Album Review
mxmtoon - liminal space
At its core, ‘liminal space’ is a significant step forward for mxmtoon.
mxmtoon’s ‘liminal space’ finds Maia artist grappling with the complexities of early adulthood, delivering a collection of songs that are both introspective and emotionally weighty. Gone are the ukulele-driven bedroom pop tunes of her earlier work, replaced by a more expansive sound that incorporates elements of country and indie-rock.
The album’s title is apt, as mxmtoon explores the in-between spaces of life, from family relationships to cultural identity. ‘the situation’, featuring Sarah Midori of Kero Kero Bonito, is a standout that tackles ageism with a deceptively upbeat sound, showcasing Maia’s knack for wrapping serious topics in seriously catchy melodies.
Lyrically, ‘liminal space’ is Maia’s most personal work to date. ‘now’s not the time’ and ‘number one boy’ delve into complex family dynamics, with a candour that’s both refreshing and impactful. The album’s exploration of Maia’s experience as a mixed-race artist and eldest daughter adds depth to the songwriting, touching on themes of identity and expectation.
Maia’s decision to work with an all-female production team pays dividends, resulting in a sound that’s both polished and intimate but that also understands exactly what she’s trying to achieve. The banjo-tinged ‘i hate texas’ showcases her evolving songcraft, while ‘rain’ captures the bittersweet nostalgia of contemplating a return to one’s roots.
At its core, ‘liminal space’ is a significant step forward for mxmtoon, showcasing her growth as both a songwriter and an Actual Human Adult. A coming-of-age record that doesn’t shy away from life’s complexities.
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