Sea Girls reflect on getting signed, new single 'Damage Done', and their debut album: "Shit, this is my job!"

There are big things afoot for Sea Girls. Having packed out many a festival set over the past year or so, they’re newly signed to Polydor Records, have just dropped a new single (‘Damage Done’, about “young love and moving on”), and announced a headline tour planned for the end of the year (album time, guys?!?!???!). We caught up with vocalist Henry Camamile and drummer Oli Khan on the ground at Live At Leeds to see how they’re doing. Hey! We’re pretty surprised you’ve got the time to talk to us considering the festival season you’re having - when was the last time you had a break? Henry: It’s been two weeks solid, getting in about five hours of sleep a night. I listen to the Calm app a lot, lots of Stephen Fry podcasts. Oli: We’re coping okay, surprisingly so! Maybe we’re past the good point, and now we’re slightly psychotic. Being on tour involves a lot of suppressed excitement before the show in the evening – what do you do to kill time? Henry: We do interviews! Have a chat, have a beer, play some music. We forgot to bring our speaker today which is gutting, but lots of music off phones. Oli: We always play a bunch of energetic music. We used to play 'How Soon Is Now' before every gig to get things going. Any guilty pleasures? Henry: If you like a song, you like a song, I don’t even know what I’d describe as guilty. I bloody love Darude Sandstorm, cracking walk-on music. Oli: I love a bit of Girls Aloud. I like the promise, it’s musically adept and if you think about it doesn’t really have a chorus, just these great sections. A good catchy song, it shouldn’t matter what it is. Henry: I love a bit of Frank Sinatra, but that’s not really guilty either. Oli: You’re just a man of impeccable taste. Let’s talk about the single – talk us through the writing process, whats the track about? Henry: It’s called ‘Damage Done’, and I guess it’s about a certain set of circumstances. Some of my favourite things to write about are reminiscences of something I used to really care about. These little thoughts will just pop up, and I just started thinking about my first love and what that was like, and at the same time, how it ended. The song is kind of about leaving that young love below. Was it a whirlwind romance? Henry: It was a beautiful occasion! First break ups are always bad ones, but the song is about being optimistic about the future and deciding not to get stuck in the past. You don’t want to get stuck anywhere in life. So it's just nostalgic about that, remembering that summer. When you’re young you feel things so strongly, and everything feels so important, but this song is about going c’mon Henry, stop getting all hung up on the past’. There’s a line in it ‘I’m talking to myself again’ which is kind of a nod to the idea of why am I bothered if this person hears it, I’m trying to make an excuse for myself within the song. I’m obviously over it now, but it’s tapping into those old emotions. It’s lovingly approached, and I enjoyed looking at the rose-tinted parts of it, it’s not a diss track. Save that for the album! So we can expect full-scale vengeance on the record? Oli: I’d hope not! It’d be nice to have that full spectrum on the record, but we’re very much still in the working stages. I’m excited to get to the point where we have all these songs and can start thinking about how they flow together. I’d say we’re about three quarters written, but only one quarter recorded. Henry: It could very easily be three times written by this point, but we’re in the middle of a big set of recording now which is great. It’s been a bit of a challenge staying calm about it and thinking rationally about what songs complement each other and not running away with yourself. Oli: It’s hard thinking about the songs that you know might not make the cut, it’s obviously a huge amount of emotional investment, so I’m sure those final decisions are going to be hard. But we’re all each other cheerleaders. If Rory writes a good song I’m like fuck yeah, let’s get it on the record, go go go, we need to record this now.