Of Monsters and Men - All Is Love and Pain in the Mouse Parade

Of Monsters and Men's first album in six years is a quietly shimmering return, less a dramatic comeback than a gentle nudge to the heart. 'All Is Love and Pain in the Mouse Parade' is the sound of a band comfortable in their own skin, even if that skin occasionally smells faintly of brine.

There's no major reinvention here. The Icelandic group lean into the folk-pop textures that first made them global stars, adding layers of introspection and just enough oddity to keep things interesting. Opener 'Television Love' sets the tone: warm, rich, and contemplative. 'The Towering Skyscraper at the End of the Road' feels deliberate and expansive, while 'Ordinary Creature' is a breezy highlight, floating on the band's signature bittersweet glow.

Elsewhere, things get delightfully strange. 'Tuna In A Can' (yes, really) delivers the surreal line "Sticky from the brine" as if it's the most natural metaphor in the world. What it means is anyone's guess, but that's part of the charm.

Not every track lands. 'Dream Team' feels a bit slight, more sugar than substance, and a few moments drift dangerously close to Arcade Fire nostalgia-core. But when they get the balance right - like on 'The Block', which pulses with unexpected energy - they remind you why they were once the indie-folk band.

'All Is Love and Pain in the Mouse Parade' won't convert the unconverted, but for longtime fans, it's a tender, off-kilter little triumph. And honestly? We'll take the tuna.