Exploring 'Up On Gravity Hill', METZ's latest album, reveals a band at the crossroads of evolution and innovation, delving into new depths of creativity post-pandemic. Check out our latest Upset cover story.

Words: Stephen Ackroyd.
Photos: Vanessa Heins.

Evolution is not just inevitable; it's a creative necessity for a band blessed with the time to perfect their craft. With a career that has spanned over a decade, METZ has navigated the waters of noise-rock with a ferocity and tenacity that's as admirable as it is rare. Their journey from the raw, visceral energy of their self-titled debut to the nuanced complexities of their latest album, 'Up On Gravity Hill', mirrors a band in constant dialogue with their creative impulses, unafraid to listen to their compass when it comes to trying new things.

At the heart of this evolution is Alex Edkins, whose voice has guided METZ through everything from the stormy seas of punk's abrasive shores to calmer, more introspective waters. Today, Edkins is doing well. "I've been rehearsing, doing press and drinking unconscionable amounts of coffee," he offers, the last two items on the itinerary possibly not entirely unrelated.

'Up On Gravity Hill' arrives at a time when the world, much like the band, finds itself in a state of recalibration. The pandemic's global pause provided a rare opportunity for reflection, a chance to step back and take stock of the journey thus far. For METZ, this period was not just a break in their relentless touring schedule but a pivotal moment that allowed them to explore new creative avenues. Edkins' ventures into solo projects and collaborations during this time enriched his musical palette, influencing the band's direction as they regrouped to craft their fifth studio album.