The last 18-months, like for so many, put a temporary pause on Wage War’s ascent, but channeling that into a new album, ‘Manic’, they look set to soar higher than ever before.

Words: Steven Loftin.

After scrambling around for a few minutes, Briton Bond settles into a corridor in the depths of tonight's venue. Beaming in from Michigan, on the final date of Wage War's first tour since landing back from Australia last year in support of 2019's 'Pressure', the vocalist is very keen to mention just how much fun they've been having.

"It's nice to be letting loose, you know? Especially on this tour. Just getting back on the grind. I didn't know how much I needed this; it's like therapy out here!" Briton opens, smiling.

You see, they've also been toting a few new songs. "I feel like it's like the purest form of Wage War. We got to do a record we wanted to do, be a little bit more out of the box but still keeping it super heavy metal at the same time," he explains of their newest outing.

'Manic', the Florida outfit's fourth effort, does exactly what it says on the tin. Within, there's some of their most brutally abrasive tunes, as well as some that could make even the most toughened heart crumble. A venerable beauty and the beast situation. It also sounds like they have something to prove.

To be fair to them, Wage War haven't had exactly an easy time of it. Since forming back in 2010 and then the release of their debut 'Blueprints' back in 2015, the metalcore scene has been relishing in the Wage War adrenaline rush while simultaneously giving them a scrupulous and oftentimes unfair tarnishing. Not only that but since basically every other band has been sat at home, honing their craft, the ante has indeed been upped. No wonder there's a sweating, furrowed brow, with a dangerous snarl reaching throughout 'Manic'.

Spending their time properly focusing on what they wanted to write, as opposed to being thrust through the cycle once more, also offered Wage War a chance for something very important indeed: "You can learn from your mistakes."

Not that there are many, Briton feels. Wage War are all about being true to themselves. Sure, there are echoes of metalcore past, but there's also a bright future roaring away. Briton, along with clean vocalist and guitarist Cody Quistad, guitarist Seth Blake, bassist Chris Gaylord, and drummer Stephen Kluesener are the ones who want to stare down those expectations and restrictions that come from the dirgy core, intent on dismantling them with a sledgehammer and a sincerity.

Love them or hate them, Wage War are also a band doing numbers. On if that brings a certain level of expectation now that they're well into their careers, Briton chews: "Yes and no, since we're going to get in front of more people."

'Manic' is indeed no strange side step, instead bullishly powering forward, Wage War appear ready for anything. It's an embracing of being metalheads, popheads and just fans of good songs. On more than one occasion, there's an earworm poking its head up through the dirt.

"That's why we've named it 'Manic', because of all these different things going on in your head," he says, smiling. "The record's definitely about mental health. The first one's about relapse, being stuck with things that aren't good for you. It could be a substance or a toxic person in your life. And 'Manic' is just straight up having a panic attack. 'Never Say Goodbye' is about losing a loved one. It's just an album about a lot of emotions that someone would feel in a time like this. I feel like it's a perfect representation of what we've all been feeling over the last few years."

Purposefully placing 'If Tomorrow Never Comes' as 'Manic''s finale, the album's resolution isn't one of hope but more questioning. We don't seem to be able to help ourselves, so what happens if tomorrow never comes? The answer to that is a lot simpler than you think, actually.

There's a deep catharsis that runs throughout. Briton also notes that he "vocally put on my best performance," which is hard to argue as he as easily reaches new levels of hellishly low guttural growls as much as joins in with Cody's more melodic tunings.

Dealing with the cacophony of feelings that cropped up throughout the pandemic, there wasn't anything off-limits. If anything, it's led to Wage War, as studious as they have been, armouring up further to take the world on once more. Though, it was by no means an easy ride.

Likewise, when they weren't writing during those lockdown days, Briton found himself playing video games, he says laughing: "I did a lot of that!" But more importantly, he found himself jumping on YouTube and watching his favourite bands live at festivals. "I thought that was super sick; it made me miss it. It almost brought a tear to my eye, wishing that was me again. But we're here! I'm thankful for sure."

Swinging back to being on the road. For Briton, what has he missed most? "Just the interactions with our fans," he says, an earnest twinkle in his eye. "That is number one. That's why I do this, and without them, there are no shows, there's no music, there's no scene, so I owe everything to them."

