This record really is a true representation of me," she adds. "It's been a long time coming, but the fact I'm releasing it as an independent artist just makes the moment even sweeter."