Album Review
Of Monsters and Men - All Is Love and Pain in the Mouse Parade
For longtime fans, it's a tender, off-kilter little triumph.
Of Monsters and Men's first album in six years is a quietly shimmering return, less a dramatic comeback than a gentle nudge to the heart. 'All Is Love and Pain in the Mouse Parade' is the sound of a band comfortable in their own skin, even if that skin occasionally smells faintly of brine.
There's no major reinvention here. The Icelandic group lean into the folk-pop textures that first made them global stars, adding layers of introspection and just enough oddity to keep things interesting. Opener 'Television Love' sets the tone: warm, rich, and contemplative. 'The Towering Skyscraper at the End of the Road' feels deliberate and expansive, while 'Ordinary Creature' is a breezy highlight, floating on the band's signature bittersweet glow.
Elsewhere, things get delightfully strange. 'Tuna In A Can' (yes, really) delivers the surreal line "Sticky from the brine" as if it's the most natural metaphor in the world. What it means is anyone's guess, but that's part of the charm.
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