Already one of the defining voices of her generation, Arlo Parks uses ‘Ambiguous Desire’ to stretch into dance textures and minimalism, her gift for intimate observation still leading the way.

With a Discord army, hundreds of millions of streams and zero interest in playing by industry rules, Good Kid are redefining what indie really means as they step up with debut album ‘Can We Hang Out Sometime?’.
With a Discord army, hundreds of millions of streams and zero interest in playing by industry rules, Good Kid are redefining what indie really means as they step up with debut album ‘Can We Hang Out Sometime?’.
Member-first reads, behind-the-scenes pieces and premium extras that hit Dork+ before anywhere else.
View allAntony Szmierek offers up his Really Very Good new single, 'The Heron' at Birkenhead's Future Yard as the first edition of our brand new Before Doors sessions.
Antony Szmierek offers up his Really Very Good new single, 'The Heron' at Birkenhead's Future Yard as the first edition of our brand new Before Doors sessions.

From supermarket meltdowns to broken appliances, Getdown Services are finding meaning in life’s most ridiculous moments ahead of a summer full of festival fun.

As they gear up for Dot To Dot, Lambrini Girls break down their ferocious new single ‘Cult Of Celebrity’ and why celebrity culture should make you incredibly uneasy...

After a chance Coachella meeting with Kenneth Blume (FKA Kenny Beats), New York duo Fcukers scrapped the overthinking and sprinted toward their debut ‘Ö’. The result is a high-octane collage of 90s house and club chaos; a record born from nightlife revival.

Two decades in, Scranton emo mainstays Tigers Jaw are still evolving. Their new album ‘Lost on You’ finds the band reckoning with time, growth and the people they’ve been along the way.

Written in the wake of relocation and reflection, Courtney Barnett’s new album finds her trusting the subconscious - and a well-timed mantis.

On her third album 'Ricochet', Lindsey Jordan swaps teenage romance for mortality, time and the terror of loving anything too much. It's her most expansive and emotionally ambitious record yet.

Punk abrasion meets warehouse euphoria on CHALK’s debut ‘Crystalpunk’ – a record rooted in place and powered by possibility.

From supermarket meltdowns to broken appliances, Getdown Services are finding meaning in life’s most ridiculous moments ahead of a summer full of festival fun.

As they gear up for Dot To Dot, Lambrini Girls break down their ferocious new single ‘Cult Of Celebrity’ and why celebrity culture should make you incredibly uneasy...

After a chance Coachella meeting with Kenneth Blume (FKA Kenny Beats), New York duo Fcukers scrapped the overthinking and sprinted toward their debut ‘Ö’. The result is a high-octane collage of 90s house and club chaos; a record born from nightlife revival.

Two decades in, Scranton emo mainstays Tigers Jaw are still evolving. Their new album ‘Lost on You’ finds the band reckoning with time, growth and the people they’ve been along the way.

Written in the wake of relocation and reflection, Courtney Barnett’s new album finds her trusting the subconscious - and a well-timed mantis.

On her third album 'Ricochet', Lindsey Jordan swaps teenage romance for mortality, time and the terror of loving anything too much. It's her most expansive and emotionally ambitious record yet.

Punk abrasion meets warehouse euphoria on CHALK’s debut ‘Crystalpunk’ – a record rooted in place and powered by possibility.
underscores' 'U' is a proper pop album, not in spite of its oddness, but because of it.
underscores' 'U' is a proper pop album, not in spite of its oddness, but because of it.

'Can We Hang Out Sometime?’ chases the pure pleasure of great guitar pop.




'Can We Hang Out Sometime?’ chases the pure pleasure of great guitar pop.

'This Music May Contain Hope' is RAYE at her most fearless.

It’s still recognisably Barnett - observational, dryly funny, emotionally candid - but presented through a process that feels newly energising.

Rich, charming and deeply comforting, it earns an immediate replay.

A lesson in exactly what Robyn can do that nobody else quite can.

'a short history of decay' is the Philadelphia band's most personal and most structurally ambitious work.

'HELP(2)' corrals 23 tracks from a roster deep enough to fill three festival main stages.

'Girlfriend' is the kind of record that makes its eleven tracks feel like exactly the right number.

A fifteen-track spread across R&B, dancehall, Afrobeats, electro-pop and roots reggae.

'Lost On You' sounds like a record made by people who know exactly what they do well.

Theresa Jarvis and co. arrive with a new clarity of purpose.