CINEMA 2

A spoken-word interlude in which Roberto articulates a deep withdrawal from the world. He declines water, declines a walk through the neighbourhood, declines conversation. What remains is a fixation on his own house burning, a fantasy of destruction that doubles as a kind of release. The monologue pivots toward regret. He wishes he could have saved his friends, one by one, but everything has gone. The closing lines carry a weight of dread: a question about whether he will be next, an apology to someone named Summer. The track sits within a lineage of spoken interludes that Brockhampton had established across their earlier albums, each one a moment of pause and introspection amid the group's more propulsive material.