This is why trying to bottle all the complexities of the last year was no easy feat but by far the most important. "I feel like lyrics are a big thing in this band, and I would say they're all pretty positive messages we want to portray," he explains. "I know things are dark in this record, but I feel like it's more us telling our listeners, hey, we're going through the same thing you are, the same things you're kind of feeling."

He also found himself turning to the online faction of the Wage War fanbase during the great halting. "100% the biggest thing I was looking for," he mentions. "It's not like I needed it for justification for an ego; it was just nice to see them again, and happy."

Thanks to applying its own stringent barriers, ones that turn out to be nothing more than rope when whatever new song hits right, there's no doubt that metal is one of the more contentious genres in the game. Online forums are full of faceless names disputing just what's what, who should be doing certain things, and how. Similarly, with that thorny passion comes the positive and kindness many don't expect to find.

Diving in a bit closer, he continues. "Metal fans are the best in the world, man. Bands like Megadeth, Metallica have had super long careers, and I feel like that can happen in certain industries like the pop genre and things like that, but with those, you're hot or not, and you're gone. I feel like there are so many dedicated fans in this, and they know how to treat bands, know how to be good to their favourite acts. I feel like the world can use that, you know? Us just being better and everything. If you go to any type of metal festival, people are being great to each other, and I think we could learn a lot from that."

It seems like the time at home has given Wage War a decent outlook on weathering the side-eye storm whenever they do something. They know they've found a good home in metalcore, one that will be kind to them, even if it does tend to snap back on occasion.

It could be argued that attitude is far easier for a band to change than their sound. Sometimes it is easier to know that whatever people say I am, that's what I'm not. Even Briton is guilty of having his moment of not quite gelling with music a little closer to home, that is until it does. Tides change, after all.

"There's a band… I'm not gonna name any names," he says, anticipating the obvious question. "But there's a band that recently we've been on tour with, and they're super nice guys, but I've never really vibed too much with their music. They put out a track recently that I'm just like, this is sick. I'm starting more and more to understand even if you don't love a band or whatever, you can still respect their songwriting because even the songs you hate, they get stuck in your head; you're singing them all day."

Wage War will forever be fighting forward. "With our music too, if you don't like the new stuff, I mean there's a bunch, there are a lot more records before that; 'Blueprints' and [2017's] 'Deadweight', that stuff that you can go back and listen to at any time. And any time you come to one of our shows, we're going to be playing that stuff, so all hope is not lost for sure!"

Quickly clarifying, he says: "I'm not calling out fans or anything like that, but I feel like there is a good amount of us that… we've kind of missed the mark of understanding bands are gonna go through different seasons," he reasons, knowing it's hitting a little close to home. "They're all humans, and they're going to write different things all the time. Like Slipknot, for example. If you go to a Slipknot show, they're gonna play those songs you love; they're always going to be that thing you love, but just because you don't love their most recent record or whatever, it doesn't mean you shouldn't support them anymore."

Recalling a recent appearance at US festival Louder Than Life, Wage War stuck around and managed to catch nu-metal legends Korn. "I don't think I've listened to their latest two records," Briton says. "Getting out there and hearing all the old hits was super sick, but when they slipped those new ones in, I'm just like, 'Okay, I'll accept this, this is fine'. I feel like if we just opened our ears or eyes a little bit more, I feel like we could enjoy a lot more than we think we can."

Positioning 'Manic' as the purest form of Wage War, and it being "the most excited I've been for one of our records ever", means a lot is riding on it. It's no make-or-break; instead, it's the band continuing a journey entrenched in musical and personal catharsis, which does involve essentially sacrificing a part of yourself to the wolves.

"That's the thing; that's a reality bands need to understand, too. Every record you put out is not going to be the best record of all time. Like Metallica, for example, I 100% know their latest albums from like 'Load' and 'Reload', to 'Death Magnetic' is not people's favourite stuff. They love 'Ride The Lightning', they love the Black Album. And they know that. That's just how it is.

Nostalgia is the biggest catalyst for anyone to get entrenched in the past, especially in music. Everyone wants that magic spark that fires up their passion, and it can be hard to find that in the present.