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Nieve Ella, Jamie T, Rachel Chinouriri and Remi Wolf cover Dork's new issue - order now!•
Tate McRae has announced new single ‘Housewife’•
Slayyyter has announced companion album ‘Wor$t Man in America’ for December•
Welly are going to headline a very special Dork’s Night Out at The 100 Club•
Down With Boring returns tonight with The North, plus bags of new music•
Keo have announced their 2027 UK, European and North American headline tour•
Primavera Sound Barcelona has announced its 2027 anniversary line-up•
Madra Salach have released new single ‘Ribbon Factory’•
Bleech 9:3 have dropped new track 'Tourniquet' and announced their biggest headline tour yet•
Mollie Elizabeth has announced her new EP ‘People Pleaser’ and shared ‘Kiss The Ring’•
Baby Dave and The Works have kicked off a new collaboration with ‘Wings’•
RAYE, Olivia Dean, JADE and more are set to perform at the 2026 Mercury Prize ceremony•
Fontaines D.C. have released ‘Tongue’ and its New York-shot video•
LCD Soundsystem have announced 12 New York residency shows, including their 100th•
Saint Clair have shared new single ‘Dreams’ ahead of sold-out autumn headline tour•
Audrey Hobert has unveiled a new video for 'Sex and the City' as she begins her headline tour•
The Dork 2025 Readers' Poll nominations are in, featuring CMAT, Turnstile, Wolf Alice, Djo, Hayley Williams and loads more•
flowerovlove has released her first-ever first Christmas track, 'wishlist'•
Mighty Hoopla and Olly Alexander have announced Trans Mission, a concert for trans solidarity•
JADE has announced a deluxe edition of her debut album, 'THAT'S SHOWBIZ BABY! THE ENCORE'•
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Beartooth - The Surface
Album Review

Beartooth - The Surface

If 'Below' was Caleb Shomo's death notes from rock bottom, 'The Surface' are his postcards from recovery.

Label: Red Bull Records
Released: 12th October 2023
Words: Upset
SpotifyApple Music
When Beartooth booted us in the face with the unapologetically heavy, arena-invading 'Below' during a pandemic, it was like the world was their oyster. Built on vocalist Caleb Shomo confronting his demons during his basement sessions, 'Below' was an introspective exorcism we all needed.
Its follow-up 'The Surface' shoots for stadiums, and while it's ready-for-the-radio synths and sing-along choruses are bigger than ever, it sounds like Beartooth are too afraid to swim out the shallow end.
'The Surface' starts strong, suggesting it's the WrestleMania 3 of 'Below': 'bigger, better, badder!', 'Riptide' and 'Doubt Me' are undeniable bangers, anthemic sing-alongs shifting effortlessly into crushing, crunching riffs that slam so hard, they might as well shout "finish them!" But the Hardy-featuring, country-core of 'The Better Me', and the sold-out, sun-soaked, radio-rock of 'Might Love Myself' drop the ball. Later on, closer 'I Was Alive' sounds like State Champs stole Caleb Shomo's car and took it for a ride.

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Late-album highlights 'What's Killing You' and 'What Are You Waiting For' attempt a resuscitation, bleeding out old-school Beartooth as mind-numbingly metallic breakdowns spin kick you six ways to Sunday, before choruses so hench in hooks they might as well have gym memberships land the knockout blow. They sandwich the only song that doesn't follow Bearooth's brand, and arguably the best song 'The Surface' offers. 'Look The Other Way' says a lot with a little; its campfire acoustics and piano swimming in the undercurrent wrap up Shomo's heartwrenching confession that "I'm afraid I'm slowly pushing you away, by showing you the deepest, darkest, weakest part of me" in a bundle you don't want to let go.
Where its blockbuster soundtrack says little as it shoots for the skies, 'The Surface' says a lot with its lyrics. If 'Below' was Shomo's death notes from rock bottom, 'The Surface' are his postcards from recovery. Whilst 'Riptide' sees Shomo come to terms with needing to get better - "Don't wanna sing another hopeless song, cause it's the last time that I romanticise the riptide" - 'What's Killing You' painfully helps him realise the weight of our pain on those we love, as he wallows "it's killing me seeing what's killing you". And on 'Look The Other Way', 'The Surface' bears its soul: this shift in sound, this change of mindset, is all for that one special person who said they'd "always be right here to keep me company, when I don't even love myself, you love me anyway."
'The Surface' could've been Beartooth's crowning achievement, yet its reluctance to break formation keeps them steady in second place for now.

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