There’s personal, and then there’s this. Deaf Havana’s seventh album, 'We’re Never Getting Out', is a heavy, often overwhelming listen. Born from frontman James Veck-Gilodi’s post-breakup introspection and a self-described “daydream of six months”, it’s packed with sadness; every lyric feels torn from a note left unsent.
Opener 'Life In Forward Motion' sets the tone: bleak, insular and clouded by self-doubt. 'Carousel' and 'Break' wallow in lines like “I’m a mess and you’re doing well” and “You keep me hanging on til I break / Turning into something I hate.” There’s very little light, and by the time 'Frida 1939' rolls around with “I think I’m getting sick again”, the sadness starts to congeal.
But there are moments where the clouds part. 'Hurts To Be Lonely' leans towards The 1975’s polished melancholy, all clean grooves and a chorus-ready hook. 'Cigarettes & Hotel Beds' and 'Tracing Lines' carry echoes of Sam Fender’s brooding indie-rock – emotionally charged, with a strong sense of place.
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